Accompanied by leaves and autumn sounds, a little banana and a little sadness, after the third night of dreams. Snuff chess game is not finished, sighing Xinfeng left alone. Ten years on the pillow, t

Accompanied by leaves and autumn sounds, a little banana and a little sadness, after the third night of dreams. Snuff chess game is not finished, sighing Xinfeng left alone. Ten years on the pillow, two in the south of the Yangtze River. Enjoy a song "Autumn leaves, a little banana and a little sorrow". First of all, it plays up the sad mood. In China's classical literary works, "phoenix tree", "banana" and "rainy night" are always associated with sadness, homesickness and loneliness. The whole song describes being alone in a desolate and lonely hotel, listening to the rain at night. The first sentence of the song hits the phoenix tree with rain, which sets off the bleak and lonely atmosphere of "one leaf of the phoenix tree falls and the world knows autumn". Bai Juyi: "Raqqa-Fallen leaves fall to the ground, after the autumn rain" Wang Changling: "The phoenix tree in Jinjing is yellow with autumn leaves, and the bead curtain does not roll frost at night. The smoked jade pillow has no color, and you can listen to the Nangong for a long time. " Text: "Indus, it rains in the middle of the night, but it is bitter to leave. A leaf, with sound, drips all day "("More Leakage "), Li Yu:" The moon is like a hook in the west wing without words. Lonely phoenix tree deep courtyard locks clear autumn. " (Meet You Huan), Indus is a symbol of desolation and sadness. It endows literature with profound tragic significance. Su Shi: "The lack of a moon to hang a sparse tree will break people's initial quietness. Who sees you alone? " ("Operator Bu"), Meng Haoran, "Wei Yundan, Hehan, Sparse Raindrops and Indus" Yan Shu: "Who will write the small print on the red paper?" . Tall buildings yearn for dusk, and there is drizzle on the leaves of airplanes. "Li Qingzhao:" It's raining at night and dripping at dusk. This time, how worried! " (Slow voice), Banana also has a unique sadness of parting. Li Shangyin: "Bananas don't show lilac knots, and they are worried about each other" ("A Gift"), Du Mu: "A lonely guest can't sleep all night, and there are bananas outside the host's window" ("Singing Rain"), and Li Yu: "There are many autumn winds, the rain is like harmony, and there are three or two bananas outside the curtain. What can one do at night" ("Sauvignon Blanc"). The pillow is silent and the moon is round. The backlight is just a dark call, and the anvil is urgent. The eyebrows are on the hill, and the banana is cold. ("Bodhisattva Man") Lin Bu: "Who smells the banana rain on the pillow tonight" ("Xiaoxiao Palace in Sudong"). "After three nights, I dream back" points out that the poet can't sleep at night and his heart is full of sadness. The third night is midnight, and it is difficult to fall asleep again. "Snuff in chess is not collected" In the dead of night, the snuff has fallen, the rain has not stopped, and the drops are like playing chess. Song Youyun: "On the third night, the atrium is like pear blossom snow;" Pear blossoms are overwhelming, and azaleas cry blood. " (Memories of Qin E) It can be seen that at midnight, the lonely people at the end of the world add more sadness. "Night" is a symbol of loneliness as well as "phoenix tree", "banana" and "rain at night". Xu used so many words to describe a cold and lonely night. In fact, there is only one reason, that is, Taiping Yuefu's "sighing about Xinfeng's long stay" and "sighing about Xinfeng's solitude". This sentence comes from the allusion of Liu Bang, the Emperor Gaozu. Xinfeng belongs to the northeast of Lintong County, Shaanxi Province. After Liu Bang won the world, he took his father to Beijing, and Liu Fu was very homesick. So he changed the street pattern to Fengyi, built another village and moved to Feng Min, so it was called Xinfeng. It is recorded in The Biography of Ma Zhou in the New Tang Dynasty that Ma Zhou lived in Xinfeng before he became rich, but he was given a cold shoulder by the Hakkas. Therefore, future generations often express their worries and feelings of being left out by living in Xinfeng, but not necessarily in Xinfeng. You can see the meaning of the whole song from this sentence. According to the ghost book of Tianyi Pavilion, Xu only worked as a "Jiaxing Taoist official". Jane Xuan Ji Ding said that he "lived in Jianghu for ten years and never came back". It can be seen that Xu had the experience of going north and stayed there for ten years. In addition to this song, his poems "Looking at the North from the Mountain Scenery" ([Upgrading Wu Ye's Narcissus]), "Looking back on the south of the Yangtze River, tired guests, the West Lake is in debt, and plum blossoms are waiting for me" ([Upgrading Jing Tian Sand] "Don't be too high") and ". It can be seen. Xu Zaisi lived in the north for a middle age, depressed and frustrated, and he was born again. He had to feel the loneliness and helplessness of Jiangnan children in other places. How can you not be disappointed after traveling for ten years? This song is about the sadness of travelers' parting, the blending of scenes and short comments. The three sentences are just right and natural, and there is no trace of affectation, which shows the author's skill. The middle paragraph points out the source of pain, which is caused by feeling, and the language is light and powerful. Various scenes have existed since ancient times, and literati and poets have already described them incisively and vividly. In Xu's pen, it has its own taste, all because of the last three sentences: "Ten years on the pillow, two old people in the south of the Yangtze River are worried." I have experienced many things in ten years, but my parents who are far away in the south of the Yangtze River are always worried about the wanderers who have been separated for a long time. Here, the author skillfully uses the technique of profiling and does not write how he misses his hometown and relatives. Moreover, with the worries of elderly parents, family relations are even more tense. So this song is more unique and deeply rooted in people's hearts. At the end of the sentence, the words "everything is in my heart" came to an abrupt end. I want to stop talking, but it is thought-provoking and stirring. People are old, down and out, vicissitudes of life, always look back at the end of the world. Ten years on the pillow seems to have exhausted their sense of powerlessness, accomplished nothing, and done more than enough writing. Xu Zaisi's experience of going north for ten years has been unable to be found because of lack of information. We can only catch a glimpse of his poems. The society in Yuan Dynasty discriminated against southerners and intellectuals. Although "eight prostitutes, nine men and ten beggars" is slightly exaggerated, it can also be seen that it is difficult for intellectuals to be officials. Xu Zaisi's trip to the north is nothing more than seeking an official position. As a adherent of the Southern Song Dynasty, he hated national subjugation, and as a down-and-out scholar in the Yuan Dynasty, he had no future and felt quite "a hero lost his way". Xu's music works are valuable in describing the feelings and loneliness of ordinary people. Dissolve the loss of life with affection, never write about yourself, write fables about things, put pen to paper from my side, and see things from me, everything has my color. "The word is based on the realm. If there is a realm, it is unique and has its own famous sentence." Qu is a variant of Ci, but it is closer to the people than Ci. Wang Guowei said in the History of Song and Yuan Dramas: "The literature of one generation, the coquettish of Chu, the fu of Han, the parallel prose of the Six Dynasties, the Tang poetry, the Song lyrics and the Yuanqu are all so-called literature of one generation, and future generations cannot imitate them." The beauty of Yuanqu lies in its simplicity, naturalness, freshness and hearty, "elegance in vulgarity" and "seeking vulgarity in elegance". It is widely circulated in the market with its unique popularity. I think there is only one reason. It describes the life and common feelings of ordinary people. Another feature of Xu Qu is the good use of numbers. Step by step, this song expresses melancholy and fleeting feelings, and vividly describes the wandering homesickness, strong autumn, the sound of tung leaves, the rain of bananas, endless worries and uneasiness. It can be said that music is interesting because of numbers, and numbers are smart because of music. This is "nine points of love and nine points of worry, two lovesickness and two worries, and ten years of teasing." There's nothing shameful about taking a few breaks. Sanqiu hates Sanqiu's old feeling. Sanchun complains about Sanchun's illness and wine, which will harm him all his life. "([Double Narcissus] and" Chun Qing ") is even more outstanding. Most scholars believe that the repeated use of numbers is suspected of being axe-chiseled, which has become the second truth of the spirit. Fortunately, the song "Rain at Night" focuses on the expression of true feelings, rather than the general response. Wang Guowei's "Words on Earth" pointed out that "in the past, people talked about poetry, which was divided into situational language and emotional language, but I didn't know that all situational languages were emotional languages". It is with the help of the description of autumn colors that Xu Zaisi truly reveals the feelings of wandering thoughts by means of lyrical scenery, fable writing and scene blending. Appreciate the first three sentences in the second part, "A phoenix leaf, an autumn sound, a little banana and a little sorrow, after three nights in a dream", the poet spent the night in a different place on a rainy night. In the middle of the night, he heard the wind blowing the phoenix leaves outside and the rain hitting the banana. He couldn't help but feel sad and couldn't sleep at night. The ancients said, rather critical. What's more, the phoenix tree is a symbol of desolation and desolation in classical poetry. For example, Wang Changling's Poem of Long Letters in Autumn says, "The phoenix tree in Jinjing is yellow with autumn leaves, and the bead curtain does not frost at night. Smoked jade pillow has no color, long lying listening to the Nangong. "This is about a girl who has been deprived of youth, freedom and happiness. In a desolate and lonely palace, she lay alone, listening to the palace leak. The first sentence of the poem begins with a phoenix tree with yellow leaves by the well, which sets off a bleak and cold atmosphere. Another example is Li Qingzhao's "The Sound is Slow": "The phoenix tree is more drizzly and dripping at dusk. "Write phoenix tree leaves, drizzle at dusk, full of desolation, adding more sadness. So the raindrops here are phoenix trees, which render the endless homesickness and the endless sadness brought to the author by the long homesickness. The fourth sentence "chess game without snuff" is about the reality that I suddenly woke up from my dream and returned to a guest house alone. After waking up, I first saw a broken light, saw a messy chess game from the light, and thought of my situation from the chess game. To paraphrase Zhao Shixiu's famous sentence in Song Dynasty, "If you have an appointment, you will come in the middle of the night, and knock on the chess pieces and snuff out". The chess pieces have not been collected, and the snuff has fallen. It depicts the boring appearance of homesick people playing chess before dreams and lonely lights after dreams from the side. The fifth sentence "sighing that Xinfeng stayed alone" is associated with the experience of Ma Zhou, a minister in the early Tang Dynasty. When Ma Zhou was young, he lived in poverty. When he went out, he used to live in Xinfeng Guest House. Seeing that he was poor, the shopkeeper provided meals for other merchants without serving them alone. Ma Zhou ordered a barrel of eight liters of wine, carefree. This implies the poet's feeling of boredom and being left out, and expresses his dissatisfaction with the poor life. The last three sentences, "Ten years on the pillow, two old worries in the south of the Yangtze River, all come to my heart", writing a rainy night to wake up, evoking the author's infinite melancholy. The ups and downs of life came to my mind at once. Looking back on the success or failure of life, he seemed to see the scene of whispering with his wife on the pillow and the faces of his parents worried about him. The author is so excited that he can't sleep anymore. Here, the poet uses the technique of putting pen to paper on the opposite side in traditional poetry, instead of writing about how he misses his parents, he writes about his parents' concern for the wanderer, thus making the meaning of the text more graceful and touching. The words "all come to my heart" come to an abrupt end, containing infinite indignation and endless aftertaste. Homesickness is a common theme in traditional poetry. And this song describes the wandering thoughts in detail, which is quite typical. In particular, the first three sentences "Ye Qiu, a little banana and a little sorrow, after three nights in a dream" are thought-provoking: several identical numerals and quantifiers are used together, and their tones are scattered and harmonious, which just shows the uneasy mood; Say a tung leaf and a small banana, that means a sound of autumn, a little melancholy, and the sound of tung leaf and the rain of banana are endless, and the meaning of melancholy is endless. This song uses the least number of words, but it can accommodate the largest capacity, and expresses the author's heartbreak because of homesickness in a delicate and true way. The language of the whole song is unpretentious, natural and fluent, and the feelings are sincere and moving.