Bamboo is tall and straight, modest and restrained, and can face frost and snow in the cold, which is loved by literati in past dynasties. Su Shi, a famous writer and painter in the Northern Song Dynasty, is a bamboo lover. He not only admired and tasted bamboo, but also painted and wrote bamboo, leaving many excellent works of chanting bamboo.
Huang Tingjian, a good friend of Su Shi, likes the bamboo painted by Su Shi, and once wrote a poem titled "Bamboo Stone for Cattle" (and cited);
Zi Zhan painted strange stones with bamboo, increased the front slope, herded sheep and rode cattle, which was very meaningful and playful.
The wild age is small and majestic, and the secluded lean on the green.
A Tong's three-foot pestle is a way to resist the old man.
Wu Shi likes it very much, so don't send cows to grind their horns!
The bull has a beautiful horn, but the bull is against me.
Zi Zhan in the introduction of this poem is Su Shi's word, which is the word of Li, a famous painter in the Northern Song Dynasty. In other words, Su Shi and Li cooperated to draw a picture of herding cattle with bamboo stones. Su Shi painted strange rocks among bamboos, while Li painted a picture of herding cattle. The famous calligrapher Huang Tingjian found it very interesting and wrote a poem for it. The word "thump" in the poem refers to a whip, and the swaddling refers to a cow, which means sharpening a knife. The last four sentences in the poem "I love stones very much, don't send cows to grind my horns!" " I like this stone very much. Don't let the cows grind their horns on it. It's just a cow grinding its horns If cows fight, it will damage my bamboo. Humorous expression of the poet's love for Su Shi's bamboo painting can be described as the finishing touch. This poetic creation, which combines poetry, calligraphy and painting, fully shows the friendship among Su Shi, Li and Huang Tingjian, and their appreciation and love for bamboo.
Dongpo's love for bamboo is not only vividly painted on paper, but also permeated in many of his poems related to painting bamboo. The painter Wen Tong, whose name is Ke, is a subordinate cousin of Su Shi and a magistrate of Yangzhou. He is diligent in promoting advantages and eliminating disadvantages, and his administration has taken on a new look. So he chose 30 scenic spots as objects, wrote "Thirty Gardens" and gave it to friends such as Su Shi. Su Shi wrote Thirty Poems of He Wen and Keyangchuan Yuanchi, and his poem Frost Pavilion wrote:
I can't help it,
Chen Juan has been in a cold state for many years.
It depends on the meaning of frost,
When the autumn wind powder falls.
Dragon: Bamboo shoots. Jun: The green skin of bamboo is another name for bamboo. Zan: generally refers to bamboo. Poetic and picturesque: Hsinchu, which has just emerged from the shell of a bamboo shoot, is still tender and weak, unable to keep itself straight, but has an elegant posture and a cold-resistant body. And to see it solemn and respectable, stand proudly in the frost and cold, we must wait until the autumn wind suddenly rises and the pollen withers. The poem highlights the quality of bamboo that is not afraid of cold and frost. The poet's love, expectation and praise for Hsinchu are beyond words.
Its "Yun Gou Gu" wrote:
Bamboo cultivation in Hanchuan is very cheap.
Never forgive the dragon.
Looking forward to poverty, greed and excessive defense,
Weibin has a thousand acres in his chest.
The first two sentences of this poem say that Hanchuan area is rich in bamboo, and ordinary people like to cut down and eat cheap and good bamboo shoots. The greedy satrap in the last two sentences refers to Wentong. First, the gluttonous satrap who jokes about honesty and poverty must be among the gluttons. Then, when the topic changed, he praised Wen for painting bamboo, which was different from others and could see thousands of acres of bamboo forests. Before he put pen to paper, he had all kinds of paintings in his stomach. Interestingly, when Wen Tong received Su Shi's poems, he was traveling in the valley with his wife. He ate bamboo shoots very late, which made him laugh and filled his box with rice. Su Shi pointed out in the article "Painting Bamboo in Valley" that "painting bamboo must come before chest". He opposes the painting method of "doing it step by step, but one leaf is tired", and advocates that the views are the same after reading, emphasizing that you are like a spirit. China's idiom "Have a plan" originated from Su Shi's article. Su Shi appreciates Wen Tong's spirit of concentrating on painting and forgetting myself.
Its "this monastery" wrote:
Send a message to Jie Jun to watch in front of buddhist nun.
Blind date with you everywhere.
Although the portrait is a scholar,
I really remember people.
The personification of bamboo is called "this gentleman", which comes from the Wang Huizhi language of the Jin Dynasty, "How can I live without this gentleman for a day?" The poet further named bamboo "Xie Baojun" here, which is novel, profound and appropriate. Then I said to Zhu: I should have been close to you on a blind date, because Master Wen painted for you, but I wrote articles for his studio! In a relaxed and lively way, this paper narrates the historical fact that "Mo Jun" was a writer who painted bamboo, and Su Shi wrote "Tang Ji in Mo Jun" himself, which embodies the characteristics of "speaking freely, without seeking merit, but with extraordinary meaning" (Notes of Su Shi by Zhao and Jiao Shanlou).
The poet appreciates Wen's bamboo paintings very much. He wrote in the poem "What book is hidden in the cloth, can draw bamboo":
When you can draw bamboo, you can see bamboo instead of people.
I didn't see anyone alone, but I left my body.
Its body and bamboo are infinitely fresh.
Zhuang has nothing, but who knows the concentration?
In the poem, Ta-ta means to be calm, and "Ta-ta leaves his body behind" means to be calm and forget things. "Other body and bamboo" means that the whole body and mind are integrated into the painting, and it is precisely because it is possible to achieve "other body and bamboo" that the bamboo he painted can be continuously innovated. Chao was a writer in the Northern Song Dynasty. From the contents of Su Shi's above poems, it is not difficult to see that he is seriously observing and thinking about Wen Tong's successful experience in painting bamboo.
Su Shi likes Wentong's bamboo paintings very much. In addition to appreciating, he often copies. He wrote the poem "Since Wen Lin, Can Draw Bamboo":
Mr. Shishi is very excited.
Put pen to paper and release phoeny.
Write a poem with your wonderful meaning,
Leave it to the poet to satirize.
After copying the words and bamboo paintings, Su Shi was not interested and wrote this poem himself.
In the poem, praise and paintable bamboo pen and ink are smart, like flying phoenix. I paint bamboo with the wonderful artistic conception of literature and bamboo painting, leaving it to the poet to comment and criticize. It shows the poet's great love for literature and bamboo painting.
Su Shi's most distinctive poem about singing bamboo is Lu Yunxuan, a monk before fishing, which can be described as a swan song about singing bamboo:
No meat to eat, no bamboo to live.
No meat makes people thin, no bamboo makes people vulgar.
People are thin and fat, but laymen are hopeless.
Others scoffed at this statement: "Do you like being tall or stupid?"
If you still munch on this gentleman, there are Yangzhou cranes in the world!
Yu Qian in the poem is the name of the old county, in Lin 'an, Zhejiang Province today. Yu Qian's original surname is He, and his word is Huijue. After becoming a monk, he lived in the quiet Zhao Temple in Nantou Township, the county seat, because he was called a hermit. Lv junxuan is in the silent photo temple. Bamboo was planted in front of the porch, and the environment was decorated with bamboo, which was very elegant. This move was highly appreciated by Dongpo. This poem is entitled "Yu Qian and Shang Lu" to praise elegance and virtue, and criticize materialism and vulgarity.
? Judging from the title and content of the poem, a large area of beautiful green bamboo is planted in the green Yun Xuan where the hermit lives, which is fascinating. In the poem, the poet suddenly had a fantastic idea and discussed it with eating meat and watching bamboo as the control. "No meat is thin, no bamboo is vulgar", you can't have both. To measure it, it is better to eat without meat and be thin than to live without bamboo and be vulgar; The reason is that people have lost weight and become vulgar. If others (laymen) don't understand this, just ask this with a smile: "Is it vulgar or stupid?" Then I want to ask, if you are still munching on this gentleman (bamboo), if you want to have a lofty name and a sweet taste, how can there be such a beautiful thing as "Yangzhou Crane" in the world? Yangzhou Crane tells the story in Yin Yun's novels. Some people want to be officials, some people want to make a fortune, some people want to ride a crane to become immortal, and some people want to have the benefits of being promoted and made rich. The poetry of this sentence is: you want to plant bamboo in a noble name, but you want to munch on its delicious food. Is there such a beautiful thing in the world? Yes, it is impossible to be fat and lean. Spiritual and material, virtue and food are often difficult to have both, and fish and bear's paw cannot have both. The debate between "can make" and "can't make" in Su Shi's poems is full of philosophy.
Yu Qian, a monk, became a monk at the Silent Zhao Temple in Guo Feng Township, south of Ganxian County. Lv Yun bamboos are planted all over the temple. Su Shi's poems are not about the beauty of bamboos, nor about the pleasure of verandahs, but written in the air as a note; It is not difficult to imagine the elegance of the hermit and his green porch. It also shows that bamboo "bears a knot before it is unearthed, and Lingyun is still modest", which is in line with Su Dongpo's sentiment of virtual knot, sparseness, no admiration for glory, no contention for splendor, no flattery and no flattery. No wonder Su Dongpo said that "a gentleman is better than bamboo", sighed that "the wind and snow are bleak and can't be humiliated", and sighed that Wang Huizhi was addicted to bamboo "one day can't leave this gentleman".
Su Shi loves, paints and endows bamboo, mostly because of its charm, which is a portrayal of his personal spiritual integrity. The poem "Bamboo" written in Huzhou in the second year of Yuan Feng (1079) is the image expression of this quality:
The south wind came today, blowing the bamboo in front of the yard.
When the treble is low, the blades touch each other.
The wind and snow are bleak and can't be humiliated.
The wind and bamboo have returned, and the jade is scattered.
Therefore, there is no mountain today, and autumn rain is a hedge chrysanthemum.
I don't know if this gentleman is healthy or not, but he came back to sweep the south porch green.
Because Su Shi doesn't like a group of "new brave" villains who are in charge of state affairs, he made a few complaints in Huzhou's Thank You Table, which attracted a group of small fights and was caught in the Wutai Poetry Case. In prison, he saw the swaying bamboo branches outside the window and wrote this poem with great feeling.
This is a five-character ancient poem. Write the modality of bamboo in the wind first in the first two sentences. The first sentence is straightforward, unadorned and forceful. In early autumn, the south wind blows, which is the origin; Then I always write the image of bamboo in the wind and summarize it with the word "chaos". Bamboo is helpless, at the mercy of the wind, swaying and trembling, which is exactly the situation of stone: "The soul is like a chicken." Write three or four sentences in sound and form. Bamboo branches sway, making a low or high rustling sound, such as the sound of dancing nature, with a moderate alto; The branches and leaves are scattered, like a thousand knives and guns, and the weapons collide. These two metaphors, both in spirit and form, are novel and eye-catching. Five or six comments. The wind is rustling, cold and lifeless, and there is a frightening atmosphere between heaven and earth. Bamboo, on the other hand, would rather collapse and be destroyed than accept any insult. This is the unique character of bamboo, such as flexibility, fortitude and integrity. The beauty of these two sentences is that, on the surface, they praise bamboo, but in fact, they express their opinions and have a big discussion. "Talk about yourself without seeing it." Write seven or eight sentences to keep out the wind. The south wind finally stopped and the bamboo returned to its original correct appearance. "Yi Yi", beautiful appearance, bamboo is still slim, emerald-like branches and leaves are still smartly covered around. It is really "looking back at the bleak place, rain or shine." The calmness of bamboo and the clarity of joints reflect Su Shi's open-minded character.
The Wutai Poetry Case dealt a great blow to Su Shi. The last four sentences of the poem suddenly turn to chrysanthemum, which seems to be inconsistent with the title of the poem, but reveals Su Shi's state of mind of "being indifferent" after his great disappointment. The experience of bamboo aroused nostalgia for hometown, and the fear of "Hedgehog Chrysanthemum" being abandoned expressed the thought of seclusion. These four sentences are similar to chanting bamboo, and they are all objects of expressing feelings.
This is a lyric poem. As an ancient style, it is plain and rich in connotation. The predecessors commented that this poem is "cold and simple, profound as Ming, refined as Changli, and elegant as Weng, but Weng has no such lofty spirit".
Su Shi doesn't write many poems about bamboo, but this poem "Ding Fengbo Rain Washes Juanjuan's Young Leaves" has its own characteristics:
Rain washes leaves, and wind blows green fragrance. The stunning color invades the book night, the curtain rolls, and the clear yin is slightly cooler than the wine.
? What's the use of drawing a bamboo body that is fat and swollen? Mr. Wang put pen to paper to beat Xiao Lang. I remember Christmas Eve in Xiao Xuan, the porch, the moon and the thin shadows on the east wall.
Preface to the word: On July 6th, Yuan Feng was in Wen Fu's house, drinking and brewing white wine, and got as drunk as a fiddler, and collected ancient sentences as Zhu Mo Ci.
This word is a set of sentences.
Parallel prose is a wonderful flower in the field of Chinese traditional poetry, which has high artistic value and appreciation value. An excellent poem with a set of sentences, If the opportunity really comes out, is "consistent with the theme, full of emotion, exquisite and integrated sentences" (Xiong's Poems of Ancient and Modern Times), and "natural, with no far-fetched attitude at first, there are often people who are better than this poem" (Qing's Archaeological Query is an artistic re-creation. Although poetry is the work of predecessors, and the words themselves are not original, as long as different styles of poetry are recombined by the creators according to the relevant principles of "initiation, inheritance, transformation and integration" of poetry, it can give people artistic beauty in one go.
The first collection of words is Du Fu's Yan Zhenggong's house leads to Zhu Yong: "The green bamboo is half full of bamboo, and the new buds are out of the wall. The color invades the book late, and the shadow is cooler than the bottle. The rain washes gently and the wind blows gently. But if there is no cut, I will meet the clouds. "
The second part of this poem is a collection of poems by two poets. One is Bai Juyi's "Introduction to Painting Bamboo Songs": "Xiao Lang's writing style is unique and realistic, and he has been the only one since Danqing. People paint the bamboo body fat and swollen, and Xiao paints the stems thin. " "ChanJuan narration powder state, shaw sa romantic feelings. Looking up suddenly like a picture, my ears are suspicious. " Second, the dynasties in Cao's poems. Su Dongpo said in his book "Cao Shi Hua": "There was a woman Cao in modern times who was quite capable of writing poems. Although her rhyme is not high, she sometimes has clever words. Taste the poem "Zhu Mo": I remember that in the dead of night in Xiao Xuan, the bright moon moved to the east wall. This language is very hard. "
At that time, Su Shi was living in Huangzhou and was at a low point in his life.
This word describes the scenery, describing the situation that bamboo leaves are wet after rain and fragrant when the wind blows them. In the sentence of "beauty invades the book late", the poet added the words "beauty" and "chaos" to the original sentence, and the word "beauty" further took care of it, secretly writing the luster of bamboo under the moisture of rain; The word "chaos" takes care of the existence of "wind" in the above article, and writes the dynamic beauty brought by the wind passing through bamboo leaves and branches, making the picture vivid and sensible. Xiao Lang in Xiatan refers to Xiao Yue, a painter in Tang Dynasty, who is good at painting bamboo. He once praised his bamboo paintings for their "thin stems" and "moving leaves". In the art of bamboo painting, poets pursue thin soul and verve; In the attitude towards life, the poet is at the bottom of life, but he can still be broad-minded, detached and unrestrained. The solitary shadow of bamboo gives people a pure feeling, which well expresses the poet's lonely but detached temperament from the bottom of life.