The original text and translation of Yangzhou slow language in senior two.

# Senior 2 # Introduction Classical Chinese teaching in senior high school is a highly artistic subject. In the teaching process, we should pay attention to three steps: language, situation and strategy. The following are the original and translated versions of Yangzhou slow language in Senior Two, hoping to help everyone.

1. Former article 1

Xi Chunbing applied to go to Japan and gave it to Wei Yang. At the beginning of the night snow, the wheat is looking forward to it. Entering the city, you will look around for depression, cold water is green, dusk is rising, and corners are sad. I feel sad from it and feel sorry for past lives, because I am watching this song. The old man in Yan Qian thinks there is a kind of sadness of "separation". Huaizuomingdu, Zhuxi is a good place with few saddles on the initial journey. Ten miles after the spring breeze. All the wheat is green. Since Huma went to see the river, he abandoned the trees by the pool and still hated talking about soldiers. Gradually dusk, clear the angle and blow the cold. All in the empty city.

It is not surprising that Du's reward is too heavy now. Vertically speaking, although the dream of a brothel is good, it is difficult to be affectionate. The 24th Bridge is still there, the waves are swaying, and Leng Yue is silent. After reading the red medicine by the bridge, you will know who you should live for every year.

2. Translation 2

I passed Yangzhou on the winter solstice in the spring. It snows at night in Chuqing, and it's full of grass and wheat. Entering Yangzhou is a depression, the river is green and cold, the sky is getting late, and the bleak horn rings in the city. My heart is sad, feeling the changes of Yangzhou city in the past and present, so I wrote this song myself. Old man Yan Qian thinks that this word has the sad meaning of "millet separation". Yangzhou has been a famous city on Huainan East Road since ancient times. There is a tourist attraction called Zhuxi Pavilion. When I first arrived in Yangzhou, I dismounted and stopped. At that time, the bustling streets stretched for ten miles in the spring breeze, but now buckwheat is green and lonely. Since the nomadic people invaded the Yangtze River valley, even abandoned ponds and ancient trees are disgusted to mention that hateful war again. Near dusk, the tragic horn sounded, echoing in this desolate and broken empty city.

Du Mu once praised you with beautiful poems, but if he comes back today, he will be surprised at your broken. Even with the exquisite lyrics of cardamom and the wonderful talent of singing the dream of a brothel, it is difficult to express the deep sadness at this moment. The 24th bridge is still intact. Under the bridge, the waves are rippling, and Leng Yue is lonely. I think the flowers and leaves in Shao Hong near the bridge are flourishing every year. I wonder who appreciates it every year and who lives for it?

3. Note 3

⑴ Yangzhou Slow: The epigraph name, also known as Langzhou Slow, has 98 characters, even tones and rhymes. This piece is played and sung by Jiang Kui, and is often used by later generations to express nostalgia. ⑵ Cherish spring in Shen Bing: cherish spring for three years (1 176). Solstice: Solstice in winter.

(3) Weiyang: Yangzhou (now Jiangsu).

(4) Wild oats: wild oats, wild oats. Wang Mi: My eyes are full.

5] Garrison horn: the sound of the horn sounded in the barracks.

[6] Yan Qian old man: Xiao Dezao, a poet in the Southern Song Dynasty, was named Dongfu, the old man in Yan Qian. Jiang Kui studied poetry with him and is his nephew. Li Shu: The title of The Book of Songs Feng Wang. It is said that after Zhou Pingwang moved eastward, Dr. Zhou passed by the old capital of the Western Zhou Dynasty and wrote this poem when he saw that the ancestral temple was destroyed. Later, he used "millet separation" to express his yearning for the motherland.

(7) Huai Zuo Du Ming: refers to Yangzhou. The administrative districts of the Song Dynasty were Huainan East Road and Huainan West Road. Yangzhou is the capital of Huainan East Road, so it is called Huaizuo Du Ming. Left, the name of the ancients, when facing south, the east is left and the west is right. Metropolitan Du Ming.

⑼ Solution (xiè) Leave less for the initial journey: leave less and leave more; The initial journey, the initial journey.

⑽ Shili Spring Breeze: Du Mu's "Farewell" poem: "Spring Breeze Shili Yangzhou Road is not as good as rolling a bead curtain." It is used here to refer to Yangzhou.

⑾ Huma peep at the river: it refers to the invasion of the Yangtze River valley by the nomads from the Jin army and the looting of Yangzhou. This should refer to the second robbery in Yangzhou.

⑿ Abandon pond tree: abandon pond platform. Arbor: the surviving ancient tree. Both of them are remnants of chaos, indicating that the city is barren and sparsely populated.

(13) gradually: arrive, arrive. Clear horn: the horn of sadness.

Step 4: Lesson 4

[Teaching purpose] To learn and understand the style characteristics of the graceful school of Song Ci: the scene is mixed with deep sadness, and the rhythm and tone are harmonious;

Focus on understanding the writing style and artistic beauty of the two words;

[Teaching Focus]

Pay attention to the difference between the emotion expressed by these two words and Su Xin's lyrics in the last lesson in lyric content and way;

Memorize these two words. Memorize them.

[Teaching difficulties]

Appreciate different styles of ci works.

[Teaching method]

Read aloud, ask questions and discuss.

[Teaching process]

First, the exploration of maritime navigation

Look at the self-study tips first, and then combine the text notes to find out the general idea of the two words. You can finish the follow-up questions in the ability exercise library first.

The word "Yulin Ridge" should focus on understanding the artistic conception of scene blending and the lingering and graceful style. Cold rain, misty dusk, the breeze and the waning moon are all bleak and desolate scenes; Holding your hand, growing old with your son, leaving with affection, and having nowhere to say, express deep sadness. Seeing the scenery and feeling, with the scenery and feeling, the environment and atmosphere are integrated with the main emotion, which depicts the scene of a pair of lovers reluctant to part.

The word "Yangzhou Slow" should focus on understanding the author's deep patriotic feelings and low emotional tone, as well as the expression of touching the scene. Green wheat, the abandoned trees in the pond, the cold wind in the corner and the silence in the Leng Yue make the author feel nostalgic for the present, and can't help but feel that the past has overcome the present. In addition, we should pay attention to the new artistic conception produced by the use of Du Mu's poems.

Second, the structure of thought.

The word Yulinling was written when the author was frustrated in her career and lost her love comfort. His mood is depressed, and his future in life is even bleaker. Therefore, the feelings expressed in the written scene are bleak and low. Shangcheng wrote scenes that were inseparable and reluctant to part with his lover, mainly about scenery, but every word was full of affection; I imagine the life scene after I leave and express my painful feelings.

The word "Yangzhou Slow" expresses the author's homesickness and confusion when he is hurt. Shang Kan wrote the real scene in front of him, and wrote the depression scene in Yangzhou after the robbery. Ji Xing writes scenes on the descriptive level of staying, watching, thinking and smelling. Xia Gan's injury to today's homesickness is reflected in Du Mu's Yangzhou poems, which describe the desolation and desolation of Yangzhou now and the representative scenery of Yangzhou-Twenty-four Bridges and Peony. Structure diagram:

He wrote an article about the Great Depression.

Landscape 1: wild oat green.

Scene 2: Trees in a wastewater pond

Scene 3: Clear the corner and blow the cold

The Virtual Imagination of Xiatan

Imagination 1: No matter how talented Du Mu is, it is difficult to have deep affection.

Imagination 2: the bridge moon is still there, and the jade man has gone.

Imagination 3: Bloom remains the same, and the personnel are completely different.

Third, difficulties refer to Tianjin.

The relationship between scenery description and lyricism in Yulin Ridge: First, the scenery features are distinct. Chilling, Shower, Smoke Wave, Twilight, Yang Liuan, Breeze and Moonlight are all bleak and have a lot of room for association. Second, the scenery is sentimental. Imagine cicada cold, wind cold, moon disability and willow concern. How can it not cause nostalgia and sadness? This is the way of writing. "All landscape words are emotional words."

How to understand the quotation of Du Mu's poems in Yangzhou People? Yangzhou has been prosperous since ancient times, especially in the middle and late Tang Dynasty. It has become the economic and cultural center of the middle and lower reaches of the Yangtze River, and it is also a land of outstanding people. There are many poems praising Yangzhou in Tang Dynasty, among which Du Mu's poems are the most. The description of Yangzhou's prosperity is unparalleled. In Yangzhou Slow, Jiang Kui used Du Mu's poems to show Yangzhou's success that year. On the one hand, he can save a lot of pen and ink, and more importantly, he can arouse readers' good memories and set off the depression today.

5. Appreciation of Chapter 5

Although Jiang Kui died as a wanderer all his life, Baishi's ci is not only a portrayal of a wanderer's life, but also an emotional world reflecting various colors. It is true that due to the limitation of life path and aesthetic taste, the subject matter of Jiang Ci is narrower than that of Xin Ci, and the reflection of reality is slightly indifferent. But he is not an outsider who does not ask current events. Jiang Kui experienced four dynasties: Gao, Xiao, Guang and Ning. When Song and Jin made peace, young and middle-aged people were playing around in the imperial court, which made the restoration plan impossible. Jiang Kui is deeply saddened and sorry for this. In the second year of Xichun, I visited Yangzhou and felt the depression and desolation of this historic city, so I wrote this song to express my sadness. This is the earliest poem in Jiang Kui's poems, which can be tested for years. The last film started with Du Ming and Good Place, but ended with Empty City, which showed its ups and downs in the past and present. "After ten miles in the spring breeze, the wheat is green", which is vivid from the imaginary place. The desolate scene of barren cities, sparsely populated and collapsed houses is self-evident, similar to Du Fu's "Spring is green with vegetation" ("Spring Hope"). "Ten Miles of Spring Breeze" does not really mean that the spring breeze blows all the way, but uses Du Mu's poems, which reminds the author of the grand occasion of the jagged pavilions and beaded curtains in those years and reflects the decline scene today. Although the looting of "Huma Peeping at the River" is a thing of the past, the "abandoning the pond tree" still tirelessly talked about the war, which shows how cruel the war disaster brought to the soldiers in that year was! Chen Tingzhuo's "Bai Ci Hua" thinks: "The word' I'm still tired of talking about soldiers' contains words that hurt people infinitely. Others are tired of talking about it for a thousand times, and they don't have this charm." The charm of Jiang Ci lies in its light language, and its charm is beyond the reach of some sophistry. The phrase "green pepper" not only adds sadness, but also contains many twists and turns: the bottom has a common enemy, but has no intention of resisting the Northern Expedition. In this way, the horn of Qingling can only reverberate in the war-torn empty city. In the second part of the poem, the author further develops the association from nostalgia: the Yangzhou poems of Du Mu, a poet in the late Tang Dynasty, have always been well-known, but if he comes here again, he will never be able to sing affectionate poems, because there is only a bend of Leng Yue and a cold water in front of him to accompany him to wander the 24 bridges; Although the peony flowers by the bridge are still attractive, they are open and lonely. Especially the sentence "Twenty-four Bridges", the more difficult it is, the more bleak it is, which is shocking. Xiao Dezao thinks the word "sadness of parting" is really helpful.