The concept of plain method:
"Flat method" is a head-up effect, which is equivalent to standing on the flat ground and looking forward, and seeing the distant mountain from the near mountain, which embodies a overlooking state and shapes the artistic effect of "the mountain is as far as head-up".
Painting theme:
There are two themes in the painting "Plain": one is the plain landscape with low mountains and hills, and the other is the plain land with only pastoral streams. Huang's Fuchun and Zitu both belong to the plain landscape type.
Painters also use similar techniques when describing the vastness of plain scenery, but using the perspective of scenery, such as the perspective of forest belts and ridges, and the perspective of vertical and horizontal rivers, can bring good leveling effect.
Fuchun Shan Jutu's introduction:
Fuchun Shan Jutu is a paper ink painting created by Huang Yu, a painter in Yuan Dynasty, in A.D. 1350, and it is one of the top ten famous paintings handed down from generation to generation in China. Huang was painted by his brother Zheng Xun, who changed hands several times and was beheaded for "burning the painting as a sacrifice". The first half: Yushan map, now in Zhejiang Provincial Museum; The second half of the volume: the useless teacher's volume, which is now in the National Palace Museum in Taipei.
Fuchun Shan Jutu's Painting Method;
1, overall style
"Fuchun Shan Jutu" rocks are twisted and twisted, and the pen is casual and natural. Long and dry, full of skill, free and easy, quite aura. The whole painting is elegant, only the rocks are coated with a layer of almost transparent ink, the sand stains and wave shadows on the distant mountains and rivers are stained with a little bit of ink, and the moss and leaves are dotted with thick ink, which is eye-catching and natural.
2. Synthesis method
Fuchun Shan Jutu painted the early autumn scenery on both sides of Fuchun River, which was fascinating. In the bushes, or fishermen fishing, or sitting alone in a thatched pavilion, leaning against the railing, watching ducks float and sink in the water.
Forever and ever, as if time stood still, I forgot these two things. The water color on the shore is close-up, with one mountain and one sand, and the distant mountains are looming and slowly unfolding, but it is refreshing to feel the boundless river and the color of Tianshui.
3. Dry ink method
In Fuchun Shan Jutu, the audience can't see the performance of heavy colors, but the taste of autumn is reflected in the elegant style. The painter uses the traditional brushwork of literati painting to express the picture scroll.