-Random Thoughts on Poetry and Fu in Pavilion
Pavilions and pavilions, or standing on the green hills, or attached to the riverbanks, or dotted in gardens, were born in bustling places, like a decoration, attached to a landscape, adding luster to a landscape, and they became historical relics and cultural attractions, while famous pavilions and pavilions were often integrated with historical culture, anecdotes and natural scenery, attracting many literati and elegant people. They climb high and look far, pursue the right to explore victory, get confused, and then condense into poetry?
Love dusk pavilion on Yuelu Mountain
Blue bricks and green tiles, stone cornices, antique. The corners are slightly tilted, like a Dapeng spreading its wings, and the roof is about to sag, avoiding the coldness of the shape. It is beautifully embedded in the landscape of nature, as if it has become a part of heaven and earth, sending people to miss nature infinitely, stopping for a walk, maple leaves are red all over the sky, flowers bloom in February, and love comes late. It is true that you can't afford to fly.
Bajingtai
Magnificent and dazzling, the stage overlooks the blue mountain with "Five Ridges in the south and Seven Min in the east", overlooking the current situation, with mist and mist, vegetation and dusk rain, far away, the sound of chickens and dogs, Taoyuan Xanadu! Ganzhou is such a well-known pavilion culture, with red columns and green tiles flying over eaves, all around, long platform-like, with the guardrail of Shuanglong, just like waves rolling by. The atmosphere is back! "Poems about pavilions.
Yellow Crane Tower
When will the yellow crane return? Let's look at the thousand-year-old fragrant grass in the mainland and the white clouds are still there today. Q? May the red city be fragrant with plum blossoms! The heart is far and wide, and the wine listens to the jade emperor plum blossom. Is it convenient now? I bid farewell to the river, pushed the window to send the outline, and asked the fairy yellow crane, why did I come back? The first floor in the world, who can compare with you in quantity and elegance? Cui Hao's sentence "If people leave the Yellow Crane, only the Yellow Crane Tower remains". Make it a household name from the beginning. For thousands of years, countless literati have come here to visit the holy land, to express their feelings on the railing and to record them in writing. The reason why the Yellow Crane Tower has become an enduring theme is this theme.
Pavilion of Prince Teng
Changzhou Emperor, Immortal Return to the Museum, General Armory, Bachelor School, where is Wang Teng? High-shelf, thousand-year-old drama, into an empty pool of clouds, Gong Yan can spread. Scholars of war have sent a sequence to the southeast host and guest. Don't underestimate Lu's talent-Wang Bo, sunset and lonely Qi Fei, and autumn water * * * and the sky are one color, and the romantic moonlight is boundless. It is located in the Wang Teng Pavilion in nature, as if forever saying, "I have boarded again, and my eyes are thousands of miles away."
Pavilions and pavilions, a collection of thousands of years of poetic culture, have brought together scholars from all over the world to appreciate the magnificent architecture and profound artistic conception.
Pavilion Poetry (II): Appreciation of Pavilion Poetry
The traditional pavilions and pavilions in China have various shapes, and their aesthetic value lies not in the buildings themselves, but in enjoying the natural scenes in the surrounding vast space through these buildings. Those famous pavilions are often integrated with history and culture, anecdotes and natural scenery, and many literati are attracted by them. They climbed high and looked far, pursued the past and explored the victory, and they had feelings in their hearts and formed a large number of poems. These literary works often contain feelings such as acacia farewell, homesickness, sad songs of strong men, and strangers of literati. Moreover, many famous works have strong spiritual appeal to future generations and become part of the spiritual and cultural heritage of the Chinese nation. Acacia farewell.
Tao Qian has a "new autumn night, graceful and restrained moon will be round" ("Fire in mid-June in the year of Wushen"). Li Baiyou "is a sad place in the world, please come to Fujian Pavilion. Spring breeze knows that it is not bitter, and it does not send willow green "("Old Pavilion "); "Where is the reward? The long pavilion is a short pavilion "(Bodhisattva Man); "Farewell to the Baling Pavilion of the King, where the water is vast" ("Farewell to Baling"). Lin Jingxi said, "Autumn is full of emotion, but sunset is still a pavilion" (Xiting). In Wang Shifu's The West Chamber, there is a sentence: "I saw Shili Pavilion lose its jade muscle in the distance, but who knows what it is". Modern people are most familiar with Li Shutong's "Farewell", such as "By the ancient road outside the pavilion, the grass is growing" and so on. As can be seen from these poems, pavilions in most literary works have become a symbol of parting lovesickness.
Solitary Pavilion and Meditation
Li Bai, a great poet in the Tang Dynasty, wrote in "Bodhisattva Man": "The flat forest is vast and the clouds are lingering. The cold mountain area is sad and melancholy. A moth threw herself into a tall building. Someone upstairs is in a hurry. Jade steps stand empty. It is urgent to stay at home. Where is the return trip? The pavilion is shorter. "
In Liu Yong's "Yulinling" in the Northern Song Dynasty, there is a phrase "The cicada moans sadly, the pavilion is late, and the shower begins to rest. Farewell outside Kyoto, but not in the mood to drink, reluctant to leave, the people on board have been urging to start. Holding hands and looking at each other, tears swirled in my eyes until there were no words at last, and a thousand words stuck in my throat and I couldn't say it. Thinking about thinking, thousands of miles of smoke, dusk, chutiankuo.
Liao Hong, a poet in A Qing, also wrote a poem for this pavilion: "Tianya is reduced to an isolated pavilion, which is a floating life and a landscape. Looking at the bleak West Lake Moon, the water is particularly beautiful and cold.
A strong man laments, but a scholar never meets.
Chen Ziang is on the tower of Youzhou: Where was the past before me? Behind me, where are the future generations? I thought of heaven and earth, with no limit and no end. I was alone and my tears fell. The poet stood alone on the platform of Youzhou, looking at the mountains and rivers and thinking a lot. Like Yan Zhaowang, the sages of the previous generation are out of sight, and the sages of later generations have no time to see them. Their birth is really unfortunate; When I stepped onto the stage and looked out, I saw the vast universe, which was eternal. I can't help feeling lonely. I feel sad and in tears. This kind of sadness was often told by many talented people in feudal society, so it was widely read.
"Preface to Lanting Collection" Wang Xizhi "looked up at the universe and looked down."
Looking at the victory of the category, I feel that "my feelings move with the times" after traveling. "I enjoy it, and it is a thing of the past between pitches, so I still have to enjoy it; The situation is short-lived, and it will end in the end. "This short-lived feeling resonated with ancient and modern literati, and caused the enduring sound of * * *. Pavilion and pavilion poems
Youzihuaixiang
Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness. After all the hardships and hatred, the white hair is full, and the wine glasses are damaged. Du Fu's "Climbing Yueyang Tower" Du Fu's "Climbing Yueyang Tower", the author climbed the Yueyang Tower that he had longed for for for a long time in his later years. He not only saw the magnificent atmosphere of Wu in the east and Chu in the south, but also saw the endless floating of heaven and earth in nature. But what is more valuable is that the author faces the war and mountains in the north of this wall, and how can I not cry here against the railing? This feeling of worrying about the country deeply infected later generations of Southern Song poets. "I lean on the dangerous building, looking at the spring sorrow, and the sky is dark. In the afterglow of the grass, no one will rely on the meaning of the column without words "("the nearest flower "); "Is the decline, Ran Ran content China Hugh yi. Only the gushing water of the Yangtze river flows eastward without sound. I can't bear to climb high and look far, yearning for my hometown, and my thoughts are hard to return ("Ganzhou Eight Tones"), and I feel that life is short from homesickness and spring sorrow [4]. Pavilion and pavilion poems
Thinking about women, thinking about people
Ouyang Xiu's "Walking on the Sand" is inch by inch soft-hearted, with tears streaming down her face.
Tang Xianzu's famous "Peony Pavilion" said: "Only when Acacia is burdened, the Peony Pavilion will lead the way."
The Peony Pavilion is the agreed place for another marriage. In the narrow space of Peony Pavilion, the love story of Du Liniang's resurrection from the dead and Liu Mengmei's reunion is staged. The Peony Pavilion is about love in dreams. If this dream is true in Xu, it is also true and illusory. Du Liniang is sick and illusory, and Liu Mengmei takes illusion as truth. In the sad love that travels through time and space, people have a real and illusory artistic conception, which has triggered eternal singing.