There are 300 Tang poems thousands of miles away in by going up one flight of stairs, and 100 translated and annotated ancient poems about climbing stairs, describing landscapes, the Yellow River, inspiring and philosophical early education.
The sunset slowly sinks beside the western hills, and the Yellow River rushes to the East China Sea.
If you want to see the scenery of Wan Li, you must climb a higher tower.
Appreciating the poet's extraordinary ambition to climb high and look far reflects the positive and enterprising spirit of the people in the prosperous Tang Dynasty. Among them, the first two sentences are what you see. "The Mountain Covers the Day" is about the view, the mountain and the scenery seen when climbing the building, and "The River with the Ocean Discharging Gold" is about the close-up view, the water is spectacular and magnificent. Here, the poet captured the rivers and mountains of Wan Li in a very simple and plain language with just ten words; Later, when people read these ten words a thousand years later, they felt like they were underground. If they see the scenery, they will feel that their minds are open. Looking into the distance, a touch of sunset sank to the endless rolling mountains in front of the building and disappeared into Ran Ran at the end of the field of vision. This is the sky view, the distant view and the western view.
The second sentence is about the Yellow River flowing through the front and bottom of the building, roaring south, then turning east in the distance and flowing to the sea. This is from the ground to the horizon, from near to far, from west to east. When these two poems are combined, the scenery of up and down, far and near, and things are all contained under the pen, which makes the picture look particularly broad and distant. As far as the second poem is concerned, the poet can't see the Yellow River entering the sea from the stork building. The sentence is written in the middle of the poem, which is a way to combine the foreground with the sky. This writing increases the breadth and depth of the picture. Calling the sun "daytime" is a realistic style. The setting sun holds the mountain, and the clouds cover the fog. At this time, the brightness of the weakened sun is even dimmer, and the poet directly observes the wonders of the sun. As for the "Yellow River". Of course it is also realistic. It flies like a golden ribbon in the mountains.
What the poet presented to him was a magnificent picture. This picture is still in a fast-changing dynamic. It's only a short process to walk by the mountain for a day; The Yellow River flows to the sea, but it is an eternal movement. If this kind of scenery is beautiful, then it is a dynamic beauty, full of infinite vitality and lively beauty. This is not a so-called "freeze frame", not a precious fossil or specimen. The generosity of the poet left a deep impression on the readers. Write the last two sentences. "But you have broadened your horizons by three hundred miles", a poet's endless desire to explore, wants to see further and see where his eyesight can reach. The only way is to stand higher and "walk up a flight of stairs". "A thousand miles" and "the first floor" are imaginary numbers, which are both vertical and horizontal spaces in the poet's imagination. The words "to be poor" and "to be better" contain many hopes and longings. These two poems have been handed down through the ages and are well known. They are not only novel and unexpected, but also very natural, close to the first two poems. At the same time, the use of the word "Lou" at the end also plays a role in pointing out that this is a poem about climbing stairs. It can be inferred from the second half of the poem that the first half was written on the second floor. The poet wanted to see the distant scenery as far as possible, and even climbed to the top floor of the building. The poem seems to write the process of climbing stairs straightforwardly, but it has far-reaching implications and is intriguing. Here is the poet's enterprising spirit, forward-looking mind, and also the philosophy of standing high and looking far. As far as the writing characteristics of the whole poem are concerned, this poem is what the Japanese monk Konghai said in On the Chamber of Secrets in the Mirror. Some people say that poetry should not be reasonable.
This should only mean that poetry should not be blunt, boring and abstract, not that philosophy cannot be revealed and promoted in poetry. Just like this poem, it perfectly dissolves truth, scenery and events, making readers feel comfortable instead of reasoning. This is a mode to express the philosophy of life through thinking in images according to the characteristics of poetry. The writing of this poem has another feature: it is a quatrain full of antithesis. In the first two sentences, the nouns "daytime" and "Yellow River" are relative, the colors "white" and "yellow" are relative, and the verbs "one" and "ru" are relative. The last two sentences are the same, which constitutes a formal perfection.
Creation background: This poem is one of the only six quatrains left by Wang Zhihuan, a poet in the Tang Dynasty. The author served as editor-in-chief in Hengshui County, Jizhou (now Hengshui County, Hebei Province) in his early years, and was dismissed soon after being framed. Wang Zhihuan, who was less than 30 years old, lived a life of visiting relatives and friends. When writing this poem, Wang Zhihuan was only thirty-five years old.
Appreciate the first two sentences of two poems, "The mountains cover the day, and the sea drains the golden river", which is about the scenery seen from the stairs, magnificent and magnificent. Here, the poet captured the rivers and mountains of Wan Li in a very simple and plain language with just ten words; When we read these ten words a thousand years later, we seem to be underground, and we feel open-minded when we see the scenery. Looking into the distance, a touch of sunset sank to the endless rolling mountains in front of the building and disappeared into Ran Ran at the end of the field of vision. This is the sky view, the distant view and the western view. The second sentence is about the Yellow River flowing through the front and bottom of the building, roaring south, then turning east in the distance and flowing to the sea. This is from the ground to the horizon, from near to far, from west to east. When these two poems are combined, the scenery of up and down, far and near, and things are all contained under the pen, which makes the picture look particularly broad and distant. As far as the second poem is concerned, the poet can't see the Yellow River entering the sea from the stork building. The sentence is written in the middle of the poem, which is a way to combine the foreground with the sky. This writing increases the breadth and depth of the picture.
There are two sentences in Du Fu's Song of Wang Zai's Painting Landscape: "Traveling in ancient times, talking about Wan Li recently". Although it is about painting, it can also be used to talk about poetry. These two poems written by Wang Zhihuan's landscape make it possible for Wan Li to be close at hand and Wan Li to be close at hand.
At this point, the poem seems to have written all the scenery in front of us, but surprisingly, in the second half of the poem, the poet pushed the poem to a higher level and showed readers a bigger vision with the words "But you go up a storey still higher, and your vision will be broadened by three hundred li". These two poems are not only unexpected, but also very natural, close to the first two; At the same time, the use of the word "Lou" at the end also plays a role in pointing out that this is a poem about climbing stairs. It can be inferred from the second half of the poem that the first half was written on the second floor. The poet wanted to see the distant scenery as far as possible, and even climbed to the top floor of the building. The poem seems to write the process of climbing stairs straightforwardly, but it has far-reaching implications and is intriguing. Here is the poet's enterprising spirit, forward-looking mind, and also the philosophy of standing high and looking far.
As far as the whole poem is concerned, this poem is said by the Japanese monk Konghai in On the Chamber of Secrets in the Mirror. Some people say that poetry should not be reasonable. This should only mean that poetry should not be blunt, boring and abstract, not that philosophy cannot be revealed and promoted in poetry. Just like this poem, it perfectly dissolves truth, scenery and events, making readers feel comfortable instead of reasoning. This is a mode to express the philosophy of life through thinking in images according to the characteristics of poetry.
The writing of this poem has another feature: it is a quatrain full of antithesis. When Shen Deqian chose this poem in the Tang Dynasty, he pointed out: "Four languages are correct, and it is not too expensive to read, so the bones are high." There are only two couplets in the quatrains, both of which are antithetical sentences. If it is not full of momentum and clear-cut, it will easily appear dull or fragmented. In this poem, the previous combination is the opposite name, the so-called "right and wrong", and the sentence is extremely neat, heavy and powerful, which shows the greatness of the scene written; The latter is a flowing pair. Although the two sentences are relative, there is no trace of confrontation. The poet is also very mature in using dual skills.
Meng Qian Bi Tan pointed out that "only Li Yi, Wang Zhihuan and Chang Dang can describe the scenery" in the poems left by the Tang people in the stork house. Li Yi's poems are seven-rhythm poems; Wandering poem is also a five-line poem, also called "In the Lodge of the Heron". The whole poem is as follows: "On birds, they rise above the ground. Ye Ping is surrounded by the sky, and the river breaks into mountains. " The poetic scene is also magnificent and can be called a masterpiece. However, Wang Zhihuan's poems were the first, but in comparison, he lost in the end, and Wang's poems had to be once and for all.
Wang Zhihuan (688-742) was a famous poet in the prosperous Tang Dynasty. His name is Ji Ling, Han nationality, from Jiangzhou (now Xinjiang County, Shanxi Province). Bold and uninhibited, he often mourned swordsmanship, and his poems were sung by musicians at that time. At that time, he often sang with Gao Shi and Wang Changling, and was famous for describing the frontier fortress scenery. Representative works include Heron Pavilion and Liangzhou Ci. "The mountain covers the day, and the sea drains the golden river. But as long as you go up a flight of stairs, you can broaden your horizons by 300 miles. "This is the eternal swan song. Wang Zhihuan
Wang Zhihuan (688-742) was a famous poet in the prosperous Tang Dynasty. His name is Ji Ling, Han nationality, from Jiangzhou (now Xinjiang County, Shanxi Province). Bold and uninhibited, he often mourned swordsmanship, and his poems were sung by musicians at that time. At that time, he often sang with Gao Shi and Wang Changling, and was famous for describing the frontier fortress scenery. Representative works include Heron Pavilion and Liangzhou Ci. "The mountain covers the day, and the sea drains the golden river. But as long as you go up a flight of stairs, you can broaden your horizons by 300 miles. "This is the eternal swan song. ? Eight poems
Facing the white Yun Qi Fu Feifei on the mountain ridge, I can enjoy myself as a hermit. I tried to climb the mountain and look ahead, and this mood disappeared with the departure of the swan song. If the weather in this autumn is not so fresh and clear, the quiet evening may seem a bit sad. Tourists come to the village on the mountain, walk across the beach, sit at the ferry and have a rest. The forest in the distance is like a shepherd's purse, overlooking the river bank like a crescent moon. I hope you will pick me up, bring a basket of wine and get drunk on the Double Ninth Festival. -Haoran's "Qiu Denglan" was sent to Zhang/sent to Xianshan on September 9.
Tang Dynasty: Meng Haoran
Facing the white Yun Qi Fu Feifei on the mountain ridge, I can enjoy myself as a hermit.
I tried to climb the mountain and look ahead, and this mood disappeared with the departure of the swan song. (Try it first)
Sadness is often the mood of dusk, and the mood is often the atmosphere of autumn.
Tourists come to the village on the mountain, walk across the beach, sit at the ferry and have a rest.
The forest in the distance is like a shepherd's purse, overlooking the river bank like a crescent moon.
I hope you will pick me up, bring a basket of wine and get drunk on the Double Ninth Festival. There are 300 Tang poems, and the autumn is crisp, and people are like jade in your grass, and I am a mulberry. When you miss your hometown, you were missed and sad a long time ago. Spring breeze, you and I don't know each other. Why do I feel sad when it blows to Luo Zhang? -Spring Thoughts by Li Bai in the Tang Dynasty
Tang Dynasty: Li Bai
The grass is as green as Beth, and the mulberry leaves in Qin area are green.
When you miss your hometown, you were missed and sad a long time ago.
Spring breeze, you and I don't know each other. Why do I feel sad when it blows to Luo Zhang? Three hundred Tang poems, spring, woman, honest, miss where is the hall of fame, in a deep pine forest near Silk City. The steps are dotted with green grass in spring, and birds are chirping happily under the leaves. The third call aggravated his state affairs, and he gave his sincerity to two generations. (Often annoying: often) But before he could conquer, he was dead, and the heroes cried on their coats. -Tang Du Fu's "Shu Xiang Shu Xiang"
Where is the temple of the famous prime minister? It is in a deep pine forest near the Silk City.
The steps are dotted with green grass in spring, and birds are chirping happily under the leaves.
The third call aggravated his state affairs, and he gave his sincerity to two generations. (Frequent troubles: frequent)
But before he conquered, he died, and since then the heroes have been crying on their coats. There are 300 Tang poems, praising history and homesickness, worrying about the country and the people, and praising writers.