Author: Su Shi years: Song genre: word category: unknown
Flowers wither and red apricots are small.
Swallows fly, green water people go around.
Small catkins are blowing on the branches
There are many fish in the sea.
Swing inside and outside the wall.
The layman in the wall, the beauty in the wall laughs.
The laughter died away, and so did the sound.
Affectionate but heartless chagrin.
To annotate ...
1 "Tianya" sentence: refers to the grass that grows to the horizon.
Comments and explanations
Su Shi's ci is famous for its boldness. This song "Dead Hua Lian" represents the fresh and graceful side of his ci, expressing poetry.
People's various talents in creation. This word expresses the poet's frustration at the long journey by taking advantage of the injury of spring. Xichun, in the last movie,
The next film expresses the poet's sadness. Facing the fading spring scenery, the poet regrets the passage of time and the official sea.
Ups and downs, put your life feelings into words. The artistic conception is novel, which makes the ordinary scenery contain profound meaning and tolerance.
The charm that makes people ponder.
Set comments
Flowers and plants are in full bloom in Wang Shizhen: Liu Mian on the Branch, afraid that the love of wasteland (Liu Yong) may not pass. What do you mean?
Dongpo Dan is interpreted as a "river of no return".
Yu Biyun's Selected Interpretation of Ci Poems in Tang, Five Dynasties and Two Song Dynasties: Flocculation and falling flowers are easy to hurt spring. This is a broad-minded language. Inside and outside the lower wall
People, people who do things, almost occasionally smell the laughter on the swing, make this fantastic idea, affectionate and heartless, is it empty, and the public is enlightened?
Tang Guizhang et al. Notes on Selected Poems of Tang and Song Dynasties: This word is a work except spring. However, the author also borrowed "Where there is no fragrant grass (bosom friend)"
Encourage yourself with masturbation. "Affectionate but heartless" is not limited to the lovesickness of "beauty".
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Su Shi, who is famous for his unconstrained style, often has fresh and beautiful works, and this song "Die Lian Hua Xie Hong Xing" is such a masterpiece.
"Flowers wither, the red apricots are small on the wall", which not only writes about decline, but also writes about rebirth. The residual red faded and the green apricot was born. This is the metabolism of nature, but it makes people feel a little sad. Seeing the scenery at the end of spring and expressing the feelings of hurting spring are common meanings in ancient poetry, but Dongpo is detached from it. "When swallows fly, people walk around in the green water." The author looks away from the branches and moves to a vast space, and his mood is also open. Swallows are flying and green water surrounds the villagers. Spring is full, sweeping away the sadness of the sentence. I'm afraid that only Dongpo can take his time by combining these two opposing moods of hurting spring and being broad-minded with other people's common images and smooth melodies. "Swallows fly" is translated into Yan Shu's "Swallows come, pear flower falls is behind Tomb-Sweeping Day", pointing out that the time is the fifth May Day after beginning of spring, which is consistent with the landscape colors written before and after.
"Little willow cotton blows on the branches" should be the same as "flowers wither and red apricots are small", and the catkins on the branches have been blown less and less.
But the author did not describe them one by one, but interspersed with the word "swallow", which injected a relaxed atmosphere into the sad tone. Flying flowers and falling flocks are the easiest to provoke people.
The word "you" shows that the poet saw the fallen flowers more than once. The feeling of hurting spring and cherishing spring is beyond words. This is an authentic elegant style.
According to legend, when Su Shi lived in Huizhou, he ordered his concubine to make love to Zi. Chaoyun can sing, and tears are all over her skirt.
"swinging inside the wall and outside the wall" naturally refers to the "green water family" mentioned above. Because the green water is surrounded by high walls, outsiders can only hear the laughter of people swinging in the wall, but they can't see the trace. So, "people inside and outside the wall laugh." It is not difficult to imagine that the smiling beauty is happily swinging on the swing. Implicit technology is used here. The author only writes the laughter of beautiful women, but hides all the looks and movements of beautiful women, so that readers and their entourage can imagine a happy scene of a girl swinging on the wall. It can be said that a wall blocks the line of sight, but it can't stop the beauty of youth and people's yearning for the beauty of youth. This kind of writing can be described as extremely ingenious, which stimulates imagination with "concealment", thus expanding the artistic conception of "manifestation". Similarly, when writing about women, Su Dongpo washes away the "resentment" style of the "flower school", and the scene is vivid but not superficial, and the feelings are real but not trivial, which is commendable.
From the "swing inside and outside the wall" to the end, the meaning of the word flows away in one go. Rhetorically, the word "truth" is used, that is, the word "outside the wall" at the beginning of the second sentence, the word "outside the wall" at the end of the first sentence, the word "smile" at the beginning of the fourth sentence and the word "smile" at the end of the previous sentence all roll forward inexorably. According to the rhyme, butterfly lovers is double-folded, with four rhymes up and down, the same number of words and the same rhythm. There are different emotional colors and rhythms before and after the word Dongpo, really because the author writes fluently and believes in straight books, which breaks through the rhythm of the word.
There are often various complicated contradictions between the upper and lower sentences and between the upper and lower lines of this word. For example, at the end of the last film, there are two sentences, "Blowing willow on the branches is less", and feelings are low; "There are plenty of fish in the sea" makes your blood boil. The contradiction between emotion and emotion is because the poet has been exiled repeatedly in reality, which reflects the contradiction between thought and reality. The first part focuses on sadness, and the second part focuses on joy, which is also the contradiction between love and affection. And "passionate but ruthlessly annoyed" not only wrote the contradiction between emotion and reason, but also wrote the contradiction between emotion and reason. The beautiful woman laughed and died suddenly; Pedestrians stared at the swing, filled with emotion. Although the poet wrote about love, he also permeated with the philosophy of life.
In "Spring in the South of the Yangtze River", the author borrows a ruthless and affectionate story of a beautiful pedestrian inside and outside the wall, which embodies his anxious and angry feelings, and also includes his thinking about the contradictory paradox of life.
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