(Award-winning: Meng) Acacia peach pit is hateful after all, and Li has no one else.
A candle at the bottom of a well keeps Lang Changxing from going.
Linglong dice Anhoudou, what do you know about bone acacia?
Dynasty: Tang Dynasty | Author: Wen| Type: Missing
Wen (about 812-866) was a poet and poet in the Tang Dynasty. Real name Qi, word Fei Qing, Taiyuan (now southeast of Qixian County, Shanxi Province) Qi people. Rich in genius, quick thinking, every time he enters the exam, he puts the official rhyme into eight rhymes and eight forks, so he is also known as the "literary octagon" But relying on talents is unruly and good at mocking powerful people. He has made many taboos and hates this era. ...
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A long dark red dress was covered with light yellow for a long time. Since ancient times, old things are not as pleasing as new things.
You and I should be as steadfast as acacia walnuts, but I didn't expect someone else in your heart, which made me hate you after all. ( 1)
To annotate ...
One foot crimson: that is, a piece of crimson silk. Ornaments for ancient women; Or the red scarf a woman wears when she gets married, which is called "hijab". Qu dust: bacteria born on Qu are pale yellow as dust, also used to refer to pale yellow. This means that the red silk is covered with dust, showing a dark yellow like a wine song.
2 acacia peach stone: it is a symbol of love between couples. Peach stone, peach is heart-shaped, and the core is homophonic, which can be compared with the eternal combination of two hearts. Huang Fusong's Bamboo Branches: "Acacia and peach stones are the same." There are two peach kernels in the peach pit of acacia tree, which can be used to reconcile "human" and "benevolence", and can also be compared to "there are two people in my heart", which will take the latter meaning, so the day is "finally hateful."
③ Ricky: Inside, inside. Xu, an auxiliary word. Luo Dajing's "He Lu" Volume 15 Yang Chengzhai said: "Poetry is vulgar and elegant, but it must be integrated by predecessors, so it can be inherited. ..... Tang people' Xu Li' and' Ruoge' are also. " Fate: that is, "original." People: Take the homonym of "benevolence".
(4) Deep Candle: the tone is harmonious and profound. Here, the rhetorical device of homophonic pun is used to write a lover that a woman "deeply loves". Me: personal pronoun, "you".
⑤ Long Line: Long Line Bureau, an ancient opera, prevailed in the Tang Dynasty. Li Zhao's Supplement to Tang Shi: "Bo Opera is the most prosperous today. It has a chessboard, a son, 15 yellow 15 black and two dice. " Here, the name of the play is used as a pun on long-distance travel. Weiqi: a traditional game in China. The changes are extremely complicated and the chess game is extremely profound; It often takes several hours, even days, for a master to win a chess game. Here, the homonym of "going" and "violating Japan" is used to persuade "Lang" not to miss the return date.
6 Exquisite: Exquisite appearance. Dice (tóu): Boju, according to legend, was created by Cao Zhi of the Three Kingdoms. Originally made of jade, it later evolved into bones. It is also called dice because of its dot coloring. It is a small cube with six faces engraved with different numbers of dots from one to six, one or four of which are red and the rest are black. The red dot on this dice is called acacia red bean.
⑦ "going deep into the bone marrow" sentence: use the red dot on the bone dice to go deep into the bone marrow to compare the lovesickness that goes deep into the bone marrow. "Deep into the bone marrow" is a pun.
"One foot is red and dusty, and the old is not as good as the new." The first two sentences, feeling things. I saw a piece of red silk that was once very bright, but its color became dim because of dust, as old as "dust" This "one-foot crimson" silk seems to be not an ordinary women's ornament, but probably a square red silk "hijab" used by women when they get married. This "blushing one foot" should be something unusual in the eyes of women. She has always regarded HongLing, which is about a foot wide, as a symbol of marriage. Seeing HongLing aroused the yearning for happiness. But now, in front of HongLing has been covered with dust, there have been many "dust" like mildew spots. I can't help feeling a lot about what I see and the people I think of. Well, as the saying goes, things are old but not new. But as far as love is concerned, we should not "love the new and hate the old", but "keep pace with the times", otherwise we will inevitably have resentment if we don't love it exclusively. Dou Xuan's wife, The Song of Ancient Complaints, said: "Clothes are not as good as new, and people are not as good as old." Here the poet uses "clothes are not as good as new" to compare "people are not as good as old". It seems that her husband's new love caused the heroine's painful feelings. These two sentences are metaphors, although the technique is simple and the language is straightforward. As far as the meaning is concerned, there is obviously a lack of implicit beauty.
"Acacia peach pit is hateful, and Li has no one else." These two sentences still use metaphors to express the meaning of "hate" for abandoning a wife. "Acacia peach pit" was originally a symbol of good cooperation and love for newcomers. In the old marriage custom, dates, chestnuts, cassia twigs, peach stones and other fruits are often placed in the newly married couple's home to show good luck. I thought that at the beginning, when the heroine was having fun with her husband, she believed their eternal vows expressed in peach stones. Now I understand that there is still a "person" in Acacia Peach Kernel. " "Benevolence" is the homonym of "benevolence". It is said that the "lovesick peach stone" has another "person", which means that the husband has another "person" in his heart. Therefore, this is a reference to the homophonic pun commonly used in folk songs, which means that there is no "person" in the hearts of lovesick people, and it is full of folk life. Since the other party has someone else in mind, the second sentence says "the old is not as good as the new"; Although there was a promise of "acacia peach stone" before, it was "hateful in the end" This not only satirizes those who love the new and hate the old, but also expresses the lyric hero's persistent pursuit of the loved one in a tortuous way. The word "hate" reveals an unspeakable hatred. Facing the ungrateful people, the poet euphemistically put forward his own exhortation, which is incoherent and endless in meaning, reflecting the sweet side of love life.