Books in the distance return to dreams, and only empty beds are Su Qiu's enemies.
Under the steps of moss mangroves, the moon is sad in the rain.
"End r
Books in the distance return to dreams, and only empty beds are Su Qiu's enemies.
Under the steps of moss mangroves, the moon is sad in the rain.
"End residence" means flat residence. This little poem is the work of the poet wandering around the office and homesick in his middle age.
The first sentence says: Letters from distant relatives are as hard to rely on as my dream of returning home at night, which arouses my long-term thoughts. "Having a friend" refers to the long-distance and long-term expectation that a letter from a loved one has not been heard from for a long time, and it is difficult to send it because of dreams, which aggravates the feelings of missing. The purpose of writing these two words is to feel lost when hope fails, and the meaning of mountains and rivers is beyond words if you don't come for a long time. Real letters can't wait for a long time, which leads to emptiness, while illusory dreams are disturbed night after night, showing unrealistic "reality". Reality and the word "leisure" are intertwined, which not only explains the background of the whole poem, but also lays the tone of the whole poem. Many of Li Shangyin's short poems are based on the first sentence, which is the root of a poem and the key to reading it.
It is difficult for a poet to return to his dream after a long study. The poet feels lonely and cold in the autumn night, which leads to the sentence "Only an empty bed is the enemy of autumn". This sentence is a good sentence in Tang poetry and the peak of emotion in this poem. The original meaning of "enemy" means to contend and resist; "Su Qiu" is autumn, and the beginner's book is quoted from Emperor Liang Yuan: "Autumn is called Bai Zang, also known as ... Su Qiu, Su Shang, Shang Gao." According to the ancient "five elements", autumn is still white, so it is called "Su Qiu". Only this kind of empty bed mat can compare with the cold autumn night. The word "enemy" contains infinite meaning, which not only shows the cold loneliness of "empty bed" and "flat autumn", but also shows the loneliness that people who sleep alone in empty bed can't bear. The word "enemy" not only touches people's emotions in semantics, but also has a faint voice in pronunciation, which is short and intense, adding to the appeal of poetry. Therefore, predecessors thought that the word "Wei" (Yang Shouzhi's language) was the real Chinese language.
The poet suffered from leaving home and missing his wife. The autumn night is bleak and it is difficult to sleep. He got up alone in the middle of the night, wandered indoors and looked out of the window at the yard. Moss and red-leaf trees under the stone steps look desolate in the wind and rain, and even more desolate in the moonlight. "Moss" is born of few people, "mangrove" symbolizes the meaning of autumn and dusk, "in the rain" and "in the moon" are misplaced, and the real scene in front of us is intertwined with the scenery in memory, which shows that nostalgia does not happen overnight, but extends in time and space. The scenery described in the last two sentences is extremely exquisite in language use, with moss and red leaves and gorgeous colors. However, the faint moon and drizzle cast a faint veil over these colors, presenting a hazy beauty and adding a cold feeling of clear autumn. At the same time, "moss" and "mangrove", "rain" and "moon", "desolation" and "sorrow" are intertextual in these two sentences, which not only have a cyclical aesthetic feeling, but also greatly enrich the connotation of the poem.
Throughout the poem, due to the intentional foreshadowing of the first sentence, especially the tension of the word "enemy" in the second sentence, the sentence "There is only an empty bed facing a plain autumn" suddenly rises, pushing the emotion to * * *, and expressing the poet's loneliness, loneliness and bitterness in the bleak autumn night to the fullest. If you express your feelings directly again, you will get stuck very tightly and it will be unsustainable. Therefore, in the third or fourth sentence, the poet unfolds, empathizes with the scenery, and arranges a "gentle slope" for the peak of emotion, which makes the emotional rhythm slightly stable and forms the internal rhythm of the whole poem in the interweaving of urgency, slowness and stability, with endless aftertaste. Appreciating this poem is like climbing a mountain to see victory. The mountains are steep, the scenery is steep, the mountains are gentle and soothing, the scenery is picturesque, and you taste them carefully, and you arrive at your destination unconsciously, and your interest is particularly strong. You can also get a glimpse of the poet's skill.