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This poem describes what the poet saw and heard when he passed Anren by boat.
This poem is as simple as a word, full of fun, showing the childlike behavior of two carefree little fishermen and the whimsy of an only child. Here is what the author saw: there are two children on a small fishing boat. They put away the bamboo poles and stopped the oars. Some authors also realized: Oh, no wonder they also carry umbrellas when it doesn't rain. At first, they wanted to use an umbrella to let the wind push the boat forward.
2. Text analysis.
(1) "A fishing boat with two children stopped on board." This may have been discovered by the poet at a glance. Of course, the two children soon caught his attention. Why? Because although they were sitting in the boat, they didn't go boating, the sparrows were put away, and the oars stopped there. Isn't that strange? It can be seen that the author's mood at this time is carefree and happy, so he noticed what the two children did.
(2) "It's strange to open an umbrella when it doesn't rain, instead of covering your head, it creates wind." Here, the story of two children playing umbrellas seen by the poet is omitted, and the doubts in the author's heart are omitted, and the joy of solving doubts is directly written. How did you untie it? Perhaps the poet saw the child's abnormal behavior and began to observe and think more carefully. Of course, the result was an epiphany: Oh, no wonder they also carry umbrellas when it doesn't rain. At first, they wanted to use an umbrella to let the wind push the boat forward. You can also ask two children directly, and the children will tell him the reason. Anyway, knowing the reason, the author must be heartless. For Warawako's cleverness and their naivety and childishness, he happily picked up a pen and recorded this childlike scene.
Yang Wanli writes pastoral poems and is very good at using children's childlike innocence to touch the poetic realm. His "New Town Xugong Store" (hedges are sparse all the way, and the trees are not shaded. The child ran quickly to catch the yellow butterfly, but the butterfly suddenly flew into the vegetable garden and could not be found again. ) "Two quatrains on a nap in early summer" (1) plum sour teeth, banana green screen window. Spring goes to summer, and the days are long and tired. After a nap, I feel depressed and watch the children play with catkins in the air. (2) A half-bow moss grows in the shade of pine trees, and occasionally wants to read and is lazy. Bored, I went to the fountain to water the banana. The pattering sound startled the children who were playing. They thought it suddenly began to rain. You can refer to it. The difference is that the boat crossing Anren focuses directly on children, and the whole poem is about children's childish behavior. Yang Wanli's love for children is beyond words, and he praised the cleverness of the two Warawako players. Of course, we can also see the poet's childlike innocence.
Xin Qiji
Qingpingle country house
The eaves are low and small,
Green grass by the stream.
Drunk and charming,
Who has white hair?
The big-eared hoe fights west and east,
Zhong Er is knitting a chicken coop;
I like children and scoundrels best,
Lying at the head of a stream peeling lotus flowers.
The author has written many excellent works describing rural life, and this word is one of them. Liu Xizai said, "Words should be fresh" and "Words should be elegant and upright" (Yi Wen Zhi Ci Qu Lulve). The characteristics of the author's works are "fresh language" and poetic. It is manifested in three aspects: description technique, structure and conception.
In terms of description, this poem does not use thick ink, but only uses pure line drawing to describe the environment and life of a family of five in the countryside. The author describes the different faces and patterns of this family vividly, vividly and with a strong flavor of life. If it is not a big deal, it is difficult to achieve such an artistic conception.
The first two sentences, write this family of five, there is a small thatched cottage, and there is a clear stream next to the house. The stream is covered with green grass. Here, the author only used two faint strokes to outline the fresh and beautiful environment composed of huts, streams and grasslands. It is not difficult to see that these two sentences also have a clear mission of environment and place in the first sentence.
Three or four sentences, describing a pair of white-haired Weng Tuo, sitting together affectionately, drinking and chatting, carefree. Although these words are very plain, they vividly reproduce the happy life of a pair of white-haired Weng Tuo, who are "charming and touching", intimate, harmonious and warm, and happy. This is a miracle among miracles. Of course, this is not only limited to the life of this couple, but also summarizes the common life fun of rural elderly couples, which has certain typical significance. "Wuyin" refers to the dialect of Wu dialect. When the author wrote this word, it was in Shangrao, Jiangxi, belonging to the State of Wu in the Spring and Autumn Period. "Er" is synonymous with old women.
The next four sentences, using the method of drawing, tell the story directly and tell the story of the different images of three sons. The eldest son is the main labor force in the family, shouldering the heavy burden of weeding in Dong Xidou field. The second son is still young and can only work as a helper, so he weaves a chicken coop at home. The third son doesn't know the world, but he is naughty at will. Just watch him lying by the stream peeling lotus leaves and eating them. Although these sentences are extremely easy to understand, they depict vivid characters and intriguing artistic conception. In particular, the innocent and lively appearance of children peeling lotus leaves freely is interesting and realistic, which can be described as a stroke of genius, a must in ancient and modern times! "Rogue" means naughty, it is a nickname, not derogatory. The word "lie" is used brilliantly, which highlights the innocence, liveliness and naughtiness of children, vividly and vividly. The so-called word is worth a thousand dollars, that is to say, the proper use of one word can add luster to the whole sentence or word. This is the word "lie" here.
In terms of artistic structure, the whole word closely revolves around the flow, arranges pictures and launches character activities. Judging from the artistic conception of the words, Mao's eaves are close to the stream. In addition, the combination of words such as "green grass on the stream", "big boy hoes beans in the east of the stream" and "I like children playing hooligans best, and the lotus is peeling at the head of the stream" makes the picture layout compact. Therefore, the use of the word "Xi" plays a key role in the whole word structure.
In the description of scenery, eaves, streams and grasslands are all common things in rural areas, but the author combines them in one painting, which is particularly fresh and beautiful. In terms of writing people, Weng Tuo drinks and chats, the elderly mow the grass, the middle weaves the chicken coop, and the young lies and peels the lotus. Through such a simple plot arrangement, it truly reflects a vibrant, peaceful, quiet, simple and comfortable rural life. Give people a poetic, fresh and pleasant feeling. This concept is ingenious, novel, harmonious and vivid, leaving an unforgettable impression. From the author's description of the fresh, beautiful, simple and elegant environment in the countryside, and the description of Weng Tuo and his three sons, we can see that the poet loves the peaceful and quiet life in the countryside.
This poem was written by the author in his later years when he was rejected by the peace faction in Shangrao and retired to the countryside. Lyrics describe a peaceful, quiet, simple and comfortable life in rural areas, and cannot be said to be the author's whitewash of reality. Judging from the fact that the author has been paying attention to the restoration of the Song Dynasty, he yearns for such an idyllic life, which will further stimulate his patriotic enthusiasm for fighting against nomadic people, recovering the Central Plains and reunifying the motherland. As far as the situation at that time was concerned, this peaceful and quiet life also existed in villages far away from the anti-gold front. This work is not the product of the author's subjective imagination, but a reflection of real life.