I. Original text
Jiangshan bathed in spring, how beautiful, flowers send flowers.
Swallows are busy nesting in wet mud and sleeping in pairs on the warm beach.
Second, translation.
The mountains and rivers are bathed in spring, so beautiful, and the spring breeze brings the fragrance of flowers and plants.
Swallows are busy building nests with wet mud in their mouths, and couples of mandarin ducks are sleeping on the warm beach.
Third, the author dynasty
the Tang Dynasty
Four. Word annotation
1, Late Sunday: Spring is getting longer and longer, so it's late.
2. Mudification: This refers to the moist soil.
3. Yuanyang: a kind of waterfowl, both male and female birds often appear.
Extended information 1. appreciate
At the beginning of the poem, I began to use ink from a big place, depicting the beautiful spring scenery around Huanhuaxi under the bright sunshine in early spring. This pen is simple and colorful. "Late day" means spring day, which means "spring night" in The Book of Songs, Wind and July.
Here is used to highlight the sunshine in early spring, so as to control the whole. At the same time, the word "Li" is used to dye "Jiangshan", which shows the beautiful scenery of beautiful spring and green streams reflecting the sun.
The poet further demonstrated the beautiful spring scenery with warm spring breeze, blooming flowers, lush grass and rich fragrance. Because the poet organically organizes the spring breeze, flowers and their fragrance, through association, we can have the feeling of facing the wind, blooming flowers and being sent flowers by the wind, and receive the artistic effect as if we were on the scene.
Two. Brief introduction of the author
Du Fu (7 12-770), with beautiful words, is a great realistic poet in the Tang Dynasty, and is also called "Du Li" with Li Bai. Originally from Xiangyang, Hubei Province, he moved to Gongxian County, Henan Province. In order to distinguish Li Shangyin, Du Mu and Xiao Du Li, Du Fu and Li Bai are also called Da Du Li, and Du Fu is often called Lao Du.
The individualization of image selection in Du Fu's poems is the basis of Du Fu's poetic language. Images often appear in Du Fu's poems, such as ancient bunkers, autumn clouds, apes whistling, remnants of torches, steep gorge, chengwei, solitary boat, fallen flowers, sunset and other natural landscapes, as well as ordinary people such as weaver girl, old woman, old farmer and wife, as well as powerful forces such as officials, generals and hooligans.
They all show Du Fu's eagerness to save the world, his criticism of confusing Gan Kun, his indignation at bullying, his sorrow for wandering, his pity for the loss of life, his regret for material resources and his praise for giving alms to the masses.
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