The sky is blue and the ground is yellow leaves. The autumn colors are rolling in waves, and the waves are green and cold. The mountains reflect the setting sun and catch the water. The grass is ruthless, even outside the setting sun.
The soul of the dark country is thinking about traveling. Unless every night, good dreams leave people to sleep. I rested and leaned alone high in the Mingyue Tower. The wine filled my heart with sadness, turning into tears of lovesickness.
——"Su Muzhe" Fan Zhongyan
?Fan Zhongyan
The poems write about the nostalgia of travel times, the love between children, and the hatred of lovesickness. The scene is described in the film. The opening line "Blue sky, yellow leaves on the ground" reflects the sky high and crisp in autumn, exaggerating the clear blue autumn colors. It is relatively rare in Song poetry to use such a vast world as the background of autumn nostalgia, and the emotions set off by the broad and far-reaching realm are also particularly deep and profound. The section "Blue sky, yellow flowers" in "Farewell at the Long Pavilion" in "The West Chamber" obviously comes from this. The rendering of autumn colors has been integrated into the mood of "sad autumn". Autumn colors permeate the space between heaven and earth, and the vast autumn water drifts away with the endless autumn feeling; the autumn river is covered with a layer of green "cold smoke", which is a unique scene in autumn. The poet writes from top to bottom, from small to large, from near to far, creating a handsome and ethereal realm. Let me make a quick comment: As far as you can see from the top, you can see the miserable and continuous "merciless grass". This "grass" blocks the sight of pedestrians and blocks the return journey of wanderers. It is overwhelming and spreads endlessly. This sentence is derived from Li Yu's "Qing Ping Le" "Leaving hatred is like spring grass, walking farther and returning to life", and the lyricism is more implicit. Romance next film. The two sentences in the film connect the previous and the following, saying that lovesickness and sorrow are all caused by leaving home. The following sentences use contrasting techniques: "Good dreams keep people asleep" means that in addition to the deep dreams, they are troubled by lovesickness all day long; "The bright moon is high" uses beautiful scenery to contrast the current loneliness, so I advise myself " "Don't lean alone"; the ending advances one level, implicitly using the poetic meaning of "raising a glass to relieve sorrow and sorrow will become more sorrowful". The poet associates "wine" with "tears", and cleverly transforms the two through "sorrow", creating a novel and unique idea. In this kind of "tears of lovesickness", the image of a beautiful lady is about to emerge. The lyrics of "Farewell at the Long Pavilion" in "The Romance of the West Chamber", "Warm and melting jade fermented grains, white and cold like water, most likely tears of lovesickness", were re-invented from here. The style of this poem is beautiful and delicate, and the whole poem evokes emotions and blends into the scenery. It uses rich associations to highlight the sadness of separation, and sometimes uses the poems of previous generations without revealing any traces. It is a famous poem written by Song people about farewell love.