Source: Song Dynasty poet Xin Qiji's "Partridges and a Generation of Fu". The picture described by this word is vivid, distinct and full of vitality, which gives people rich aesthetic enjoyment and then resonates.
Excerpt from the original text: Unfamiliar, soft mulberry branches and oriental silkworm eggs have been born. The fine grass in Pinggang sings yellow calves, and the crow in the cold forest at sunset.
The soft branches of mulberry trees on the roadside at the village head have just blossomed. Some of the silkworm eggs raised by neighbors in the east have become silkworms. On a gentle hill, young yellow calves are chirping among the fine grass, the setting sun is slanting on the cold forest, and crows are resting on the branches.
Creation background of Expanding Materials: In the eighth year of Xichun (1 18 1), Xin Qiji was impeached and lived in seclusion in Shangrao. The inscription is "Fu Dairen", which shows that some people at the meeting are not good at writing poems, so please ask the author to write them instead. According to the arrangement, this article should be written as "What happened in spring" or "What did you see in the country", which is the author's work during his stay by the lake.
With the passage of leisure time, the author's observation experience and love for rural life are gradually deepening. The author has become accustomed to the dullness of rural life and gradually merged into the simple peasant population. At the same time, he feels more uneasy and confused about urban life, especially his official career. This word was written in this background.
In the first two sentences of Shangque, when mulberry bud and silkworm eggs began to hatch, the word "broken" was used to vividly write that mulberry leaves gradually germinated and expanded under the urging of the spring breeze, and finally burst the transparent film that originally wrapped mulberry bud. The word "broken" is not only dynamic, but also makes people feel the strength and speed of mulberry bud's germination.
In the third sentence, "fine grass in Pinggang is called yellow calf", and "fine grass in Pinggang" and "yellow calf" are interrelated. The yellow calf has been kept in the cowshed for a winter. When grazing on the flat slope, it is very happy to see the spring grass at first sight. Although "Ming" is written by voice, it can make people want to see the leisurely and demeanor of the yellow calf when eating grass.
The words "setting sun", "cold forest" and "dusk crow" in the fourth sentence should have constituted a gloomy scene, but the artistic conception has changed because of the use of a verb "point". It is an accurate realism that the crow flies or perches like a mass of ink spots. There are no leaves in the cold forest in early spring, so black crows can be clearly seen in the forest. The author is enjoying a natural painting.
On the surface, the second half of the word seems to be the scenery after the first half. The scenery in the second half here is different from that in the first half, with waves. The first is to push it far, from Pinggang to distant mountains, from rural areas to cities.
The phrase "selling wine with others" seems to be very common. The whole word is about natural scenery, and only this sentence is about human activities, which breaks the monotony of blindly writing about scenery. This is a trick to write landscape poems. Although you write about the scenery, you can't just exaggerate. You must add some people's feelings. Some people's activities will make the poem look alive.
The sentence "peaches and plums in the city are worried about the wind and rain, and spring is at the head of the stream" is the crowning touch of the whole word. It seems to be writing about scenery and discussing. These two sentences determine the mood of the whole word. If you only look at the first three sentences and the sentence of "selling wine with pure spirit", the emotional appeal of this word is very pleasant.
The sentence "Twilight in the cold forest on an oblique day" has revealed a little news. When it comes to the sentence "Peach and plum are worried about the wind and rain", the feeling of being so incomplete in splendid rivers and mountains is completely expressed.
Once upon a time, when poets and poets were hiding something, they always spoke symbolically under the guise of natural things. Whenever the rain hits the spring flowers in Xin Ci, it mostly alludes to the situation that the Southern Song Dynasty was promoted by Jin Bing. The "peach and plum in the city are worried about the wind and rain" here is also a lament that the Southern Song Dynasty was bullied by Jin Bing.
The word contrast means playing hard to get. From a happy scene to a sad state of mind, let them set each other off, and the sadness is even worse. In the past, people often used the word "pain" when talking about Xin characters, and his pain was in this place.
However, sadness does not mean disappointment. The phrase "Spring in Xitou shepherd's purse" shows that the poet still has great hopes for the local public security situation in the Southern Song Dynasty. This hope comes from seeing the working people in the village who are engaged in farming and mulberry planting. The previous sentence says "Poetry can be resentful", and the next sentence says "Poetry can be glorious".
About the author: Xin Qiji (1 140- 1207), a poet in the Southern Song Dynasty. The word euan, no. Jia Xuan was born in Licheng (now Jinan, Shandong). Together with Su Shi, they are called "dragons in words" and together with Li Qingzhao, they are called Jinan Er 'an. Joined the anti-Jin army at the age of 21. He was once a minister in the palm of Geng's hand and soon returned to the Southern Song Dynasty.
He has been sentenced in Jiangyin, sentenced in Jiankang, promoted to prison in Jiangxi, served as a transshipment ambassador in Hunan and Hubei, and served as an appeasement ambassador in Hunan and Jiangxi.
He was demoted at the age of 42 and retired to Xinzhou, Jiangxi for 20 years. During this period, he was a prisoner and a special envoy of Fujian. At the age of sixty-four, he was re-elected as the ambassador of eastern Zhejiang and the magistrate of Zhenjiang, and soon returned.
He argued against the Northern Expedition of the Jin Dynasty all his life, and put forward the relevant general plan "Ten Theories on Beauty and Qin Dynasty", which were not adopted. His words are passionate, impassioned and full of patriotic feelings. There are Jia Xuan's Long and Short Sentences and Xin Jiaxuan's Notes on Poetry.
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