The Golden Escort, the lens of Sergio Lionel and the soundtrack in Morikand, this duel should be the best western I have ever seen, Clint when I was young? Eastwood is really handsome. I look bloody.
Every plot in The Thief of the Years can be divided into segments.
For me who like Hong Kong films, there is a strong Hong Kong flavor and memories. The flashbacks of memories are trivial daily life in the streets and lanes of that era, as well as the impermanence of life with a deep time stamp. Perhaps, as the cover of the film says: In the changeable life, time is the biggest thief.
Because it steals health, safety, even the life of loved ones and the hope of family. ...
But what we are touched by is what the years can't steal, just like those beliefs that still persist when the wind and rain are shaky.
In the movie Dear, Zhang Yi's crying after drinking is very worrying.
A group of parents who have lost their own flesh and blood and have the same pain will form a thousand miles to find their relatives. After a short period of mutual comfort, there is deeper pain.
"Encouragement, encouragement" is the keynote of Han Dezhong, a young rich man played by Zhang Yi. Like many of the most active people in life, Han Dezhong lived a sigh of relief.
So Zhang Yi will talk about his drunkenness, which is particularly real and moving, and these moving are revealed in every expression and action. Singing at the dinner table is out of control, and the repressed pain seems to be venting, but it can't be poured out.
Finally, when I stood up and walked alone, I cried at the wall, which made the character's mental journey to the point of penetrating. This is called textbook acting.
Thank you very much to the actors who brought us good works.