The warm wind is like wine, and the bright spring is finally here. At this time, peach blossom is the protagonist. Su Shi has a poem: "Peach blossoms outside the bamboo are three or two, and spring water warms the duck prophet." Peach blossom should have known for a long time.
Peach blossoms bloom and burn ―― peach blossoms in spring.
Gorgeous peach blossoms seem to be a symbol of spring. People call February of the lunar calendar peach month, and spring rain is peach rain and peach rain. Tang Dai Shulun wrote a poem "Lanxi Acura": "Peach blossoms in Lanxi rain for three days, and carp come to the beach in the middle of the night", which means peach blossoms in spring rain. As we know, Bai Juyi once wrote a poem entitled "Peach Blossoms in Dalin Temple": "In April, the world is beautiful, and the peach blossoms in the mountain temple are blooming. I often hate that spring is nowhere to be found and I don't know how to turn it into it. " Looking at peach blossoms is like catching up with spring.
The Book of Songs Nan Zhou Yao Tao;
Peach will burn its glory when it dies, and its son should stay at home when he returns home.
Peach died, and it is true that Peach's son returned to the family.
Tao Yao Yao, his Ye Zhenzhen and his son Yu Gui, deserve their home.
This is a poem to celebrate the wedding. The poem describes the bride with beautiful peach blossoms, and wishes the bride many children and grandchildren with fruitful peach trees in the future.
Peach blossoms are often accompanied by beautiful love stories. Among them, the most famous story is The Peach Blossom Garden, which comes from a poem by Cui Hu, a poet in the Tang Dynasty:
Titu chengnan Zhuang
Last spring, in this door, the girl's face contrasted with the peach.
I don't know where people's faces are, but peach blossoms are still smiling in the spring breeze.
Everyone is familiar with the love story of women under the green lake and peach tree, so I won't go into details here. However, after thousands of years, we read this poem, and the smiling and affectionate girl under the peach tree seems to have seen her. The beautiful love under the peach tree, like spring, still makes us look forward to it.
Emperor Taizong's wife, the queen's grandson, has a poem called "Spring outing":
The peach blossoms in the garden are dazzling to the sun, and the beautiful women in the boudoir are filled with the enthusiasm of spring.
The blooming peach blossom seems to have stolen her rosy cheeks, and the willow branches under the eaves seem to have learned her lithe figure.
She lingered among the flowers, watching butterflies flying and listening to orioles singing in the branches.
Far away in the forest, you don't have to ask. It is famous for its fantastic romance.
In this poem, there are two images of peach blossoms. The eldest grandson is not as shy as the women of later generations, but boldly says that "the blue boudoir moves Chun Qing". Bright peach blossoms represent the youthful vitality of women in the prosperous Tang Dynasty.
Since then, whenever "Peach Blossom Face" and "Peach Blossom Face" are mentioned in poems and essays, people can't help but think of love stories, but many words in later generations are inevitably marked with sadness. Han Wo, who was good at writing boudoir love poems in the late Tang Dynasty, once wrote in the second song of Goodbye Three Musts:
Peach blossom face is thin and hard to hide tears, and arch eyebrows are long and sensitive to sadness.
I didn't smile to my face, just looked up and bowed my head several times.
For various reasons, this woman can't marry a lover. Now she silently looks at the man she loves deeply, with mixed feelings in her heart, but she dare not show her face. What a pity at this moment! Hanwo also has a song called 1 2 3.