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1. Jingmen Mountain is located in the northwest of Yidu County, Hubei Province, on the south bank of the Yangtze River, across the river from Huya Mountain on the north bank. The situation is dangerous, which has been called the throat of Chu and Shu since ancient times.
2. Chu State: the land of ancient Chu State, generally referring to the present Hubei and Hunan areas.
3. Yuan Ye, vast expanse.
The moon is like a mirror: the bright moon is reflected on the river, just like a flying mirror.
5. Mirage: Mirage, describing the beautiful scene of clouds on the river.
6. pity: love.
7. Hometown water: refers to the Yangtze River water flowing from Sichuan. Because the poet lived in Sichuan since he was a child, he called Sichuan his hometown.
Rhyme translation
West Shu, outside Jingmen, traveled eastward along the river and came to the territory of Chu.
Chongshan gradually disappeared with the appearance of wilderness, and the Yangtze River entered the wilderness and flowed slowly.
The moon reflected on the river is like a flying mirror, and clouds form a mirage.
I still cherish the water from my hometown and continue to float my boat in Wan Li.
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Li Bai went out of Shu this time by boat and waterway, crossed Bayu, left the Three Gorges and sailed straight outside Jingmen Mountain, with the purpose of visiting the hometown of Chu in Hubei and Hunan.
"Sail to Jingmen Ferry, and soon you will be with people in the south" refers to this kind of intense tour. At this time, young poets were in high spirits, sitting on the boat and enjoying the towering mountains on both sides of Wushan. Along the way, the scenery in front of me gradually changed. After the ship passed Jingmen, it was already a plain wilderness, with a broad horizon and a unique scene.
"There is the end of the mountain range and the beginning of the plain, and the river winds through the wilderness." The first sentence vividly describes the unique scenery on both sides of the Yangtze River after the ship leaves the Three Gorges and passes through Jingmen Mountain: the mountains gradually disappear, and the endless low plains are in front of us. Just like a moving picture taken with a set of focal planes, it gives people a sense of movement and space, depicting the movement trend of static mountains. "And the river winds through the wilderness" describes the momentum of the fast-flowing river. Looking from Jingmen in the distance, it seems to flow into the distant desert Yuan Ye. It seems that the sky is high and the realm is lofty. The last sentence is written as "Ru", which permeates the back of the paper and the language is appropriate. This scene contains the poet's cheerful mood and youthful vitality.
After describing the landscape, the poet described the close-up and prospect of the Yangtze River from different angles by changing the scenery: "The moon rises like a mirror and the sea clouds twinkle like a palace." The Yangtze River flows below Jingmen, and the river twists and turns, and the flow rate slows down. At night, when the river is calm, look down at the reflection of the moon in the water, just like a mirror flying down from the sky; During the day, looking up at the sky, the clouds rise and change endlessly, forming a mirage-like spectacle.
This is a wonderful view from Jingmen's vast plains and calm rivers. For example, in the Three Gorges of the mountains, because the pavilion is at midnight, there is no sunrise, the water is fragrant in summer, and the water on the river is rushing, it is difficult to see the underwater image of "the moon is like a mirror"; In the secret space of the Three Gorges, there is no wonder of "sea clouds flashing like palaces". This couplet takes the moon in the water as a round mirror, which sets off the calm of the river, and the clouds in the sky form a mirage, setting off the vast and high sky on the river bank, which has a strong artistic effect. The couplets of chin and neck vividly describe the fresh feelings of people living in Shu when they first walked out of the canyon and saw the vast plain.
While enjoying the scenery around Jingmen, Li Bai couldn't help but feel homesick when facing the surging river flowing through his hometown: "The water has brought you a feeling of home and rowed your boat for 300 miles." Shu, where the river flows, is the hometown where he once raised him. How can he leave for the first time without infinite nostalgia? But the poet did not say that he missed his hometown, but that he fell in love with its water.
This poem expresses the author's deep homesickness, and the end of the poem is full of nostalgia and parting feelings.
short review
This poem is vigorous in style, magnificent in image and magnificent in imagination. "The mountain is flat and primitive, and the river winds in the wilderness" is vividly written, just like the long-axis landscape map of the Yangtze River crossing Jingmen, and it has become a famous sentence. If the excellent landscape painting "Wan Li should approach", then the five laws of this magnificent image can also be said to be able to see the big from the small and treat one as ten. And the capacity is rich: the poet chooses the sun, the moon, the river and the sky, including the scenery of tens of thousands of miles of mountains and rivers in the middle reaches of the Yangtze River, which is magnificent and magnificent; The description is vivid and picturesque, the artistic conception is lofty, and the artistic generalization is highly concentrated. Therefore, poetry has become one of Li Bai's famous works describing the magnificent rivers and mountains of the motherland.
other
Poet Li Bai
Li Bai (70 1-762), a famous Taibai, was a great romantic poet in the Tang Dynasty. His poetic style is bold and unconstrained, with rich imagination, natural and fluent language and harmonious and changeable melody. He is good at absorbing nutrients from folk songs and myths, forming his unique magnificent and gorgeous colors, which is the new peak of positive romantic poetry since Qu Yuan. Also known as "Du Li" with Du Fu. There was also a poet in the Tang Dynasty named Li He, nicknamed "Shi Gui", who was comparable to Li Bai. Both belong to the romantic style, with fantastic imagination and exaggerated words. But in comparison, Li Bai's poems are more eloquent and natural. Li He quoted many stories about laws and regulations, deliberately carved them and tried his best, which can be described as "painstaking". Judging from their achievements, they are different.
Li Bai's ancestral home was in Ji Cheng (now Tianshui County, Gansu Province), and he moved to Broken Leaf City in Central Asia (now near tokmak in northern Kyrgyzstan) at the end of Sui Dynasty, where Li Bai was born (see below). At the age of five, his family moved to Zhangming County, Mianzhou (now Jiangyou County, Sichuan Province). At the age of 20, he left Sichuan alone and began to wander widely, reaching Xiangjiang River in Dongting in the south and wuyue in the east, and living in Anlu (now Anlu County, Hubei Province). He traveled around, hoping to make friends and pay homage to celebrities, so as to get an introduction, climb high in one fell swoop and realize his political ideals and ambitions. However, after ten years of wandering, I have accomplished nothing. Continue to go north to Taiyuan and Chang 'an, east to Qi and Lu, and live in Rencheng, Shandong (now Jining, Shandong). At this time, he has made many celebrities and created a lot of excellent poems, which are famous all over the world. In the early years of Tianbao, on the recommendation of Taoist Wu Renyun, Emperor Xuanzong of the Tang Dynasty called him to Beijing and ordered him to worship the Hanlin. Soon, due to the slander of powerful people, Yu Tianbao was expelled from Beijing in 34 (AD 744 or 745). Since then, he has been wandering in Jiang and Huai, and his thoughts are extremely boring. In the winter of the 14th year of Tianbao (AD 755), An Lushan rebelled. At this time, he lived in seclusion in Lushan Mountain, which coincided with the great army of Wang Yong and invited Li Bai down the mountain to enter the shogunate. Later, Li Lin rebelled against Su Zong and was eliminated. Li Bai was implicated and sentenced to exile in Yelang (now Guizhou Province). He was pardoned and released halfway from Xunyang (now Jiujiang, Jiangxi) to Xuancheng (now Xuancheng, Anhui). In the first year of Baoying (AD 762), Dai Zong died in dangtu county, Anhui. Li Bai lived in the prosperous Tang Dynasty. He had the progressive ideal of "helping the poor" and "settling down in peace", and he struggled to realize this ideal all his life. A large number of his poems not only reflected the prosperity of that era, but also exposed and criticized the debauchery and corruption of the ruling group, showing the positive spirit of despising the powerful, resisting the traditional bondage and pursuing freedom and ideals. In art, his poems are novel in imagination, strong in emotion, magnificent in artistic conception and fresh and lively in language, forming a bold artistic style and reaching the peak of positive romantic poetry in ancient China. There are more than 900 poems, including Li Taibai's poems.
Yat sen villa
Interpretation: 1 It means the sky is clear at night. 2. Metaphor in old age.
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It may not be too difficult to paint the landscape of yat sen villa more delicately. However, if we want to integrate the poet's unique feelings and moods into the description of scenery, especially if we want to imply a positive attitude towards life without trace, so that readers can be inspired ideologically, this requires the poet to "go up a storey still higher" in his ideological realm and artistic skills.
The first couplet said that he lived in seclusion, overlooking Jiacheng (Qucheng outside the city gate), and the season was early summer in Qinghe. At first glance, it seems irrelevant, and the upper and lower sentences are irrelevant. In fact, the "deep house" overlooking the city is the foothold to watch the sunset, and the quiet early summer further points out the specific season of the sunset, which can be said to be the only embodiment of this poem from both time and place-the sunset seen by Gao Lan in the early summer.
Lingnan is quiet and rainy in early summer (at this time, the poet works in Zheng Yamu, Guilin). After a long rain, it cleared up, and in the evening, everything suddenly became clear and people's spirit was completely new. This kind of sight and feeling is what ordinary people are used to and what they have. The poet's uniqueness lies in that he does not write the scene of yat sen villa in general or describe it in detail, but only takes the grass that grows in the dark and is not noticed by people, hides it in the dark with a pen in the imaginary place, and then writes his understanding and feelings about yat sen villa. After a long drought, the quiet grass meets the rain suddenly, so that it can absorb the afterglow and increase business. Excited by the scenery, the poet suddenly had the whimsy of "God pities the grass". This makes "grass" as a natural thing virtually personified, giving people rich associations. The poet himself had a similar fate, so he naturally found himself in the grass. Here is the poet's life experience. While he was gratified by his current fortune, he unexpectedly showed sadness about the past bad luck, or was comforted by the past bad luck. This naturally leads to "there is a sunny day in the world" and gives it a special meaning in life. Yat sen villa is beautiful, but it is short-lived. People often appreciate lingering and feel sorry and disappointed at its hasty passing. But the poet doesn't care about its simplicity, but only emphasizes "emphasizing the evening." From here, we can experience a feeling of cherishing beautiful and ephemeral things and a positive and optimistic attitude towards life.
The parallel couplets are vague, comprehensive and deeply entrusted, and the necklaces turn to yat sen villa paintings. In this way, reality and density alternate, and poetry appears relaxed and purposeful, rather than dull and monotonous. It's sunny after the rain, and the clouds are clear, and there is a high blue overlooking it, so the line of sight is farther, so it is said that "a shelf has been added" (this shelf is the pavilion where the poet lives). This sentence is written from the side, the scenery is written from the inside out, and the next sentence is written from the front and the angle is from the outside to the inside. The afterglow of the sunset streamed down the small window, bringing a ray of light. Because it is twilight, the light is weak and soft, so it is called "micro-note". Nevertheless, this oblique pulse still brings joy and comfort. Through the detailed description of the evening scene, this couplet writes a clear and happy mood, which makes the word "heavy" concrete.
Birds don't write homing, their posture is light and smart, or what you can see when you climb to the top. Dry Nest, Light Body, Sunny, Guifei and Evening. The return of birds usually touches the traveler's mind, but it has become a foil to the happy sunshine mood here. There is a saying in the ancient poem "Crossing the south branch of the Bird's Nest". What is written here is that birds return to their nests, which has its own meaning. If "Youcao" is a symbol of the poet's life experience of "depravity and hardship", then "Moonbird" seems to be the embodiment of the poet's good mood and refreshing.
Here, I want to explain something about the author before and after he entered Guimu. Since Li Shangyin married Wang Maoyuan in 838 (regarded as Li's party), he has been in the narrow valley of party struggle and was hated and excluded by the Niu Party. Xuanzong followed suit, and the Niudang dominated the state affairs, which made the situation worse for him. He had to leave Chang 'an and follow Zheng Ya to Guilin as an adjutant. Zheng Ya trusts him more. He can feel some warmth in the curtains. At the same time, leaving Chang 'an, the vortex of party struggle, can temporarily avoid being constantly looked down upon by the Cattle Party, which is also a kind of spiritual liberation. Because of this, there is a feeling in the poem that the grass meets the sunset and the birds return to the nest.
As a meaningful poem, the writing of "Yat Sen Qing" is closer to the "Xing" of "intentionally or unintentionally". Perhaps the poet had no clear intention to express his ambition, but when he climbed to the top of the mountain, he touched something and triggered an association. His feelings were integrated with the environment, thus integrating the feeling of understanding for a moment into the description of the late sunny scenery, so it was particularly natural and seamless.
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[Note] Jiacheng: Qucheng outside the city gate. Excellent grass: grass that grows in the dark and is not noticed by people. Gao Ge Jiong: Gao Ge is the pavilion where poets live. Long and far. Micro-note: We say "micro-note" because the light is weak and the twilight is soft.
Appreciation skill
Since Li Shangyin became the leader of Wang Maoyuan (regarded as the Li Party) in three years (838), he has been trapped in the narrow valley of factional struggle and was hated and excluded by the Niu Party. Tang Xuanzong succeeded, and the Niudang took control of state affairs, and the situation was even worse for him. He had to leave Chang 'an and follow Zheng Ya to Guilin as an adjutant. Zheng Ya trusts him more. He can feel some warmth in the curtains. At the same time, leaving Chang 'an, the vortex of party struggle, can temporarily avoid being constantly looked down upon by the Cattle Party, which is also a kind of spiritual liberation. Because of this, there is a feeling in the poem that the grass is lucky in the evening and the birds are happy to return to their nests. The first couplet is about the sunset in early summer as seen by Gao Lan. It is muddy and comprehensive, and deeply entrusts the poet's life experience. The couplet on the neck turns to the painting of yat sen villa. At the end of the couplets, the birds return to their nests, and their posture is light and smart, which is still what they looked like when they reached the top. The whole poem is written naturally and without trace.