Guo Zi sat quietly (1), looked up at the sky and hissed (2), but it seemed to have lost its coupling (3). Yan You waited in front and asked, "Where do you live?" A solid shape can make it look like a piece of wood, but a solid heart can make it look like ashes? Isn't today's hidden machine the hidden machine of the past? "Zi Qi said," hold is not good, but it is good to ask. How much do you know about my loss? " 8 women listen to people, not to people, women listen to people, not to God! ⑨
Zi You said, "Dare to ask his side." Zi Qi said: "There is an atmosphere (1 1), which is called wind. Do nothing (12), and you will get angry if you do (13). What is the only thing I don't smell (14)? Fear of beauty in the mountains (15), the opening point of the tree and its surroundings (16) are similar to nose, mouth, ear, square (17), circle (18) and mortar (19). Agitator (22), Agitator (23), Scolder (24), Inhaler (25), Caller (26), Howler (27), Mourner (28), Biter (29), the former sings with followers. And that unique tone, Dao Dao (34)? "
Lobbying; "When the earth rings, people know each other, and when people ring, people are better than bamboo (35). Dare to ask heaven. " Zi Qi said, "The husband boasted about the differences (36) and made himself (37) and invited himself (38) with salt. Who is evil if he is angry (39)? "
Note 1 Nan Guoziqi: Sima Chu Zhuangwang, the younger brother of King Zhao of Chu, is called Nan Guoziqi because he lives at the southern end of the city wall; Stealth machine, there are several; Conceal, rely on, rely on; Machine, a number of cases in a book, the ancients used to rely on the body. ② Shh: Breathe out slowly. (3) A: The appearance of the separation of form and spirit; Mourning, still forgetting; Couples, also known as lovers and horses, refer to the form opposite to the spirit. ④ Yan Chengziyou: a student in Zi Qi, surnamed Yan, became a student, and Ziyou: serve, serve. ⑤ Ju (Ji phonograph): Therefore, therefore. 6 and: Eh, you. 7 now: still there; I mean the spirit; I, referring to the form, echoes the last article "Answer is like decoupling", and "coupling" and "I" are synonymous, both referring to form. 8 female: you; Hey, Xiao; Human hearing refers to the sound made by a person playing a flute; Earth sound refers to the sound made by the wind; Scorpio: refers to the natural sound that everything is not affected by the outside world. Participants: reasons. (1 1) Bulk: the earth; Speaking of simplicity; Exhale, exhale, here is a big breath. (12) is: this refers to the wind; Yes, there's an attack. (13): caves; Pei, ho, ho. (14) and: you; Chant, the voice of Changfeng. (15) (Cui): Describe the mountain forest swaying in the strong wind. (16) circumference: an approximate unit for measuring circumference, and the thickness is like an arch between two hands. (17) Fang (Ji, read again (sword)): the crossbar on the column, which refers to the hole on the column as a template. (18) ring: a curved wooden bowl. (19) mortar: mortar, a tool for rice washing. (20) Depression: deep pools. (2 1) Pollution: Here refers to stagnant water, here refers to small ponds. (22) Excitement: the sound of rocks rushing. (23) Hey (Xiao Xiao): The sound of arrows in unison. (24) Anger: the voice of anger. (25) Inhalation: the sound of inhalation. (26) Call: the sound of high call. (27) Howling: the sound of howling and laughing. (28) Yao sound: the low sound made by the wind blowing through the deep valley. (29) Bite: A sad voice. (30) The former: refers to the wind; Yu Hua () Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu Yu; Follow-up refers to acupoints. (3 1) Feng Ling: small wind; Harmony, echo, harmony. (32) Drifting wind: strong wind. (33) Li Feng: gale, gale; Economy, stop; Empty, no sound. (34) There is also: Hey, you; Tone, knife, tree shaking. Knife, knife, knife. (35) Zhu Bi: an ancient flute in which many bamboo flutes are played in a row; Than, and; Bamboo flute and other musical instruments. (36) Ten thousand: refers to ten thousand strokes. (37) self: stop on its own; Yes, stop. (38) salty: all, all; Self-satisfaction. (39) Angry people: people who make everything sound.
Guo Zi, in the south of China, sat leaning on several boxes, raised her head and slowly breathed out into the sky, as if God and form were separated, and she entered the realm of no self. Yan Chengzi stood in front of him and asked, "What's the reason? Although the body can make it look like a dry branch, can the mind make it look like ashes? Why are you different from the way you used to sit in a case today? " Guo Zi replied, "Yan, that's a good question! Now I can forget my body, you know? You've heard of Lyman, but you've never heard of Tulay. You have heard of "the earth comes" but not "heaven"
The son lobbied: "Excuse me, what is the truth?" Qing Zi said, "The air exhaled by the earth is called wind. If the wind doesn't break out, it will roar. Haven't you heard the howling of Changfeng? The Woods in the mountains are swaying in the strong wind, surrounding tree holes, some like noses, some like mouths, some like ears, some like holes in pillars, some like pots made of bent wood, some like mortar, some like deep pools, and some like shallow depressions; Some of them are like the sound of rushing rocks, some like the sound of flying arrows, some like the sound of arrogance, some like the sound of breathing, some like the sound of shouting, some like the sound of wailing, some like the sound of deep valleys, and some like the sound of mourning. The wind sings in front, and there is a whimper behind the hole. The sound of small wind harmony is small, and the sound of strong wind harmony is big. As soon as the strong wind stopped, all kinds of acupoints were silent. Can't you see that the wind has stopped and the vegetation is still swaying? "
Zi lobbied: "the earth sound is all kinds of natural caves, and the human voice is artificial tubules." What is Scorpio? " Qing Zi said, "The wind blows different sounds from thousands of points, but it stops them. This is caused by the shape of each point. So, who made them make a sound? "
Comment on Liu Song Chen Weng's comment on Zhuangzi: "The color, subtlety and vision in the painting are endless."
He also said, "When the words' Yu' and' Ba' are reflected, both are born."
Shi Ming Deqing's Notes on Zhuangzi: "This Changfeng is just a metaphor."
Shen's interpretation of "Zhuangzi" is: "There is a piece of land in Zhuangzi, and you can draw a style with a pen. Sitting with the volume covered, I still feel my ears. The poem "July" is simple and implicit, and it is also the originator of Zhuangzi's painting style. "
Wang Ming and Mu Zong's "South China Classic": "It is only to describe the wind figures, but the words are strange and unusual. This is Zhuangzi's brushwork."
Fang Ming wrote a piece of "Yao Di Paozhuang": "This is an essay on the weather."
Qing Xuan Ying's interpretation of the Classic of the South China: "It is only because of the writing style and the miscellaneous places that the music is silent."
He also said, "By smelling it, we can see it. We didn't just write it, but it suddenly disappeared. Draw a line for the tail of the ear with your eyes, a wonderful pen, a wonderful pen. "
Again; "The first reading is rushing, such as Wan Ma Benteng and Hong Tao; The hope of reading is faint, such as the autumn sky and the quiet night. I look around quietly. "
There is also: "Writing about nature goes without saying anything else. Just remind me on the spot and it will suddenly appear in front of you. "
He said, "Look at his four sentences, which are infinite in meaning, extremely clean, extremely round, extremely transparent, extremely detached and sacred in writing. ..... it's written like that, and it's so cold. "
Qing Hu Wenying's Zhuangzi Lonely View: "Yu Feng writes the word' singing', but he is familiar with the word' harmony' and uses different words."
He also said, "If mixed things come together, the situation is unpredictable, but I like to write from the opposite side so as not to fall into the text."
Qing Liu Feng Bao's The Snow Heart of the South: "Zi You inherited three questions, and the idea was originally on the natural side, while Wei Zi just imitated it on the spot. The voice of the earth is better than the wind. If you don't do it, there will be no sound at all. If you do, everyone will be angry. When you are familiar with the wind, draw its shape first, then its sound, and there are many strange things with many endings. Where the shape is, the sound follows, and then falls into the sentence "the former sings", and the machine is full of fun. Singing and understanding with the wind, anger and economic emptiness are all ups and downs. Therefore, it is obviously pushing people to listen, and there is no need to know more, so I traveled around and asked about nature. Grammar is good at tailoring, because children travel and ask about nature, but children don't answer nature. He still only rises and falls in the same place, carrying it in the air, faintly knocking on the sky, but imperceptibly, to climb the top of autumn. "
In general, the homogeneous theory includes two aspects: homogeneous theory and homogeneous theory. The so-called "theory of the same thing" refers to the debate between Qi and hundred schools of thought about the right and wrong and differences of everything at that time; The so-called "Qi Yi Lun" is an exposition that everything is unified in the final analysis and there is no fundamental difference. However, the author did not separate the theory of homogeneous objects from the theory of homogeneous objects, but expounded the concept of homogeneous objects through the theory of homogeneous objects, which complemented each other and closely combined. This section takes Zi Qi as a child tour, explaining the "three tones" and the viewpoint of "the theory of the same thing". Zhuangzi believes that the dispute between right and wrong of things is due to people's limited opinions, and they don't know that everything is dominated by Tao. As long as people die, they will lose their prejudices and enter the realm of "I lose myself", and the dispute between right and wrong will naturally subside.
This passage is very artistic. In order to fully show the majestic and rushing wind, Zhuangzi arranged a broad background for the wind, and then set it off with the sounds from various orifices in the wind, further rendering the power that the wind dominates everything, thus concretizing and influencing the invisible wind and writing various forms of different objects in the wind. Its imposing manner, such as Ma Benteng and Hong Tao, embodies the magnificent and romantic style.
Great knowledge is idle, and small knowledge is idle; Big words are hot, small words are Zhan. His sleep is also a soul, his sleep is also open, his connection is a structure, and he fights with his heart every day. 8 Cheating, cheating and keeping secret. Small fear (1 1), big fear (12). If it happens (13), it is divided into right and wrong (14); It stays like a curse (15), which is also called (16). If it is killed in autumn and winter, it will be gone in a few days (17); His drowning (18) cannot be repeated (19); His disgust is as silent as (20), indicating that he is old (21); Dying heart, don't make the complex Yang also (22). Emotions, sorrows, sorrows, sorrows and sorrows (23), Yao Yi's attitude (24). Rejoice leads to deficiency (25) and steam into bacteria (26). Day and night have replaced the past, but you don't know what it is (27). Almost (28), almost! What is the reason for this (29)?
Note 1 Know: general wisdom; Big knowledge, small knowledge and the following big words, small words, big fears and small fears refer to those who argue right and wrong; Idle, occasional, hot below, Zhan Zhan, Yi Zhu and Mao Yan all described the appearance of debaters in the debate. Idle, describing intolerance of other people's opinions; It seems inappropriate to say that it is widespread and preventive. Between 2: infatuation with the last paragraph. 3 burning: arrogance oppresses people. (4) Zhan Zhan (Zhan Yinzhan): Talking is tedious and talkative. 5 soul to soul: intertwined. ⑥ Shape opening: physical discomfort. ⑦ Contact: refers to contact with the outside world; Structure, plot, here refers to intrigue. ⑧ ⒆: Take it as a veil and extend it to slow. Here, it is used to describe carelessness and contempt for everything. Pet-name ruby pit (coke calls): set a ferrule. Attending secret: keep secret. (1 1): You look worried. (12) Naaman: shocked look. (13): refers to the speech during the debate; Machine, the launching mechanism on the ancient arrow crossbow; The arrow is at the end of the arrow. (14) division, responsible, responsible. (15) stay: to stay is to hide in your heart; Curse the alliance, swear. (16) Defensive victory: Defensive victory. (17) daily decline: daily decline. (18) Drowning: Drowning; What they do refers to all kinds of arguments that debaters are engaged in. (19) Repeat: it means to regain vitality. (20) disgust (gentle pressure): close, close. Seal the rope that binds the Cambodian utensils. (2 1) Lao Yan (Xu Yinxu): old and exhausted; Deterioration, here refers to exhaustion. (22) Fuyang: Restoring vitality. (23) worry: worry; Sigh, sigh; Change, impermanence; I dare not move because I am afraid. (24) Yao: impetuous; Alas, escape and indulgence; Kai, wild; Pose, pose. (25) Music: the sound of music; Virtual refers to the hollow flute instrument in the middle. (26) Steaming: refers to the evaporation of ground moisture. (27) It refers to roads; Germination, germination. (28) Almost: Forget it, it's already, stop. (29) by: reason, reason.
People with great wisdom can't tolerate other people's opinions, while people with little wisdom are good at details; A good debater, like a flame, is full of domineering; People who are not good at arguing will chatter and talk nonsense. I'm upset when I'm asleep, I'm restless when I wake up, and I'm intrigued when I touch it. Some debaters are careless and despise everything, some are good at setting traps, and some are cautious and meticulous. I'm afraid of being scary, but I'm afraid of being upset. Their exports are like flying arrows, and they are good at observing and grasping the right and wrong of others. When they don't talk, they keep silent as if they had taken an oath, which is called defense winning; This kind of intrigue destroys people, just like killing an ocean in autumn and winter, which makes debaters gradually decline. They are so addicted to no argument that it is impossible to bring them back to life; Their thoughts are closed and rigid, like being bound by closed vines, and their hearts are getting old and tired. Their hearts are dying and can never be resurrected; They are sometimes happy, sometimes angry, sometimes sad, sometimes happy, sometimes worried, sometimes sighing, sometimes fickle, sometimes fearful, sometimes impetuous, sometimes indulgent, sometimes wild, sometimes feminine; This kind of controversy and modality is just like the sound of music from musical instruments and the evaporation of water on the ground giving birth to fungi. Everything in nature appears in front of people day and night, and I don't know how they are formed. Forget it! Forget it! Once we understand the reasons for the emergence and change of all things, we can understand that they are produced by Tao.
Review of Qing Zhou Chen Gong's The Shadow History of South China's True Classics: "Before writing all kinds of rumors, it was all right and wrong;" This section draws all kinds of perverts, just like the wind. The word' right and wrong' refers to the source of right and wrong. People just confuse the source of right and wrong, so the more chaotic, the more forbidden and the more stopped. Great knowledge, little knowledge, Daimonji, small words, will never be from China. "
Lin Qing Sanming's "Zhuangzi Yin": "The words in the text are novel, if the rocks are different, they are not things in the fence."
Qing Xuan Ying's Interpretation of the South China Classics: "This section is in line with the text of the Delay Festival. Under the "great knowledge" and "little knowledge", there are more than 30 physical states, which are mixed and varied with the anger of many people, like galloping horses and surging Hong Tao. The sentence' Happy from the Empty', read in conjunction with the Wind Classic, is as weak as hope, like the quiet night in the autumn sky and the quiet look around, all of which are the mighty words of God. "
Lu Qing's book "Zhuang Zi Xue": "Fold into ten metaphors, and one metaphor is like one metaphor. Laughing and shouting, I am happy. "
Qing Hu Wenying's "Zhuangzi Lonely View": "The ground is written in the front, but it is shaped by things; Here, I feel the inclusion, the muscles are connected with flesh and blood, the pores are spiritual, and the pen falls on the paper. They are all exquisite, and nature has made it, so there is no such thing. "
Qing Liu Feng Bao's Snow Heart in South China: "In this passage, we put the voices of the earth, people and nature together, and we cut into our own tones, so we don't have to stick to people's voices. Everything is no different from everyone's anger, so people's voices are included. You don't have to reveal the sound of nature, but push the exploration layer by layer and return to the invisible truth, then the sound of nature has been written on paper. The beauty of the master's hammer is that it melts without trace and takes off without trace. Under the' great knowledge and leisure', chores come, and the situation is like a storm. In particular, it matches the grammar of the previous paragraph, which is more detailed. In the meantime, the wisdom and spirit are concerned, the voice and appearance are smiling, the external feeling is in the matter, and the internal meaning is in the heart, which has changed a lot. Sleep is also the soul, and God is connected with breathing; " The feeling is also open. "Officials are tired of socializing, and they are all thrilling articles. "Connecting with people is a structure", following the previous sentence: "Fighting with your heart every day", press the next sentence. Seven words "Qi" were used in succession, and it was kindly pointed out that they all came from the words "Lord Qi Mei" and "Lord Qi", such as the sound of water in the gorge, such as riding a horse to a spring, such as the land of the prefectural party committee, and every word should be searched for its true meaning, compiled and sent out. ..... This passage is full of heart and heart, and the pen is enough to draw the feelings that are difficult to express. Just like the last sentence, so is the news. He listened to heaven, and this glimpse of' true slaughter' was invisible. "
The first paragraph of the "General Case" writes that the wind is "furious" and a hundred schools of thought contend in the dark; This paragraph describes the various modes of debaters in a positive and concrete way. The debater is drawn by right and wrong day and night, so that his spirit is exhausted and he is close to death. This is because they don't understand right and wrong. Zhuangzi believed that everything in the world originated from Tao and eventually returned to Tao. In this case, there is no need to distinguish right from wrong. This embodies the unity of Zhuangzi's theory of homogeneous objects and homogeneous objects.
This passage uses a variety of rhetorical devices, especially the changes of words and sentences. The interactive use of two sentences, three sentences, four sentences and five sentences is complicated, with many words overlapping rhyme and rich musical melody, which forms a very delicate feature, comparable to the paragraphs in Lai Lai.
Even if I argue with Zoe (1), if I win, I won't win (2). If it is also (3), am I really wrong? If I win, if I don't win, my fruit is yes, but the fruit is not evil. Is it also ⑤, or is it not evil? All are also 6, all are not evil 6? If we can't understand each other, then people will be firmly influenced by it, and who can make it right? Like it's right? If you are the same, evil can be right! Let people like me, right? Since, like me, evil can be right! Make me different, if I'm right? If you are different from me, evil can be right! Do the same as me, if it is correct? Just like me and if. Evil can be right! However, if I can't get to know others, it's evil to treat them.
Note 1 if: you. 2 don't win: you can't win if you can't win. 3 fruit: certain; Yes, that's right. 4 and: Eh, you. (5) or: refers to one party in the debate. Both sides of the argument are right. Neither side of the debate is right. ⑧黮黮黮黮黮黮黮黮黮黮黮黮黮黮黮 What, what. Attending, refers to "Tao".
If I argue with you, you beat me and I didn't beat you, you must be right, but I must be wrong? I hit you, you didn't hit me, I must be right, you must be wrong? Are we right and wrong? Or are we all right, or are we all wrong? You and I don't know, or we are both deceived and don't understand. Who should I ask to judge right and wrong? If you let someone who agrees with you judge, he is already like you. How do you judge? If you let someone who has the same opinion as me judge, it's already the same as me. How do you judge? If you let a person with the same views as you and me judge, if he is already like you and me, how do you judge him? Then, neither you nor I know who is right or wrong. Who are we waiting for?
Comment on Liu Song Chen Weng's comment on Zhuangzi: "The beauty lies in the word' treating others as evil', which has a cold understanding."
Qing Liu Feng Bao's "South China Snow Heart": "If pearls go to the plate, if snakes go to the valley, the cultural environment will change endlessly. You should answer the sentence "Be kind to others". He heard the meaning of the masters for the first time and learned grammar extremely thoroughly. "
In general, for the debate between debaters, Zhuangzi talked about the method of homogeneous theory. He believes that cognition can only be subjective, and cognition cannot be used as a standard to measure cognition. Therefore, the question of right and wrong cannot be judged, and it can only be attributed to "Tao". This makes the meaningful problem of measuring cognitive standards involved in this paper slide to agnosticism. Zhuangzi firmly grasped the crux of the problem in this passage, and used varied syntax to ask questions, which was written with great momentum.
Confused, the two men asked Jing, saying: ①: "All right, ②, that's enough; Why is there no special exercise when the child is sitting? " Jing said, "I'm waiting for Deng. What am I waiting for, Deng? Do I treat snakes and evil spirits? Why is evil knowledge? Evil knows otherwise. "
Note 1 confusion: the shadow of the shadow; Scenery and shadows of ancient figures. ②: In the past, before; Son, you mean the shadow. Special exercise: unique will. 4 snake ring: the scales under the belly of the snake. 5 knowledge: I know.
The shadow asked the shadow, "You left just now, but now you have stopped;" You sat just now, and now you stand up again; Why is there no independent will? The shadow replied, "am I doing this because of something?" "Because I rely on? Do I rely on my certificate like a snake depends on the scales of its abdomen and a cicada depends on its wings? How do I know why this is the case? How do I know why it is not! "
Comment on Qing Dynasty's interpretation of the Southern Classics: "The beauty of metaphor is subtle. I can't think of this except being a fairy. "
Zhuangzi thinks that both shadow and shadow embody Tao in different forms and are essentially the same. Therefore, there is no need to study why and why not. This fable puts abstract exposition in the dialogue between confusion and shadow, imagines inanimate things as living, and shows the fantasy and unpredictability of Zhuangzi's imagination.
The former Zhuang Zhoumeng was Hu Die, and so was the lifelike Hu Die. Self metaphor Shi Zhi and (2)! I don't know, Zhou Ye. If you realize 4, you will realize 5. I wonder if Zhou Zhimeng is Hu Die and? Hu Die's dream is Zhou Yu? There will be points in the weekly meeting. This is called materialization.
Note 1 lifelike: happy, light and comfortable. More than 2: I feel; Appropriate ambition, in line with the heart, pride; Communicate with ... I don't know: it means to forget. 4 suddenly: for a moment, for a while; Sleep, wake up, describe waking up thinking that you are still Zhuang Zhou, and you can't help but be surprised and suspicious. 6 points: distinguish. ⑦ Materialization: the boundary between things and me is dissolved, and everything is integrated.
Once upon a time, Zhuang Zhou dreamed that he had become a butterfly, a happy and relaxed butterfly, and felt very comfortable. He doesn't know that he is Zhuang Zhou. I woke up after a while. I was surprised that I was Zhuang Zhou. I don't know whether Zhuang Zhou dreamed that he became a butterfly or whether the butterfly dreamed that he became Zhuang Zhou. Zhuang Zhou and butterflies must be different. This is called materialization.
Comment on Ouyang Xiu of Song Dynasty: "Zhuangzi's writing is happy, just like his personality. I don't think deeply about songs, but I know the general idea. I have unlimited development. " (Quoted from "Hundred People Evaluating Zhuang")
Yang Mingshen's interpretation of "Zhuangzi": "Zhang's Chinese is complex and beautiful, and" Qi Wu Lun "; Simple and beautiful, "health master."
Ming Gui Youguang's Annotation to the South China Classic: "Dreams are bubbles."
Ming Yuan Hongdao's "Guangzhuang": "The glory in the dream is not continuous when you wake up; Sorrow and joy when awake are not continuous in dreams. The flowers in the air can be Taoist or Taoist. "
South China Classic by Wang Ming Mu Zong: "This article is very long. This is based on the theory of homogeneous objects, but after the wind rises, it enters the topic, and the four pillars enter the knot, mostly in reverse. "
Lin Qingyun-ming's Zhuangzi karma: "The meaning is expressed in the text, but the words are expressed outside. Hierarchical feeling, paragraph review. Suddenly, sheep and intestines are birds, and suddenly they overlap. "
Qing Xuan Ying's Interpretation of the South China Classics: "In the above articles, two or three out of ten people pushed down the materialism theory, and even pushed down their own homogenizers, seven or eight out of ten. In the end, I suddenly appeared, but I saw a man without me. The more detached the meaning, the more ethereal the text. "
There is also: "If materialization is separated from the theory of homogeneous things, there will be no snow in Zhen Hong furnace."
Lu Qing Shu Zhi's Zhuang Zi Xue: "The last paragraph goes further than the whole article, and it is well-versed and secluded. If the interpreter can't understand his feelings, then this paragraph is actually embarrassing. "
Qing Liu Feng Bao's "Southern Snow Heart": "The last part is pushed into one thing, which is unparalleled. By asking these two questions, Zhuang Zhou's dream was inspired, and he followed his peers and created a realm of transformation. Confusion is the shadow outside the shadow, the line has a beginning and an end, and the reason is wonderful. Hu Die is an external body, his dreams are changing, and his Tao is complete without any stagnation. The key point is the word "materialization". Hu Die and Zhuang Zhou have different artistic conception. If you feel it, it is just right for each other, and you can't call it nothing. When his dream is true, he doesn't know that the butterfly is Zhou, Zhou is a butterfly, and the butterfly and Zhou are one. ..... The last sentence is like adding snow to a red furnace, and the technique is absolutely high. "
There is also: "This is a wonderful passage, with a bright beam to see the fish." But he is a pioneer, he has all his skills; This is a profound vitality, which can penetrate the chemical machine. Although the same language is wonderful and reveals the mystery of heaven and earth, the last paragraph of The Theory of Everything is unique. "
He also said: "His pen was suddenly caught and flew up and down in the air. It can make the meaning of disharmony, disharmony, disharmony, disharmony and disharmony move like a bead, like a pouring bottle, like a brick thrown on the ground, so as to give full play to it. At the end of the picture, I wrote a confusing landscape. I looked at it suddenly and didn't know where to think. If you play it carefully, it is clearly the words' I lost me'. The round lamp on the top, disguised in the air, eyes pointing at the top of the topic, the real slaughter has been clear. Taking Zhuang Zhoumeng as a butterfly, it is neat and neat, neat and neat, but adding the word "materialization" can't tell the difference. Fairy! Fairy! Without Johnson, there would be no such wonderful place. Among them, such as the fear of beauty, grotesque knowledge, ingenious and eccentric images, and the description of Hong Xian, heaven and earth exhausted the secrets. ..... Reading "South China" is not as good as reading "National Policy", which is also a metaphor, without this essence. Reading "South China" is not as good as reading "Erya". " Er Ya "can analyze things and feelings, there is nothing so wonderful."
Zhuangzi's dream is a butterfly, which shows his thoughts of forgetting me, attaching importance to me and attaching importance to me. Everything clearly has its own different forms of expression, but starting from the concept of "Tao", Zhuangzi believes that everything is mutually transformed. Things can be turned into me, and I can be turned into things. At this point, they are all the same, and they are the embodiment of Tao. This kind of epistemology, which obliterates the contradiction of things and unifies everything with Taoism, is obviously absurd. But it is this idea that life and death are equal, dreams are equal, right and wrong are equal, and things are equal to me, which makes Zhuangzi's imagination roam freely in the universe and forms the epistemological basis of his romantic and grotesque literary style.