Reading the Classic of Mountains and Seas, Its Ten Tao Yuanming Series: Reading the Classic of Mountains and Seas, Its Ten Jing Wei, with 2 titles, will fill the sea. Xingtian's 3 dances show solidarity, and his fierce ambition is always there. If you have no worries about the same thing, you will not regret it if you remove it. Just set in the past, you can wait for 7 days. Note 2 Jingwei: Bird names in ancient mythology. According to Shan Hai Jing Bei Shan Jing and Shu Yi Ji, Jingwei, the daughter of the ancient Emperor Yan, drowned in the East China Sea, and her soul turned into a bird. She often filled the East China Sea with wood and stones. Title: with your mouth. Microwood: fine wood. Xingtian: A mythical figure, whose head was cut off and buried in Chang 'yangshan after his defeat for power with the Emperor of Heaven, refused to give in. He took his breasts as his eyes and his navel as his mouth, still waving a shield and an axe. (Classic of Mountains and Seas Overseas Western Classics) 4 Same thing: Since Jingwei drowned and turned into a bird, it is the same as others. Even if he dies again, he will just turn from a bird to another thing, so there is nothing to worry about. 5. Hua Qu: Xingtian has been killed and turned into a foreign body, but he has no regrets about the past struggle with God. ACTS: In vain and for nothing. In the past: thank you sir in the past. 7 good days: a good day to realize your ambitions. I: Yes. These two sentences mean that Jingwei and Xingtian have their past ambitions in vain, but can they wait for a good day to realize their ideals! 8 Meng Zhi: Brave fighting spirit. In the past: thank you sir in the past. Ten-fold: it means rhetorical question. Jingwei contains tiny pieces of wood, which should be used to fill the sea. Xingtian brandished a shield axe, and his resolute fighting spirit always existed. It is also the same creature that has no sorrow, turned into a foreign body and has no repentance. If there is no such will character, how can a good time come? Appreciating Tao Yuanming's lifelong passion for freedom and rebellious spirit is an important theme of Tao's poems. This poem praises the mythical image of Jing Wei and Xingtian, which is the embodiment of this spirit. "Jingwei bit micro wood, will fill the sea. "Start with two sentences, summarizing the fairy tale of Jingwei, which is extremely concise and vivid. "Shan Hai Jing Bei Shan Jing" says: "The mountain where doves are born ... has a bird, which looks like a black bird, with a head, a white beak and bare feet. It is called Jingwei, and its song is self-proclaimed. It's the girl of Emperor Yan, named girl. The girl swam in the East China Sea and drowned, so she was Jingwei. I often hold the title of wood and stone in the western hills, so that I can hold it in the East China Sea. In order to avenge the drowning, Jingwei has a small mouth and wants to fill the East China Sea. The shape of jingwei is just a bird, but its ambition is great. The word "title" and "micro" of "jingwei title micro-wood" can be carefully understood. The word "title" belongs to the original Shan Hai Jing, and the word "micro" expresses the imagination of poets. Both words are vivid, and "micro-wood" is compared with the next sentence "Bohai". The tiny wood held by Jingwei's mouth is in sharp contrast with the vast East China Sea. The more prominent the difficulty and difficulty of jingwei's revenge, the more prominent its determination is, and it will overwhelm the sea. From the deep intention of the following words, it shows that the poet was deeply moved. "Xingtian dances for the sake of solidarity, and his ambition is always there. "These two sentences sum up the fairy tale of Xingtian, which is also extremely concise and vivid. "The Classic of Mountains and Seas Overseas Western Classics" says: "Xingtian and the emperor fought for the gods here, and the emperor cut off his head. The mountain of sheep was buried with the breast as the eye and the navel as the mouth, and they danced with each other. "Dry, shield also; Qi, axe also. In order to avenge the death of Xingtian, he waved an axe and shield and vowed to fight with the Emperor of Heaven to the end. What is especially valuable is that his brave and fierce ambition is always there and indelible. The word "dance" in "Xingtian dances for the dead" and the word "fierce" in "fierce will always be there" are vivid strokes. The word "fierceness" in Yuan Ming's Ode to Jing Ke and "fierceness over Wan Li" is an excellent interpretation of the word "fierceness". Understanding the above four sentences, "Strong will is always there", is a combination of Jingwei and Xingtian, which is a high summary of Jingwei and Xingtian's spirit. Yuan Ming likes to use the word "fierce ambition", which can best express one side of Yuan Ming's personality. "Miscellaneous Poems Remembering My Youth" and "My ambition to escape from all over the world" are self-reported ambitions of youth. This poem was written in his later years, and his ambition is always there. It can be said that he was embraced by Jingwei and Xingtian in his later years. The following two sentences are the meaning of this sentence. "The same thing has no worries, and it is no longer regrettable. "The same thing" means that the same thing is a living thing, which refers to the prototype of Jingwei and Xingtian. "Turning away" means materializing words, which means that Jingwei and Xingtian died and turned into foreign bodies. "I have no worries" and "I have no regrets". These two sentences, the first said that when he was born, the second said that after his death, Jingwei and Xingtian had nothing to fear before their death, and they had no regrets after their death. These two sentences are the full play of "strong will is always there". Yuan Ming's poetry is so dense. "I am in the past, and my moments are waiting for me. "Write a sentence, sigh jingwei, Xingtian ACTS as the fierce ambition of the past, but the opportunity of revenge revenge, finally failed to wait. The waves of poetry have changed from lofty sentiments to deep sadness, which makes people think deeply. The fierce ambition is always there, although it makes people feel admired; And the timing is not met, but also makes people sad. This is actually a profound tragic spirit. Yuanming's poem laments the events of Jingwei and Xingtian, and it is not without sustenance to take it as a part of his spirit, though he has no regrets in his death. Thirteen poems in Reading the Classics of Mountains and Seas are a set of poems linked with chapters. The first poem praises the joy of seclusion and farming, the second to the twelfth poems praise the miraculous things recorded in The Classics of Mountains and Seas and the Biography of Mu Tianzi, and the last one praises the historical events that Qi Huangong ignored Guan Zhong's last words, appointed a courtier and harmed himself. Therefore, this group of poems was written after Emperor Wu of Song usurped Jin. Therefore, the "fierce ambition" in the poem can of course include the embrace of helping the world in the Yuan and Ming dynasties, but first of all, it should include the pain and anger over Liu Yu's usurpation of Jin and the sad wish of revenge and revenge. Poems about revenge, such as "Ode to Jing Ke" in Yuan and Ming Dynasties, can be read and played together with this poem. Even in the mythical world of Shan Hai Jing, Jingwei and Xingtian's desire for revenge seems to have failed. However, the spirit of resistance is not worthless. This spirit is actually the embodiment of the brave and tenacious character of China ancestors. Yuan Ming praised this spirit of resistance in his poems, saying that "the ambition is always there" and that this spirit is indelible. "It is only in the past that we can wait for our good days", which makes this spirit tragic and makes it doubly deep. Sadness is especially strong, which makes Yuan Ming's poem deeply tragic and beautiful.