There is running water in the mountains. The sky plays underground, and the rain is heard in the air.
Turn into a deep stream and divide into small pools. No one has seen it. You'll know when you get old.
There is a spring in the mountain. Ask others what the name of this spring is, and no one knows. The sky is reflected on the surface of the spring, and the whole ground is the same color as the sky. The spring water rained down from the high cliff. The spring water flowed out of the mountain and filled the mountain stream, and the tributaries also filled the small pond.
Note: Sorry: I still ask. Common hypothetical problems in ancient poetry. Deep water: Deep water between two mountains. Tian Lian: Same as Tian Dan. Quiet and indifferent
Appreciation: This is a landscape poem. As a relatively neat five laws, the content combination and writing structure of this poem are quite distinctive. The first couplet narrates the topic, closely following the word "spring", peaceful and natural. In the quiet mountains, a clear spring flows slowly, adding vitality to this remote place; Faced with this scene, the poet wanted to ask if Shanquan had a memorable name, but he didn't know.
The poet writes from a vast three-dimensional space, vividly depicting the clearness and agility of the mountain spring: when it flows on the flat ground, it is like a new bright mirror reflecting the blue sky under the water, and when it flies down the mountain, it is like a misty spring rain, which is spectacular. This couplet has a clear vision. Through bold imagination, the necklace couplets are conceived from the opposite angle and translated into the situation that the mountain spring is left out in the cold.
As a unique landscape poem, Yongshan Spring has a unique artistic skill comparable to Qiushan written by Wang Wei: the poem is vivid, the picture is fresh and beautiful, and the poet not only paints it with ink, but also meticulously shows readers the clear and abundant mountain spring. Yongshan Spring is also a poem about objects. The works use anthropomorphic techniques to describe the "unknown", "unknown" and "bleak" of mountain springs.
It implies that the mountain spring is the poet himself, and the characteristics of the mountain spring are the personality that the poet wants to pursue. Its lofty realm of advocating calmness, naturalness and elegance is impressive and memorable. In short, the high harmony between Yongshan Spring and the Ming mind makes this poem "high-key, carefree, profound and affectionate, and cuts off vulgar words" (Yin Ji Jiang Shang Ling).