Looking back at Chang 'an, Mount Li is like a pile of splendid scenery, and the gates of Huaqing Palace on the top of the mountain are opened in turn. As soon as I rode on the smile of smoke and smoke, no one knew that the fresh fruit litchi was sent from the south.
An official was riding a post horse, flying at a high speed, and clouds were raised behind him.
Red dust, send litchi to Huaqing Palace where Huangdi and Guifei spend the summer. Yang Guifei, who loves litchi.
Taste delicious and cool litchi and smile. But outsiders who can think of Mercedes-Benz's post?
Lychee offered by Malay.
Post horses are in a hurry, and people think it's a matter of passing on state affairs. Who knows those rushes?
Bo just wants to send litchi to his concubine. The poet skillfully combined these two shots,
It exposed the absurdity that the Yellow Emperor tried his best to love concubines and attacked the arrogance of the rulers of the Tang Dynasty.
A dissolute life.
Shout a trumpet to the emperor
Small, hey, turn it down, it's big. The official ship is in a mess, and the price increase depends on you. The army worries about the army, and the people are afraid of the army. Where can we judge officials? Is it true?/You don't say. Seeing this, I blew the house down and hurt that one. I just blew the water away.
translate
The horn lock doesn't whine, the music is small and the cavity is big. The official ship is in a mess, and the price increase depends on you. Soldiers are worried about soldiers, and people are afraid of soldiers. Where can I tell the truth from the false? Blowing this house down and hurting that one will only blow the river dry and the geese will fly!
Brief analysis
As we know, this poem was written after the poet witnessed all kinds of evil deeds of eunuchs who traveled to and from the canal, and it was obviously pinned on something. The question now is whether this sustenance is successful. Trumpets are different from eunuchs, but they are similar to eunuchs in that they are "small and big" and "small and big". Therefore, the works look for * * * between things and people, and the author actually howls according to the eunuchs' faces: they are characterized by bluffing, being accomplices of the government to harm the people, dominating the king everywhere and provoking the army and the people. While exposing the darkness of the reality that eunuchs harmed the people, the author also issued a warning to the supreme ruler, and the voice of criticism was sharp. Therefore, the ideological connotation of this poem is rich and profound.
Reading through the whole article, we obviously feel that we are not chanting for the sake of chanting. The profound insight into the real society and strong emotional color clearly convey a voice of resistance, and these ideological connotations are all contained in Poems about Things. The work clearly criticized the eunuch for harming the people, but in the end it was broken. The conclusion is left to the reader to think about, which is both hearty and implicit. This is "never leave".
Duchunmu Jiangnan
Jiangnan, the sound of green and red flowers, the waterside village in the foothills.
More than 480 ancient temples were left in the Southern Dynasties, and countless pagodas were shrouded in wind and rain.
[translation]
Thousands of miles south of the Yangtze River, green leaves set off red flowers, and spring is everywhere. Flags in front of water towns, mountain cities and hotels are swaying gently with the wind. Ah, the temples built in the Southern Dynasties are now hidden in a misty rain.
This poem shows the poet's praise and yearning for the scenery in the south of the Yangtze River. However, some researchers put forward the "satire theory", arguing that the emperors of the Southern Dynasties were famous for Buddhism in the history of China, and that the Buddhism in Du Mu's era was also a vicious development, while Du Mu had anti-Buddhism thoughts, so the last two sentences were ironic. In fact, the interpretation of poetry should first start from the artistic image, and should not make abstract inferences. Du Mu's opposition to Buddhism does not mean that he must hate the Buddhist temple architecture left over from history. In Xuanzhou, he often goes to Kaiyuan Temple and other places to play. I have also been to some temples in Chizhou and made friends with monks. Famous phrases such as "Clouds on Jiuhuashan Road, Liu Fuqiao on Qingyi River" and "Autumn Mountain and Spring Rain Wandering All over Jiangnan Temple Building" all show that he still appreciates the balcony of the Buddhist temple. Of course, while enjoying it, it is also possible to drift a little historical emotion occasionally.
Wang Anshi's osmanthus fragrance
This is the late autumn in the ancient country, and the weather is very early. Thousands of miles are like a river, like clusters of Qingfeng. Sail to the sunset and return.
The west wind wine flag is inclined. The colorful boat is cloudy, and the Milky Way heron rises, which is difficult to draw.
Miss the past, compete for prosperity, sigh outside the door, and feel sad and hateful. Throughout the ages, depending on the level, share weal and woe. And the past in the Six Dynasties
Running water, but cold smoke and green grass. Today, business women are still singing, leaving a legacy in the backyard.
Brief analysis
Poets in Jinling Holiday Village are full of sadness: the migration of the sun and the moon, the ups and downs of official career, the worries of home country and the hardships of life, and they have written a masterpiece that lasts forever. There are countless such examples, and Wang Anshi's "Guizhixiang" is really a leader.
The whole word comes straight to the point, the screenwriter, Jinling Resort, the ancient capital of the Southern Dynasties, went to Linjiang Range Rover on a late autumn evening. Although he takes climbing high and looking far as the theme, he takes the late autumn in his hometown as his eyes. Words such as "Zheng", "Chu" and "Su" gradually awaken its theme.
The following two sentences, borrowed from Xie Jia's famous sentence in the Six Dynasties, seem to have come out: "Explaining the Tao makes people forget Xie Xuanhui.". That is to say, an "elephant training" and an "elephant cluster" have sprung up. Then I wrote about the color of the river. Looking at it, countless sails and shadows crisscross the sparkling river waves in the sunset. Looking closely, I saw that the west wind was tight, and the green flag of the restaurant was raised high, because the wind was blowing. The sail is a broad scene, the wine flag is a fine scene, and the poet's meaning is guided by scenery and personnel. A word "back" and a word "foundation" are used brilliantly, and the scenery along the river is vividly written, as if it were alive.
At this point, the scenery is rough, and the following has changed. The combination of "colorful boat" and "Xinghe" adds a touch of bright color. But the word beat has reached the rest of the film, so the pen is also here. It is quite common for everyone to praise it with the phrase "drawing is difficult". "Colorful boats are cloudy", and the river sky at sunset reads: "The Milky Way rises with herons", which looks like a continent in the evening.
The next film is another pen and ink, lamenting the historical fact that all the Six Dynasties died in debauchery. It is about sorrow, hatred, honor and disgrace, and it is empty for future generations to mourn; There is no trace of the past, only autumn grass is blue, which is shocking. The "building outside the door" is also concise and powerful with Du Mu's "Taicheng Qu".
The ending of this poem is more wonderful. The poet wrote: Today, the Six Dynasties are far away, and their legacy is still audible. Allusions are used here "A strong woman in business doesn't know how to hate her country, but also sings" backyard flowers "across the river!" This famous sentence sung by Tang Xian Komori in "The Smoke Cage is full of sand and the night is near Qinhuai Restaurant" has been repeatedly used by the poet, full of endless feelings and lasting forever.