On the one hand, the author expressed his feelings and anger that his artistic works and personal talents were not appreciated, on the other hand, he satirized the social atmosphere that people were addicted to debauchery and greed at that time.
The first sentence of this poem describes the scenery in the painting: misty villages and the floodplain with heavy rain, the mountain villages are hidden from time to time, and the beach water is swift. The last two sentences, expressing that their artistic works and personal talents were not appreciated, were indignant and unfair, and also satirized the secular atmosphere at that time. ? On a misty and rainy beach map, the author expresses his noble character through comments and feelings, and is unwilling to do anything to cater to others. ? While lamenting the lofty artistic conception of painting, the author can't help sighing that the world is getting worse and people's hearts are not old. On the surface, the poem said that it should cater to the people at that time, but it was actually anger and irony that people at that time only paid attention to glitz and wealth (colorful peony) and didn't know talents (wonderful artistic conception in front of them), and also revealed the poet's sigh that talents had not met.
When Tang Li painted this painting, it was already in the Southern Song Dynasty. Jurchen was in the Central Plains, and Zhong Ding was the temple representative of the Han nationality. When Emperor Gaozong was in power, he made peace with the Jin people, taking Huaishui and Dasanguan as the boundary, that is, the Qinhuai Line was the boundary of Song and Jin Dynasties, so the cloud separated Qinhuai. Qinhuai can also be used as a solution for Qinhuai River. The romantic life of the Six Dynasties was mostly near Qinhuai, and Li Houzhu's "Lou Yu Yaodian" was also near Qinhuai River. Here, Jiang Zuo's romantic life is partial to the Southern Song Dynasty, and he does not think about recovery.