the southeast is victorious, and the city of Sanwu and Qiantang have been prosperous since ancient times. Smoke willow painting bridges, wind curtains and green curtains, staggered by 1 thousand people. Clouds and trees surround the embankment and sand. The raging waves roll frost and snow, and the natural barrier is endless. The city is full of pearls and pearls, and the households are full of Luo Qi, competing for luxury.
heavy lakes overlap with each other. There are Sanqiu cassia seeds and ten-mile lotus flowers. The Qiang tube is sunny, the ling song is full of night, and it is fun to catch the lotus flower. A thousand riders have high teeth. Listen to Xiao Gu while drunk, and enjoy the misty clouds. The future map will be good, and I will go back to Fengchi to boast.
appreciation
this word is contrary to Liu Yong's usual style, and it describes the prosperity and magnificent scene of Hangzhou in a colorful way, which can be described as "calming the weather and describing the music to the end" (see Chen Zhensun's "Solving the Problem of Zhi Zhai Shu Lu"). This poem, with a slow tone and a long tune, is a masterpiece handed down from generation to generation by Liu Yong.
the first three sentences, starting with the title, cover the whole article with great momentum. First of all, it points out the importance of Hangzhou's location and its long history, and reveals the theme of singing. Three Wu, the old refers to Xing Wu, Wu Jun and Huiji. Qiantang, namely Hangzhou. It is called "the metropolis of Sanwu" here, and it is said to be an important city in the southeast and Sanwu areas. Among them, the words "shape wins" and "prosperity" are the finishing touch. Since the "smoke willow", it has described the success and prosperity of Hangzhou from all aspects. "Smoke willow painting bridge", writing the beauty of street and river bridge; "Green curtains inside" describes the elegance of residential buildings. The phrase "there are 1, different families" is changed from weak to strong, showing the richness of the whole urban hukou. "Uneven" means about. "Cloud tree" three sentences, from the city to the suburbs, I saw trees walking on the Qiantang River embankment, looking from a distance, gloomy and gray, like clouds. A word "around" describes the twists and turns of the long embankment. "Angry waves" two sentences, write the surging and mighty Qiantang River water. "Natural moat", originally meant as a natural deep ditch, was moved here to describe Qiantang River. Watching the tide in Qiantang River in August has always been called a grand occasion. It is essential to describe the tide in Qiantang River. The three sentences of "city list" only grasp the two details of "Pearl" and "Luo Qi", and then reflect the prosperity of the market and the wealth of the citizens. Zhu Ji and Luo Qi are both women's things, which implies that Hang Cheng is full of sensuality. The word "competing for luxury" clearly shows the dazzling array of goods among the four shops, while the word "competing for luxury" secretly shows that businessmen compete for glory, reflecting the extravagant side of Hangzhou, a bustling city.
The next film focuses on the West Lake. The West Lake, which is clean and quiet, is as beautiful as a mirror. As for the early Song Dynasty, it was very beautiful. Heavy lake refers to the inner lake and outer lake that Bai Causeway in the West Lake divides into. Dieshan refers to the overlapping mountains such as Lingyin Mountain, Nanping Mountain and Huiri Peak. The beauty of the lake and mountain was first summarized by the word "Qingjia", and then the laurel on the mountain and the lotus in the lake were written. These two kinds of flowers are also typical scenery of Hangzhou. Liu Yong described two kinds of flowers in different seasons with a neat couplet here. The sentence "Sanqiu Guizi, Shili Lotus" is indeed highly concise, which sums up the most beautiful features of the West Lake and even the whole of Hangzhou, and has inspiring artistic power. "Qiang Guan clears up, Lingge sings all night", and the antithesis is also very stable, and the charm is melodious. "Pan-night" and "flirting" have different meanings from each other, which shows that the lake is rippling with beautiful flute music and ling-picking songs no matter day or night. The word "pan" means that it is on a boat in the lake, "playing and fishing for a lotus doll", which means that the fisherman who plays the Qiangdi and the lotus girl who sings the lingge are all very happy. The word "playful" gives a vivid description of their joyful demeanor and a picture of the amusement of the country, the country and the people.
Then the poet wrote the scene where the dignitaries played here. Crowds of cavalry are surrounded by high tooth flags, and slowly come, which is full of momentum. The pen is dripping and the tone is vigorous, which seems to make people see a mighty and romantic local governor, drinking and enjoying music, and arrogant between mountains and rivers. "The future map will be good, and I will return to Fengchi to boast." It is the conclusion of this word. Phoenix pond, or Phoenix pond, was originally a pond in the forbidden garden of the emperor. In the Wei and Jin Dynasties, Chinese books saved land and were near the palace, which was famous for it. The word "good scenery" will cover all the things written above and those that are not written. It means that when the dignitaries call back, they will draw a picture of the good scenery, present it to the court and boast it to their colleagues, saying that there is such a fairyland on earth. The beauty of the West Lake is set off by the absence of dignitaries.
The tune of "Looking at the Sea Tide" first appeared in the Collection of Movements, which is a new sound created by Liu Yong. This word is about the richness and beauty of Hangzhou. He is ingenious in artistic conception, writing Hangzhou in the first film and West Lake in the next film, with points and areas, crossing light and shade, and describing it smoothly. The grandeur of his scenery and the agitation of his tone are not far from Dongpo. In particular, the use of phrases composed of numbers, such as "Three WuDui", "One Hundred Thousand Families", "Sanqiu Guizi", "Ten-mile Lotus" and "A Thousand Riders Hold High Teeth", has exaggerated tone, which is helpful to form Liu Yong's bold and unconstrained ci style.