Don du fu
The wind is fast and high, the ape cries sadly, and the birds are circling in the white sand.
The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably.
Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness.
After all the hardships and hatred, the white hair is full, and the wine glasses are damaged.
This song "Climbing the High" was not the first one in the TV series Joy of Life, but it is recognized. Yunian Qing just borrowed this expression.
For example, Hu Yinglin in the Ming Dynasty said in his poem "Shi Pin" that "this poem should be the first of the seven laws of ancient and modern times, not the first of the seven laws of Tang Dynasty".
In the Qing Dynasty, Yang Lun said in Du Shi Jing Quan: "If you are tall and muddy, you should be the first of Du Ji's seven-character poems."
Li Dongyang called it "the swan song of metrical poetry".
This poem is praised by many people because it is regarded as the first of Tang poetry, the first of seven laws and the first of ancient and modern times. It is because this poem has a very high style, vigorous strength, accurate meter, neat antithesis, sincerity, far-reaching artistic conception, full antithesis and perfect poetic technique, which can be called Du Fu's masterpiece.
Some people say that this poem "within a text, every sentence is regular, and within a sentence, every sentence is regular."
From the perspective of antithesis, this poem creates a style that is right for all four. The beginning of the sentence rhymes. In this form of Tang poetry, the first couplet does not seek antithesis, but this poem has a sense of antithesis. Not only are the two sentences relative, but the sentences are also relative. The wind is against the sky, the urgency is against the height, the Zhu is against the sand, and the dialogue is clear. Among them, there are vision, hearing, urgency and openness, and they have written a real scene with infinite meaning. Accurate words, no name. That's great. This opening is destined to be extraordinary.
Couplets, from small to large, have visual changes and open weather. Sasha Vujacic, rolling, "Poetry with Classrooms" (Wang Shizhen), "Boundless falling wood" has the air of a thousand horses (flowers in stone steps), "If the sea rushes to the waves, the four overlapping words will tremble" (Zhou Wei).
Although these two sentences seem to be writing about scenery, they make people think a lot, "arouse the spirit and see constantly" (Yang Wanli)
Wanli, neck couplet, sad autumn, more than a hundred years of illness. He wrote about the situation and experience of individual life in the vast world and cosmic time. Seeing loneliness in the vastness, he seems to be writing about himself and everything in the world. It's like going through all the vicissitudes and seeing through everything. Can cause a wide range of * * * sound. The TV series Joy of Life has also repeatedly emphasized this link.
Writing scenery with couplets and expressing feelings with necklaces is the usual practice of metrical poetry. All landscape words are sentimental words. If you only write about the scenery, it will appear thin, lyrical and empty, and the scene will be integrated and seamless.
Du Fu's poem is a typical work. Under the interaction of the two couplets, the poet's wandering anxiety and loneliness, like rivers and fallen leaves, cannot be driven away. In a sense, the poet's mood is also the mood of the times, the mood of the Tang Dynasty at that time.
Although couplets are written smoothly, they try to write the author's complicated inner feelings. Judging from the "flying vibration" in the first six sentences, what is said here is "soft as a cicada, and infinite sadness is beyond words."
In a word, Du Fu's poem is magnificent, solid and exquisite in composition, clever in layout, exquisite in craftsmanship and sincere in feelings, and is worthy of being the swan song of orthodox poetry, ranking first in history.