This is a pavilion on Chunfeng Lake, and wicker vine has been divorced.
The oriole has known each other for a long time and wants to cry four or five times.
Moving the Pavilion on the Lake was written by Rong Yu, a poet in the Tang Dynasty, when he moved. The poet used anthropomorphic expression to create a fairy-tale artistic conception of the whole poem and expressed the poet's deep attachment to his former residence.
The whole poetry is swaying in the spring breeze and the scenery is pleasant. I've come to say goodbye to my favorite pavilion on the lake. In the breeze, wicker and vines fluttered gently beside the pavilion, as if countless affectionate arms stretched out and tugged at my skirt and wouldn't let me leave. This scene is really worrying and annoying. I can't miss it. After living in the pavilion for so long, the willow branch oriole and I are old friends. At this moment of parting, the sound of parting is long and touching, which makes it difficult to calm down for a long time. ...
The last sentence of this poem uses the word "crow", which not only conforms to the characteristics of oriole singing, but also seems to be a sad cry when it says to stay and leave. The word "crow" has two sides of the scene, and it is vivid and vivid, as if it has infinite pen power. This is the beauty of the veteran wheel wheel.
Through personification, the author gives wicker vine and oriole a human touch, and subtly and implicitly expresses the poet's attachment to the pavilions on the lake through the shift of subject and object. (or: express your feelings and express your farewell feelings through the descriptions of wicker rattan and oriole. )