Author brief introduction Fu Tianlin, a contemporary poetess. 1946 65438+/kloc-0 was born in zizhong county, Sichuan province on October 24th. 196 1 After graduating from Chongqing Electric Power Technical School, they were assigned to farm in the suburbs of Jinyun Mountain to plant fruit trees until 1980. During this period, inspired by poetry and life, I began to try to write poetry. 1978 attended the Chongqing Literature Creation Conference. 1979 Join Sichuan Branch of Chinese Writers Association. 1980 participated in the second provincial Federation of Literary and Art Circles and was elected as the director of the Writers' Association branch, and was elected as a member of Chongqing Federation of Literary and Art Circles the following year. Now he is the editor of children's editing room of Chongqing Publishing House. He has published poems in various national journals such as Hongyan, Sichuan Literature, Star, Poetry Magazine, People's Literature and Shanghai Literature. Her poems are beautiful in style and ingenious in conception. The collection of poems includes Green Notes (198 1 year, Sichuan People's Publishing House; Won the second prize of the first "1979- 1982" National New Poetry by Chinese Writers Association) Between Children and the World (1983, Chongqing Publishing House).
synopsis
Red agate by the lake
The water in the lake/Today is no longer yesterday's water/Red agate remains the same/10,000 years ago/Re-read archaeology/Red agate by the lake, you/have recovered from scalding/whose palm often can't stand the attack of happiness/Red agate attack/late dizziness attack/Today's water is no longer yesterday's water/hesitant steps/solemn affection/are nostalgic for past memories/past.
Dunhuang night
The rebounding Dunhuang night/ochre lurks
The wind is on the pipa string/a good dancer in the western regions/a Buddhist in Tianzhu/a native of Sichuan, a travel-stained Cantonese/all thought that they didn't want to sleep after flying all night/a deer ran all night/a lotus flower/a red cloud embroidered with ochre/a camel has long since disappeared/the water is shaped like a half moon/a beautiful sand mountain/.
West Berlin
A few nights/I made a car out of magnolia/I tied a flag with cassia twig/as a result, I rode a feather to the Forbidden City. The emperor arrived before me/I was already sitting on the billboard reading German/I was covered in bears/I embroidered the city flag/I wiped the copper wing of the God of Freedom with my front palm. I was broken down into countless selves by your triangle mirror/I can't tell which one is true/farther than the mirror/I used to be. Splashing abstract ink on computers/like splashing pieces of steel/hot and hard steel/starting from this city/playing lamentations on countless ribs/the sun crying and bleeding/finally coming back here/hot and hard steel/blowing Caesar William Church into art * * * Drink a cup of sour wine with us and get drunk/cut bread with a knife from Shikoku/spread jam on the face of bread /a * * * I rang your doorbell/marveled. At dusk, you asked me to go to church/listen to a piano playing Bach/in the blue halo/we are pregnant in the footsteps of God/pray together that the unborn child/eyes will no longer be blocked by mountains, fires and walls/-
Red strawberry
Pick one on your string/I will be your ballad/red strawberry ballad/moving and emotional red strawberry. You and I only have one sun/the sun on the Rhine in June/I can't be illuminated. Can't shine on you/the juicy sun in your memory sets red strawberries/classic young Witt style/memory. There is a bodhi tree/a section of the bodhi tree was left behind by a car/there is a small hotel/pub with a lot of strawberries written on the blue napkin/I will pick a strawberry with you/your little German letter/your juicy bird, your red strawberry crosses the sound waves of plants/becomes more and more alive/and you just.
The feeling of one night
Your reflection/drinking water with me on the Rhine/words and words listening to each other/sucking each other's ink and throwing the horizon over your head/dancing a festival ribbon/your beauty infected my eyes/jazz, a hammer, a hammer/blowing up the night and the oval road around the steak/a grape, I fell into an ellipse in summer/this life/I've seen you/I've met you unfortunately/I can't leave you to be really close to you/the knowable and unknowable functions/the naked wind flashing under the obviously extinguished lights/I'm happy to * * */I dream of traveling, and I'm still holding a dog/As night falls, I shrink in the closed-circuit TV/Many voices take off my pajamas and feel lonely. Dare to look at the moon? Dare you refuse all the flowers and applause when you are glorious? /understanding is like water, prejudice is like a wall/dare to cross and run? /The whole earth is a bittersweet grape/Everything will be close/Everything will be strange.
Appreciation of Works "Red Strawberry" is Fu Tianlin's fourth collection of poems, and her first collection of poems "Green Notes" won the first National Excellent New Poetry (Collection) Award. Red strawberries change greatly compared with green notes. The author says that she has published four poems, which seems to have gone through four stages, and it seems that she has realized something and found something at each stage. She found that "I'm just seeking", and she thought that this kind of seeking was a combination of subjectivity and objectivity, which rose again. Judging from this collection of poems, she has made a fresher and deeper discovery, understanding and exploration of life, life and poetry. We find that Fu Tianlin's vision is broadened, her experience is rich, her poetry art is complicated, her poetry art and experience promote each other, and her poetry has new connotation and charm. She said that she "always dreamed of that year, which was sour and astringent", which we tend to interpret as: the subtle tendency of her poetry is to seek to express life and those sour experiences in life. The Red Agate by the Lake can be interpreted as a description of the emotional experience of bitterness. The emotional storm brought by red agate is dizzy, but it is too late, because today's water is not yesterday's water. Today's lake can't forget and doesn't want to forget red beans. However, the emotional attack of red agate is dizzy after all, and it makes the footsteps hesitate and sour. Please pay attention to the three images in the poem: the lake, the red agate and the big bird with an arrow in the middle, and then focus on a few words: scald, cure, happiness, attack, dizziness, arrow in the middle, red bean and so on. , you can unlock the inside story of this poem. New Year's phone calls can also be regarded as this kind of poem. Under the surface meaning, we can see other deeper meanings. The author's poetry tour in western Europe has achieved good results, which should be said to be very difficult. West Berlin uses some new technologies to express its views on foreign countries. "The Emperor of the Forbidden City arrived earlier than me/has been sitting on the billboard reading German", which is both an image superposition and a surrealism. "I was decomposed into countless selves by your triangle mirror", the author found the image of triangle mirror and accurately described the complexity, contradiction and confusion of his mentality when he first arrived in a foreign country. "Red Strawberry" is a poem with the same name as the collection of poems, and naturally it is highly valued by the author. But this poem is difficult to explain. In our opinion, there are too many metaphors in it. However, this does not affect our appreciation and pondering, at least it does not make appreciation difficult. It seems that the poet loves this red strawberry because it is touching and emotional, especially: "Strawberry is only for the heart." The feeling of one night is very interesting and profound. "Words listen to each other and absorb ink from each other" may be explained as two people each take a book, so the words in the book listen to each other and absorb ink from each other. Deep down, there may be metaphors in these two lines, and even the author's meaning may be hidden in this metaphor. All the poet's feelings in this evening are conflicting and even antagonistic: luck and misfortune, shelving and approaching, knowing and unknown, understanding and extinction, loneliness and glory, understanding and prejudice, closeness and strangeness. The whole feeling is painful and happy, because everything will be very close and suddenly become strange. In this poem, the author also constructs a poem with a strange feeling, which achieves the effect of defamiliarization, and then better grasps the experience: "naked wind/happily * * *", "many voices take off their pajamas". The western nightlife described in such a poem is probably more real than any ordinary realism. There is also a good poem in front of the Madonna. Here, meaning and language are novel. The following poems are all good sentences: "I can only talk to you around the plot" "Love is very tired, and love and death are very painful" "When you are pressed into plaster, look at me in delicate and gentle French" and "Jesus is born/crucified all the time. These poems contain the poet's profound thoughts and feelings. Fu Tianlin's poems, as she said, are the products of constant feelings for certain people, certain things, certain atmosphere and certain spirits, but at the same time, they also have the connotations of mankind, history, nationality and times.