1. Ancient poems about Wang Xizhi
1. "Ode to History·Wang Xizhi"
Era: Song Dynasty Author: Chen Pu
If you don't get the chance to visit the temple, all the talk will be in vain, but the fox will roar in the palace.
The Wang family is lovely but has little leisure, and is more willing to accept Xie Wan as the third prince.
2. "Wang Xizhi"
Era: Song Dynasty Author: Xu Jun
The characters are popular in the world, and their opinions are strange.
It is difficult to find a younger brother based on his own talent and position, so I beg for him in his remaining years.
3. "Pictures Leading to General Cao's Overlord"
Era: Tang Dynasty Author: Du Fu
I started studying calligraphy and learned from Mrs. Wei, but I hated Wang Youjun.
I don’t know how old I am when I am young, and wealth and honor are like floating clouds to me.
4. Titled Wang Shuming's "Picture of Gaoshi Living in Rocks"
Era: Yuan Author: Ni Zan
Linchi Xueshu Wang Youjun, Chenghuaiguan Taoist Shaowen .
The writing power of a prince can carry a cauldron. There has been no such prince in five hundred years.
5. "Inscribed on the Right Army Portrait of King Xizhi of Jin Dynasty by Dr. Xia"
Era: Ming Dynasty Author: Liu Bing
Outside the Shangdong Gate, Hu Xiaoxiao, thousands of miles of dust flew into Luoyang road.
Qianlong crossed to the east to revive the Jin Dynasty, and Qunma Nanfu Kingdom was rebuilt.
Shicheng was the capital of the past, and the common people were careless about good plans.
The clothes and hats are simple, the etiquette is arrogant, and the music is abandoned. The court is sparse and the monarchs and ministers are sparse.
Daling was the most outstanding person in his life. In his early years, his family was in Taige.
In the internal history, the new code of conduct has been removed, and the right army has been assigned to participate in the war.
Cai Weizhong, Zhang Zhang, who is good at calligraphy and calligraphy has a miraculous ability.
When the day is long, swallows sleep in the forest guard, and when the sun is warm, geese play in the ink pond.
Come and send it in a green plum bag, wrapped in bream and write "Huang Ting" after getting drunk.
The spring breeze in March is singing in the mountains, and the flowing wine glasses reflect the bamboos.
For a moment, the hairpin crown belongs to the high wind, but for a hundred years, the culture and algae are fragrant? genus.
In the ancient and modern days of living and living, the descendants of Chen Cong are looking for it again.
The jade pillow in the small inscription Zhaoling is worth a thousand gold.
Suddenly I lost my eyesight when I saw the painting, and I was shocked to see Cai Cai Feng.
The feather fans are slender and sparse. The sun is clear in the evening, and the black gauze looks like autumn dust.
Prosperity is like a dream, and the mountains and rivers are almost shining at noon.
Only the Phoenix Tower is rising, and the spring breeze is still blowing the purple flute. 2. Sentences praising Wang Xizhi
Sentences praising Wang Xizhi:
1. Yu Yi (Eastern Jin Dynasty): "In the past I had Boying's chapter drafted on ten pieces of paper, and I was in trouble across the river. Lost, often sighing that the wonderful things will never be lost. Suddenly I saw my brother's letter at my feet, and I suddenly returned to my old outlook."
Translation - Yu Yi: "I used to have Boying Zhang scrawling ten pieces of paper across the river. I lost it all the time, and I often lamented that the wonderful thing was lost. Suddenly I saw you replying to my brother's letter, and it was like a god, going back to the past to look at it."
2. Xiao Yan (Southern and Northern Dynasties): "Zi. "If you don't respect Yi Shao, you won't be like Yuan Chang."
Translation - Xiao Yan: "Zi Jing is not as good as Yi Shao, just as if Yi Shao is not as good as Yuan Chang." "Wang Xizhi." His calligraphy is majestic and majestic, like a dragon leaping over the Tianmen or a tiger crouching on the Phoenix Tower, so the treasures of the past dynasties will always be observed."
3. Yu He (Southern Dynasty and Song Dynasty): "Xi Zhi's book says: 'Looking for all the things in a moment' Among the famous books, Zhong and Zhang Xin are unparalleled, and the rest are not enough. 'My book is as good as Zhong and Zhang's resistance, and Zhang Cao is like a wild goose.'
Translation - Yu He: " Wang Xizhi's calligraphy said: "Not long ago, when I was looking for famous calligraphy, Zhong and Zhang were really unparalleled, and the rest were not worth preserving. ’ He also said: ‘My calligraphy is more noble than that of Zhong and Zhang, and Zhang Cao is also a pioneer.’
4. Sun Guoting (Tang Dynasty): “And Yuanchang (Zhong Yao) specialized in official script , Boying (Zhang Zhi) is especially good at cursive style, which has both beauty and elegance. "
Translation - Sun Guoting: "Moreover, Yuan Chang (Zhong Yao) is specializing in official script, and Boying (Zhang Zhi) is especially good at cursive script. Their two calligraphy are exquisite, and Yi Shao is compatible. .
5. Mi Fu (Northern Song Dynasty): "Thank you for comfort and question, the wording is ancient, and it is above the two kings. It is the end of the post to criticize Zi."
Translation- Mi Fu: "Thank you for the comforting post. The writing is ancient, and the character and skills are the same as those of the two kings. No wonder the critic is at the end of the post."
Extended information:
Verses praising Wang Xizhi:
(1) I learned from Mrs. Wei when I first started studying calligraphy, but I hated Wang Youjun. "Pictures Presented to General Cao Ba" (Du Fu - Tang Dynasty)
Translation: In order to learn calligraphy, you first studied under Mrs. Wei, but you only regretted that you did not surpass the right general Wang Xizhi.
(2) Wang Youjun, who studied calligraphy in Linchi, and Shaowen of Chenghuaiguan Taoism. "The Picture of Gaoshi Living in the Rock" (Wang Shuming - late Yuan Dynasty)
Translation: Mochibian's calligraphy and painting skills can be compared with Wang Xizhi and Zong Shaowen.
(3) Riding the luan to color, the flying flies mistakenly flicked away. Not as good as Xizhi's drunken ink.
"Magpie Bridge Immortal Chengluan Coloring" (Liu Chenweng - Song Dynasty)
Translation: According to the color of the blue luan bird, the speed of the flying fly cannot compare with Wang Xizhi's drunken ink.
Sogou Encyclopedia - Wang Xizhi 3. What are the verses praising "Wang Xizhi's calligraphy"?
The verses praising "Wang Xizhi's calligraphy" are: 1. He who has black hair does not know how to study diligently, but will regret it when he has gray hair. Reading late.
____Yan Zhenqing's "Poetry to Encourage Learning" 2. It's spring before you realize that you are reading, and every inch of time is worth an inch of gold. ____Wang Zhenbai's "Two Poems on Bailu Cave·Part 1" 3. It is good to relax with poems and books on the pillow, and the scenery in front of the door is good when the rain comes.
____Li Qingzhao's "Breaking Through the Sands of Huanxi·The Sickness on the Hair and the Shades of Hair" 4. The lights are on at three o'clock and the chickens are on at five o'clock, which is when men are studying. ____Yan Zhenqing's "Poem to Encourage Learning" 5. There is no need to hate a wife without a matchmaker, there are women in the book who are as beautiful as jade.
____Zhao Heng's "Poetry to Encourage Learning" 6. Read more than ten thousand volumes, and write like a master. ____ Du Fu's "Twenty-Two Rhymes from Wei Zuocheng" 7. If you don't read for a month, your ears and eyes will lose their clarity.
____Xiao Luan said "Reading will tell you what you see and write" 8. Wealth must come from hard work, and a man must read five carts of books. ____Du Fu's "Baoshi's Thatched Cottage" 9. Returning to Zhining without a five-acre garden, the original intention of studying was Yuanyuan.
____ "Reading" by Lu You 10. Books should be read with pleasure and easy to finish, but if you have a guest, you will not come. ____Chen Shidao's "Quequa·The book should be read with pleasure and easy to read" 11. The weak crown plays the soft hand, and the outstanding man reads the group of books.
____Zuo Si's "Eight Poems on History·One" 12. Half an acre of square pond opens, and the skylight and cloud shadows linger. ____Zhu Xi's "Two Poems with Reflections on Viewing Books in the Living Water Pavilion·Part One" 13. Don't be a Confucian scholar when reading, and leap west to the Jincheng Pass.
____Xie Yi's "Farewell to Dong Yuanda" 14. Shandong was in chaos before the ashes were cold, and Liu Xiang did not study. ____Zhang Jie's "Book Burning Pit" 15. Enjoy the wonderful articles and analyze the doubts.
____Tao Yuanming's "Two Poems of Migration" 16. People learn to know, but it is unnatural not to learn. ____Meng Jiao's "Encouraging Learning". 4. What are the ancient poems of "Wang Xizhi"
Preface to the Lanting Collection/Lanting Preface
Wei and Jin: Wang Xizhi
In the ninth year of Yonghe, he was in Guichou. At the beginning of late spring, we would meet at the Orchid Pavilion in Shanyin, Kuaiji, to practice bad luck. All the talented people have arrived, and the young and old have gathered together. Here there are high mountains, luxuriant forests and tall bamboos; there are also clear and turbulent streams, reflecting them to the left and right, which make them look like flowing water. Although it is not as prosperous as silk and bamboo orchestral music, one drink and one chant are enough to express the secret love. On that day, the sky was clear and the wind was gentle and gentle. Looking up at the vastness of the universe and looking down at the prosperity of categories, wandering around and wandering around was enough to provide a great visual and auditory entertainment. I believe it is a joy.
The lady's relationship with her will last a lifetime, or she will be held in her arms and enlightened within a room; Although there are many different interests, calmness and restlessness are different, when you are happy with what you encounter, you are temporarily satisfied with yourself, you are happy and self-sufficient, and you don't know that old age is coming. When I am tired of what I am doing, my emotions change with the situation, and I am filled with emotion. The admiration for it, and the admiration of it, have become old traces, and I still cannot help but feel happy about them. The situation will be shortened and changed, and it will eventually end. The ancients said: "Death and life are also big things." Isn't it painful? (I didn’t know that old age was coming. One work: I didn’t know that old age was coming)
Every time I look at the reasons for people’s interest in the past, if they are combined into one, I will not fail to express my condolences and cannot express them in my heart. I know that death and rebirth are just illusions, and mourning for Qi Peng is an illusion. The future looks upon the present, just as the present looks upon the past. Sad husband! Therefore, I listed people from that time and recorded what they said. Although things are different in different times, I am interested in them and they are consistent. Those who view it later will also feel the elegance.
Wang Xizhi (303-361, 321-379), courtesy name Yishao, Han nationality, was a famous calligrapher in the Eastern Jin Dynasty and was known as the "Sage of Calligraphy". His ancestral home is Langya (now part of Linyi, Shandong), and later moved to Wuxi. In his later years, he lived in seclusion in Jinting, Shan County (now part of Zhejiang). He successively served as secretary Ying, general Ningyuan, and governor of Jiangzhou. Later, he was the internal historian of Kuaiji and led the general on the right. His calligraphy is good at Li, Cao, Kai, Xing and other styles. He studies the styles carefully, imitates them with his heart and hands, draws on the strengths of others, prepares various styles, and cultivates them in one furnace. He breaks away from the writing style of Han and Wei Dynasties and becomes his own style with far-reaching influence. The style is peaceful and natural, the writing style is euphemistic and subtle, and it is beautiful and graceful. His representative work "Lanting Preface" is known as "the best running script in the world". In the history of calligraphy, he and his son Wang Xianzhi are collectively known as the "Two Kings".
Translation:
In the ninth year of Yonghe, which was the year of Guichou, in early March, we gathered at Lanting in Shanyin City, Kuaiji County to do evil deeds. Many talented people gathered here, both young and old. Lanting is a place with high peaks, lush woods and tall bamboos. There is also a clear and rapid stream that surrounds the pavilion. We use the stream water as a curved water for the drinking cup and sit beside the curved water. Although there is no grand occasion of playing music, drinking some wine and writing some poems is enough to relax. Describing the deep inner feelings.
On this day, the weather is clear, the air is fresh, and the breeze is warm. Looking up to see the vastness of the universe, looking down to observe the numerous things on the earth, it is enough to stretch your eyesight and broaden your mind, which is enough to fully enjoy your sight and hearing. The fun is really very happy.
People interact with each other and pass their lives quickly. Some people talk freely about their ambitions indoors; some people express their feelings and live uninhibitedly based on the things they like.
Although each has his own hobbies, quietness and restlessness are different, but when they are happy with the things they come into contact with, they feel contented for a moment. Feeling happy and content, unaware that aging is coming. When you are tired of what you get or love, your feelings will change with the changes of things, and emotion will arise. The things you liked in the past have become old relics in a blink of an eye, not only because they trigger feelings in your heart, but also because their lifespan is long or short, depending on fate, they will eventually be destroyed. The ancients said: "Death and life are a big deal after all." How can we not make people sad?
Whenever I see the reasons for the sighs expressed by the predecessors, the reasons are as consistent as a talisman, and it is inevitable to sigh and mourn when reading the articles of the predecessors, and cannot understand it in my heart. I originally knew that the statement that equates life and death is untrue, and the statement that equates long life and short life is a fabrication. Future generations will look upon today's people just as today's people look upon their predecessors, which is sad. So I recorded the people who were present at the meeting one by one and recorded the poems they composed. Even though times have changed and things are different, the reasons that trigger people's emotions and their thoughts and interests remain the same. Later generations of readers will also be moved by the poetry and prose of this gathering. 5. Sentences describing Wang Xizhi’s calligraphy
The pen is full of ink: the pen and ink are used very freely and fully.
It mostly describes calligraphy and poetry as smooth and vigorous. The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping.
Describes the vigorous and free-spirited style of calligraphy. He also writes on behalf of the commander.
First written about Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote Huang Ting, it was just right."
Later used to describe doing things just right. Appendix: 40 sentences describing good calligraphy, please learn from them: 1. The pen and ink are full: the pen and ink are used very freely and fully.
It mostly describes calligraphy and poetry as smooth and vigorous. The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping.
Describes the vigorous and free-spirited style of calligraphy. He also writes on behalf of the commander.
2. The writing is like clouds and smoke. 3. With one stroke, you can see it like a runaway horse soaring into the sky and away from the dust; or like a dragon flying into the sky, moving around, coming from nothingness, and returning to the void again. This almost crazy impulse of primitive vitality encompasses the heaven and earth. The aura of the universe.
4. Calligraphy incorporates the perseverance, courage and enterprising spirit of Confucianism, as well as the emptiness, detachment and tranquility of Lao and Zhuangzi. It often uses a kind of change that does not seek richness to reflect in the writing. It means leaving behind the glitz and glamor of the world in order to seek the true meaning of space and distance. 5. Observe that his strength is not lost, his posture is stretched but not exaggerated, and his handwriting flows like water and clouds.
6. Du Shijie has strong bones but is thin in calligraphy and painting. If there are no leaves in the frost forest, the waterfall will fly. 7. A group of crocodiles are playing in the sea, and cranes are dancing in the sky (Emperor Xiao Yan of Liang Dynasty commented on Wang Xizhi) 8. Floating like floating clouds, and acting like a frightening dragon.
The iron book and the silver hook are the best in ancient and modern times. 9. Huai Su is like a strong man wielding a sword, his spirit is moving, and he is circling forward and retreat without missing the mark.
10. With a few scribbles, a picture of a flying dragon will appear on the paper. The dragons he painted are lifelike, majestic and varied.
Chen Rong often does not paint the whole dragon, but paints the head or claws of the dragon, which flicker and appear, as if hearing its sound, as if seeing its shape, and splashing ink to form clouds and spraying water. The fog is so magical that it is called "Suoweng Long" (Chen Rong's nickname is Suoweng). 11. The fonts are interlaced, large and small, open and closed, and the thickness of the lines changes obviously, with ups and downs.
The last line is crooked, so crooked that it almost falls over, but this tilt is not rigid, but more free, reflecting his willful and willful side, which is his own style. Chen Rong's posture is steep, and the shape of his knots may be leaning or upright, heavy or light, which has the beauty of "coming like thunder and gathering wrath".
He writes quickly, uses the pen powerfully and exerts heavy force. 12. Be simple and unpretentious and accept the universe.
13. The teacher’s words are a symbol of years and years, and each stroke is sonorous and powerful. 14. Be assertive and domineering, without being restrained at all, even writing in one stroke, like a god, coming and going without a trace.
15. The teacher’s words are like petals, the fragrance spreads far and wide, becoming more and more fragrant. 16. The dragon and the snake race and wear through the iron inkstone.
17. Its color, its shape, its density, dryness and moisture, its discontinuity and rolling, the thickness and thickness of the dew are all infinitely variable, and the weather is myriad. 18. The majestic brushstrokes and sweeping gestures are unintentional and have the most vitality-filled characteristics.
19. The ancient ink is lightly rubbed with a few fragrances, and the new inkstone bath shines brightly, either vigorously or gracefully, like a graceful beauty, like a vigorous and brave warrior, or like the spring breeze blowing in the face of flowers. One piece may be as deep and cold as the north wind entering the pass. 20. Like a strong man drawing his sword, his appearance is moving.
21. Manqing’s pen is full of tendons and willow bones 22. Luan soaring and phoenix Zhu: Zhu: flying high. It is a metaphor for the flying posture of calligraphy strokes.
23. Luan Piao Feng Bo: Luan: a legendary bird like the Phoenix. It turns out that calligraphy is described as free and unrestrained.
It is also a metaphor for the separation of husband and wife of advanced students. 24. Flying dragon and snake: describes the vigorous and vivid calligraphy strokes.
Su Shi's poem "Xijiang Moon·Pingshan Hall": "I haven't seen the old immortal for ten years, and dragons and snakes are flying on the wall." 25. Flying dragon and dancing phoenix: Like a flying dragon, like a flying phoenix.
The original description is unrestrained and majestic. Nowadays, calligraphy is often described as lively, flexible and skillful writing, and it also describes the lifelike dragon and phoenix sculpture art.
26. Giving examples: Zuo Qiu Ming wrote a biography of "Chun Qiu" and classified the calligraphy of "Chun Qiu" into several categories and gave a general explanation. Later, the style of classifying examples to explain a book was called "examples to enlighten".
See "Making an Example". Powerful and penetrating the back of the paper: originally refers to the strong and powerful calligraphy, but now it is also used to describe the vivid, profound and powerful poetry.
27. The sword was drawn: the sword was drawn from its sheath and the bow was opened. Describes a situation that is tense and about to explode.
Later, it also means that calligraphy is vigorous and powerful. 28. Spring earthworm and autumn snake: a metaphor for poor calligraphy, as crooked as the tracks of earthworms in spring and snakes in autumn.
29. Huang Ting was first written: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote Huang Ting, it was just right."
Later used to describe doing things just right. 30. Beauty Hairpin: Describes the beauty and beauty of calligraphy or poetry style.
31. Penetrating three-thirds of the wood: It originally described the strong calligraphy pen (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated into the wooden board three-thirds deep), but now it mostly describes the profound and powerful force of analysis, description and discussion. The power of similar words can be seen through the back of the paper, and it is an apt description of the root of calligraphy.
32. The paper is like clouds of smoke 33. Tang Dynasty Li Bai's "Cursive Script Song": "Every now and then I see dragons and snakes walking away, left and right frowning and lightning shocked." 34. Although the presentation has a fatherly style , is not a novelty.
Looking at the style of his writing, he is as sparse and thin as a dead tree in the middle of winter; looking at his writing, he is as restrained as a hungry official of the Yan family. 35. Three points into the wood 36. Wang Xizhi has profound attainments in real calligraphy, cursive calligraphy, and all kinds of calligraphy.
His real calligraphy has a clever and dense shape, opening up a new realm; his grass is long, thick and slender; his running script is charming and vigorous. People call his calligraphy "floating like floating clouds, as powerful as a frightening dragon"; "dragon leaps over the sky gate, tiger lies in the Phoenix Pavilion".
37. Graffiti: letter: let one go, casually; letter pen: write casually; graffiti: figuratively written words are poorly written and scribbled casually. Later, "graffiti" or "graffiti" were used to describe poor calligraphy or random writing.
There are also people who claim to be doing graffiti to show their modesty. 38. Xinbi scribbling: Xinbi: writing casually.
Graffiti: The metaphor is poorly written and scribbled carelessly. Later, "graffiti" and "graffiti" were used to describe poor calligraphy or random writing.
39. Iron painting and silver hook: painting: strokes; hook: hook. The calligraphy is described as strong and beautiful.
40. The pen moves the dragon and the snake, the iron draws the silver hook. 6. Wang Xizhi's more famous poems
Poem in the preface to Lanting: 1. Traveling to the old place Is there no reason for the old people to gather together? Traveling to my hometown, spring is coming.
The waves in the sky create a clear sky, and the wind between the mountains reflects the virtual forest. The lush orchid magnifies the tranquility of the mountain, and the meandering water brings the shade of bamboo.
One chant and one cup of wine are enough to express my feelings, and my joy is now flourishing. 2. Group tours of young and old. In the early spring, young and old gather together to visit the river and take a tour of the river and mountains.
If you have enough faith, you will have all you can, and the waves may end without a reason. Looking up to the sky and looking down on the ground is a feeling of nostalgia, and it is a quiet and tranquil feeling to embrace the bamboos and enjoy the orchids.
Although the companionship is short-lived, we are a group of happy fellow practitioners. 3. The grand occasion of the Orchid Pavilion The Guichou Orchid Pavilion is prosperous, and all the virtuous people are grateful for it.
The body is full of fun and entertainment, and the wine is fluently narrated. Looking at the current and past times with sadness in the world, I lament the long-term pain and short-lived sorrow.
Although there is no silk and bamboo orchestral music, the beauty of Xiuxian Mountain is clear and refreshing. 4. Admiring the Orchid Pavilion. Admiring the Orchid Pavilion has been around for many years, and it is like meeting a sage from ancient times.
The fun is like running water and drinking wine, and the music brings out the spring breeze and the orchestra. Staying together in a quiet room can last forever, and staying together in lush forests can last forever.
I am cheerful and never tired, and my love has not changed even though I am old. 5. A nostalgic trip: I took a sightseeing tour in the past years and left my memories in the spring waters of Kuaiji.
Nostalgic for the past, mourning the sages, facing the steep mountains, drinking wine, sitting and chanting overlooking the turbulent water. Later generations will entertain the eyes of this period, and those who know it will regard it as Leshan.
It is a rare occasion to have a grand event, and there are lush orchids in the bamboo shade. 7. Poems written by Wang Xizhi
Pastoral Mixture in Four Seasons Fan Chengda of the Song Dynasty The plums are golden and the apricots are fat, the wheat flowers are snowy and the cauliflowers are sparse.
No one passes through the fence during the long day, only dragonflies and butterflies fly. At four o'clock, there is a lot of pastoral excitement. Fan Chengda of the Song Dynasty. There are few people passing by in the forest. The smoke from the front mountain reaches Chai Fei.
The little boy made a boat like a leaf and returned home alone. Pastoral Excitement in Four Seasons Fan Chengda of the Song Dynasty The mud mirror surface of the newly built field is flat, and every family is plowing rice while the frost is clear.
There was light thunder in the laughter and singing, and the flails rang all night until dawn. At four o'clock, the countryside is busy. Fan Chengda of the Song Dynasty goes out to work in the fields during the day and works on hemp at night. The children in the village are responsible for their own affairs.
The children and grandchildren are still working for farming and weaving, and they are also learning to grow melons near the mulberry tree. Two unique features of Hengyang Road: Fan Chengda in Song Dynasty: black boils break through the fence, and colorful pigs burst out of the house and bloom.
There are still swallows flying in the bamboo and tile houses on the empty mountain. A few miles away from the Hejiang River, I sent it to the princes of Yang Shangqing and Fan Chengda of the Song Dynasty. When I was about to leave, I was satisfied and said my sorrow about separation. I was speechless and only shed tears.
The bamboo forest at the stern of the boat covers the county and city, and the old people are still standing on their own in Shatou.