Yunyang went to war, and merchants on both sides of the strait were spared. Black cattle rest on the moon, why bother tugboat!
Turbid water can't be drunk, and the pot pulp is half turned into soil. When you sing, your heart will cry.
A rock of ten thousand people cannot reach the river. You look at Shi Mang, and you hide your tears and grieve for the ages.
This poem was written in June of the sixth year of Tianbao (AD 747). When Li Bai visited Hengshan Mountain in Danyang, he described the toil of tugboats, exposed the sin of the ruling class's extravagance and disregard for people's lives, and expressed deep sympathy for the suffering and fate of working people. The whole poem is profound and profound.
"Ding Du Hugue" is an old topic in Yuefu in the Southern Dynasties. According to the Book of Songs, Xu Kuizhi, the son-in-law of Liang Wudi in the Southern Song Dynasty, was killed, and Liu Yu sent his immediate superior to protect Ding Yun and arrange the funeral. Afterwards, Xu Kui's wife (the eldest daughter of Emperor Wu of Song) asked Ding Yun about the funeral. Every time she asks, she sighs "Ding Duhu", with a sad voice and tearful eyes. Later generations made music based on this sound, which is called "The Colossus of Ding Du". Li Bai used the old topic to write current affairs, which has created a sad tone in the topic.
The first two sentences explain the location and environment of the tugboat: from Yunyang to the north, merchants from both sides of the strait gather. Seemingly innocuous, in fact, it is ingenious: the density of commercial outlets and the luxury of merchant shops are in stark contrast to the labor of the tugboat below; "Going to Yunyang" also paved the way for the later "An Empty Lane".
The next two sentences are about the hard work of the tracker tugboat. "Shi Shuo Xin Yu" records: "The southern soil is full of heat, and this cow is afraid of heat. Seeing the moon is suspected to be a day, so I will rest when I see it. " Li Bai used allusions to construct pictures and skillfully pointed out the seasonal characteristics of hot summer, which made the image of a sailor dragging a boat upstream jump from the paper: under the scorching sun, he was holding a string, panting, ragged, bent over, jumping step by step, and struggling to March ... "Why tug", a word "bitter" runs through the whole article, becoming a poetic look. The poet's sigh is painful and deep.
The last two sentences are about the hardship of living conditions. The hot water is shallow, the tugboat is difficult, the sweat is like rain, the lips are burnt and the mouth is dry, and the pain of the tracker is self-evident; But there was not a drop of water: "the water is turbid and you can't drink it, and the pot pulp is half turned into soil." The poet grasped this detail and caught a glimpse of the whole leopard, which is exquisite: there is no water! Bad living conditions are self-evident.
The following two sentences describe the tracker's psychological sadness. Because of the construction of the ruling class, the tracker was forced to struggle on the edge of life and death. This song, a song, a line of tears, sang in unison, sad and sad, unbearable: to show the sad inner world of the trackers who are struggling under heavy labor to the fullest.
The next two sentences pushed the tracker's suffering to the extreme. There are many stones, and it is difficult to reach the river with all the strength of ten thousand people. The difficulty of the project can be imagined; But "unreachable" must be achieved: how sad it is! What a disaster the ruler's arrogance and extravagance have brought to the people!
At the end of the two sentences, the poet's sad mood poured out and reached a climax. This huge rock is inexhaustible and miserable. How can it end? The poem ends with a deep sigh and deep sympathy. It is true that even today, when we recite this song, we still can't help but shed tears of sympathy.
The whole poem is gloomy in style, dignified in feelings and profound in level. As a great romantic poet, Li Bai can write such outstanding realistic poems. No wonder Du Fu praised him for "hitting autumn rain with a pen and making poems and tears".
2. Li Bai, the author of five Yue Nv Ci poems.
one
Children who have been fighting for a long time have new moons.
A toilet with frosty feet can't catch a crow's head.
Secondly,
Wu Erbai is good at rowing.
Sell your eyes and throw away your heart.
third
The lotus pickers in Nishino met the guests and sang back.
Laugh into the lotus and pretend to be ashamed.
Fourth.
Dongyang Sizu Women's Association Ji Su Ge Lang
Full moon breaks the liver and intestines.
Fifth.
The mirror lake is like the moon, and the stream is like snow.
New makeup, new waves, and two miracles.
When you say moonlit night, do you mean moonlit night on the riverside?
Zhang, author of "Moonlit Night on a Spring River"
The spring tide is even at sea level,
The bright moon on the sea, the tide rises and falls.
I drifted thousands of miles,
There is no moonlight by the river.
The river surrounds Fangdian,
The moon shines like graupel on flowers and forests.
The frost is flowing in the air, and you don't want to fly.
You can't see it on the white sand.
There is nothing in the river,
Lonely moon wheel in the sky.
Who saw the moon by the river for the first time?
When did Jiang Yue take the photo at the beginning of the year?
Life goes on from generation to generation,
Jiang Yue is just about the same every year.
I don't know who Jiang Yue treats,
But see the Yangtze River send water.
The white clouds disappeared,
Qingfengpu has no worries.
Who will go boating tonight?
Where do you miss Mingyue Building?
The poor moon lingers upstairs,
You should take the photo away from the dresser.
The jade curtain won't roll up,
Brush the anvil and return.
At this time, I don't know each other.
May China shine on you month by month.
Hongyan flew too long,
Fish and dragons jumped into the water.
Last night, I dreamed of falling flowers.
Poor Chunban didn't come home.
In spring, the river flows away,
The river beach falls to the west of the moon.
Oblique moon hides sea fog,
Jieshi Xiaoxiang Infinite Road.
I wonder how many people will return home by the moon.
The falling moon shook the trees by the river.
"Lian Haiping is in the spring tide, and the bright moon is born on the sea." Zhang so easily led us into the beautiful riverside on a moonlit night. On the moonlit night in spring, every word contains beautiful thoughts, and every word is saturated with beautiful body odor. Intoxicating bright moon, sparkling lake, clean sky and white sand on the pavilion, the poet painted a beautiful picture with beautiful words. This beautiful scenery has not only become an indelible mark in the poet's memory, but also moved generation after generation in the Millennium, deposited in the blood of Chinese civilization and became an eternal classic. "The color is not charming, fascinating, the scenery is not intoxicating, and people are drunk." I don't know how many literati revel in this virtual scene and the moonlit night by the river.
If the poet stops here and shows the world only one painting, he will be silent. Perhaps, this poem can only be famous for a while, and will soon be lost in the storm of history. The genius of the poet lies in that he does not cling to the beautiful scenery in front of him, but raises a deep meditation on people, the bright moon and the eternal universe. "Who saw the moon first by the river, Jiang Yuezao took photos of people. Endless, passed down from generation to generation, Jiangyue is only similar year after year. " Life goes on from generation to generation, just like the bright moon in the river will never change. The poet's heart is crystal clear and fragile. They often find beauty easily and associate it with the shortness of life and the ruthlessness of years. I think of Li Bai's "Today people don't see Gu Yue, but this month they took photos of the ancients". This elegant poet is arrogant and uninhibited, and when facing the bright moon and nature, his heart is inevitably a little lonely. I think of Su Shi's "Former Red Cliff Fu", the representative leader of the bold school and the down-and-out person in the officialdom, but in the smallness of man and nature, I get a kind of relief and comfort.
The poet began with "white clouds are far away, and the breeze is overwhelming", describing the departure of the wanderer from the homesick woman, and the poet's faint sadness was integrated into the quiet poetry. The poet returned to reality from eternal meditation, thinking of wandering in the sky and thinking of women in the boudoir, and the transition in the middle was not abrupt at all. "I don't know how many people return home every month, and when the moon sets, they are full of trees." The poet stopped writing slowly, but let the reader hide the book for a long time. Meaning and beautiful memories are exhausted, but poetry is endless. "The falling moon shakes the trees all over the river", the "shaking feelings" in this sentence-endless thoughts, intertwined with the feelings of moonlight, wanderers and poets, fell on the trees by the river, and also fell on the hearts of readers, which is fascinating.
"Moonlit Night on the Spring River" transcends the previous landscape poems that simply shape mountains and rivers, the philosophical poems that "yearn for the infinity of the universe and mourn the moment of my life", and the love poems that express the feelings of children leaving. Poets have injected new meanings into these common traditional themes, blending poetry, painting and philosophy. They praise the beautiful scenery of nature, eulogize the pure love between human beings, expand their sympathy for homeless women, and combine it with the pursuit of life philosophy and the exploration of the mysteries of the universe, thus merging into a beautiful feeling, scenery and harmony. The poet deliberately hides the profound and beautiful artistic world in a vague artistic atmosphere, and the whole poem seems to be shrouded in an ethereal and confused moonlight, attracting readers to explore the true meaning of beauty.
I remember Zhou told me that poets and philosophers are interlinked. He himself is a vivid example, with the dual identity of a philosopher and a poet. This sentence has been verified again in Zhang. Legend has it that in those days, he was well-deserved for his perfect "Moonlit Night on a Spring River".
4. "Mourning for the Head" Author: Du Fu
Shaoling night swallowed and began to cry. I quietly descended along the winding river like a shadow of spring.
There are thousands of palaces on the shore and new branches of willows. Who are you green for? .
I remember a colorful flag floating in the south garden, with thousands of colors, layered on top of each other.
The first lady of the kingdom, from the Sun Palace, waited on the emperor's royal chariot.
The cavalry in front of them were all holding bows and arrows, and discerning horses were chewing gold.
An archer, chest up, went through the clouds and hit a pair of birds with one arrow.
Where are those perfect eyes and those pearly teeth? A bloody soul has no home, no place to go,
A clear wave flowed eastward, crossing the Diaolou Mountain Path, and there was no news.
Compassionate people shed tears and hoped that she would be as eternal as rivers and flowers.
Tatars on horseback, in the dim twilight, covered the town with dust. I fled to the south, but I was still staring at the throne in the north.
Note: In July (756), the fifteenth year of Tianbao reign of Emperor Xuanzong of the Tang Dynasty, An Lushan captured Chang 'an. Su Zong ascended the throne in Lingwu, and changed Yuan to virtue. Du Fu was taken to Chang 'an by rebels on his way to Lingwu. I wrote this poem the next year. This poem aims at mourning the death of the imperial concubine. Because I didn't dare to tell anyone, I borrowed the title of Xingjiangtou.
At the beginning of the poem, the writer sneaked into Qujiang, recalling the prosperity of the past, the depression and disorder of today, and then recalling the grand occasion of the imperial concubine's visit to Qujiang before her death. Then turn to describe the tragic scene of the death of the imperial concubine, Xuanzong's going to Shu, and where you will go.
The whole poem takes the word "mourning" as the core. At the beginning, the first sentence "submit to humiliation and cry bitterly" creates a strong artistic atmosphere, and then writes that sneaking around in spring is sad, seeing things sad or sad, and finally can't write clearly about the north and the south, which is extremely sad. With the word "mourning" as the theme, mourning dominates the whole article, and the artistic conception is gloomy and profound.
This sense of "mourning" in the whole poem is complex and profound. While expressing sincere patriotic passion, the poet also expressed his condolences to the troubled king. Therefore, we say that the whole poem is a profound sorrow for the country's ruin and death, an elegy for Li Tang's prosperous times, and also an elegy for the country's decline.
The structure of this poem is full of twists and turns. Write with "mourning", everything is mourning. Joy begets sorrow, and Li and Yang Guifei wept with joy. It is also a mixture of sadness and joy, writing about the death of people and countries, and pushing mourning to a climax. This description of the process from scene to memory and from memory to reality gives people a feeling of ups and downs, difficulty in stretching and anxiety. It is affectionate, sad and infinite, and it is heartbreaking to read.