Long song line/long song line
Sunflowers bask in the sun in the green garden (xρ).
Spring fills the earth with hope, and everything presents a scene of prosperity.
I am always afraid that the autumn festival will come, and (kūn) the yellow flowers (after "flowers" huā) will fall (Cui (the initial sound is 0).
When (and when) do the hundred rivers go east to the sea (also the East China Sea) and return west?
A lazy youth, a lousy age.
This is a song about life. Singing life begins with the sunflower in the garden, which is called "making things interesting" in writing, that is, "saying something else first causes the words to be sung". In the spring morning, the sunflower in the garden is slim and graceful, with dew rolling on the green leaves, shining in the early morning sun, like a teenager full of youthful vitality. The poet extended from the vigorous growth of sunflowers in the garden and wrote about the whole nature. Because of the sunshine and rain in spring, everything shines with the brilliance of life, and everywhere is full of vitality and prosperity. These four sentences, literally, are a tribute to spring. In fact, it is to compare things with people, and it is a hymn to the most precious thing in life-youth. Life is full of youthful vitality, just like spring is beautiful all year round. In this way, there is a metaphorical meaning in writing, that is, the so-called "Xing and Bi".
The time sequence of nature is constantly changing. In a blink of an eye, spring arrived in Qiu Lai. Sunflowers and everything in the garden experienced the growth of spring and the long summer. In autumn, they mature, and the once radiant leaves become brown and withered, losing their vitality. Life is the same, from the growth of youth to the death of old age, we have to go through a metabolic process. This is an immutable law of nature. The poet expressed his fleeting treasure of "youth" with "always afraid of autumn festivals", and one of the words "fear" showed that people were powerless to the laws of nature, and the withering of youth was inevitable. Then from the change of time series to the endless time and infinite space of the universe. Time is like a river that dies in the east, and it will never return. From the time scale, people's life cannot be revived after old age. In the face of this eternal nature, isn't life like the morning dew on the leaves, which dries up at the sight of the sun? Isn't it like a green sunflower leaf that withered in the autumn wind? Poetry turns from exploring the universe to thinking about the value of life, and finally comes to the conclusion that "young people don't work hard, but old disciples are sad", ending the whole poem. This reasoning process is not written literally. Readers can follow the poet's thinking track and make up for it with their own life experiences: everything in nature has a process of blooming and falling, and the autumn harvest is fruitful. In life, there is also a process in which young people work hard and old people achieve something; Everything in nature, as long as there is sunshine and rain, can bear fruit in autumn, but people are different, and it is impossible to succeed without their own efforts; Everything withers in autumn, but it realizes the value of life, so it is not sad; People, on the other hand, are unsuccessful because they are young and don't work hard. Isn't it a trip to the world for nothing? Mobilizing readers to think is undoubtedly better than replacing readers to think. Because of this, this poem avoids the boring life sermon, and makes the final epigram look vigorous, profound and implicit, like Hong Zhong's sonorous voice, which deeply touches the readers' hearts. The word "disciple" at the end of the sentence is meaningful: first, it says that the boss has accomplished nothing and life is a waste; Second, waking up in old age will not help, but there is no way, which is intended to emphasize the need to work hard in time.
Reading this poem, we will naturally think of the famous saying about how people should spend their lives in How Steel is Tempered. "The most precious thing is life. Everyone has only one life. Therefore, a person's life should be spent like this: when he looks back on the past years, he will not regret wasting his time, nor will he be ashamed of nothing; In this way, when he is about to die, he can say frankly: I have devoted my life and all my energy to the most magnificent cause in the world-the struggle for the liberation of mankind. It is undoubtedly of positive significance to guide readers to work hard in time and not waste their time.
Different from other literati poems in Han Dynasty, the poem Chang laments that life is short and advocates carpe diem. It's a poem that plays the devil's advocate and a rare masterpiece.
Lyrics:
A traveler's song
(Tang) Meng Jiao
The mother used the needle and thread in her hand to make clothes for her long-distance son.
Before leaving, I had a stitch for fear that my son would come back late and his clothes would be damaged.
But how much love an inch of grass has is three times!
This is an ode to maternal love. This poem eulogizes the great beauty of human nature-maternal love.
In the first two sentences of the poem, the person written is mother and son, and the thing written is thread and clothes, but it points out the love of flesh and blood between mother and son. The two sentences in the middle focus on the actions and attitudes of loving the mother, showing the mother's deep affection for her son. Although there are no words and no tears, it is full of pure love, which is exciting and makes people cry. The last two sentences are the sublimation of the first four sentences. Using the metaphor of popular image, we pinned our fervent feelings on this naked child. How can we repay our children like maternal love and grass in spring?
With fresh, smooth, plain and plain language, the whole poem is full of rich and mellow poetry, which has touched the heartstrings of many readers for thousands of years and caused thousands of wanderers to sing.
Meng Jiao was poor all his life, and he didn't get the humble position of Liyang County Commandant until he was fifty years old. Naturally, the poet didn't take such a small official to heart, and he still only looked at the scenery and sang hymns, but no one asked about his official duties. The county magistrate only gave him half a salary. Under this heading, the author notes that "Mu Ying Li Shangzuo" is his work when he lived in Liyang. In the poem, an ordinary and great beauty of human nature, maternal love, is sung affectionately and truly, which has aroused the admiration of countless readers and won popularity for thousands of years. Plan to oppose deep maternal love and bathe children all the time. However, for Meng Jiao, a wanderer who has been displaced all the year round, the most unforgettable moment is the painful moment of separation between mother and child. This poem describes the ordinary scene of loving mother sewing clothes at this time, but it shows the poet's deep feelings. The first two sentences, "thread in the hand of a kind-hearted mother makes clothes for her wayward son's body", are actually two phrases, not two sentences. In this way, from people to things, the two most common things are highlighted, and the love of flesh and blood between mother and son is written. Then write two sentences about people's actions and attitudes, focusing on loving mothers. At this moment before departure, the old mother's stitches were so thin that she was afraid that her son would not come home for a long time and would sew the clothes more firmly. In fact, the old man's heart is not eager for his son to return safely at an early date! The affection of loving mother is revealed in the most subtle places in daily life. Simple and natural, kind and touching. There are neither words nor tears here, but a feeling of pure love overflows from this common scene, touching the heartstrings of every reader, making people cry and evoking the cordial associations and deep memories of children all over the world.
The last two sentences, based on the intuition of the parties, dig out the deep meaning of the next layer: "But how much affection there is in an inch of grass, I got three spring rays." Who said that? Some versions are Who knows and Who will, but it is best that Who said that according to the poem. The poet's rhetorical question is particularly meaningful. These two sentences are the sublimation of the first four sentences, the contrast of popular images, and the warm affection for children: how can a child like grass repay the rich maternal love like the sunshine in spring? It really means "I want to repay kindness, I am very confused", and the feelings are so sincere and sincere.
This is an ode to maternal love. The poet, frustrated in his official career, experienced a cold world and a sad life, so he felt the value of family more and more. "Poetry is born from the heart, and sorrow should be the heart" (Su Shi's Reading Meng Jiao's Poems). Although this poem is not carved with algae paintings, it is fresh, smooth and unpretentious, which shows that its poetic flavor is rich and mellow. At the end of the poem, the son expressed his deep affection for his mother in a pun.
This poem was written in Liyang. During the Kangxi period of the Qing Dynasty, two Liyang people sang such a poem: "My father's book is full of baskets, and the car is still lingering" (Shi Qisheng's "Writing My arms"); "How many tears have I shed, how many hands have I dyed, and how many clothes have I sewed" (Peng Gui's "My little brother came to the capital and felt very happy"). It can be seen that the deep impression left by Ode to a Wanderer is enduring.
I expressed my gratitude to my mother.
Poems about objects:
Limestone hymn
Yu Qian
A thousand hammers cut deep mountains,
When the fire started, it was idle.
I'm not afraid of fractures,
Leave your innocence in the world.
Translation:
After thousands of impacts and knocks, the stone was mined from the mountain.
It regards the burning of fire as an ordinary thing.
Not afraid even if the body is shattered,
Determined to leave noble moral integrity in the world.
The whole poem expresses the poet's thoughts and feelings and the noble sentiment of being an incorruptible person on the road of life by praising Lyme's indomitable quality, leading a clean life and resolutely fighting evil forces to the end.
As an object-chanting poem, it is of no value if it is only a mechanical record of things without the deep meaning of the author. The value of this poem lies in the metaphor that lime is everywhere, and reciting lime is to praise a person's open mind and lofty personality. This is a poem that holds things in the air to express one's ambition. The author uses lime as a metaphor to express his determination to be loyal to the country, not afraid of sacrifice and stick to noble sentiments.
[Modern Translation of Ancient Poems] It is natural to hammer into the mountains for thousands of times. Even if it's smashed to pieces, why be afraid? Just to keep a piece of blue and white in the world (as clear as the color of a stone, now often used as "innocence").
The first sentence, "It's not easy to dig limestone". The second sentence is "If the fire burns, it will be idle." "Burning", of course, refers to burning limestone. Adding the word "if you are idle" makes people feel that you are not only burning limestone, but also seems to symbolize that people with lofty ideals will take their time and regard it as idle no matter how severe the test is. The third sentence is "broken bones and mud are not afraid." Broken Bone vividly writes that limestone is burnt into lime powder. The word "mud without fear" reminds us that there may be a spirit of not being afraid of sacrifice. As for the last sentence, "I want to leave my youth on earth", it is the author's sincere feelings and determination to be a pure and innocent person. The blue and white in this sentence are compared with the color of the stone, indicating "innocence" now.
Yu Qian was deeply loved by the people for being an official and upright, rehabilitating unjust imprisonment and relieving famine. In Ming Yingzong, Walla invaded and Yingzong was captured. Yu Qian proposed the establishment of Jingdi, personally led the troops to stick to Beijing, repelled Vala, and rescued the people from the brutal rule of Mongolian nobles again. However, after the British Restoration, the national hero was falsely killed for "treason". This poem of lime can be said to be a true portrayal of Yu Qian's life and personality.
Farewell poem:
Du Shaofu was appointed as Shuchuan.
Bo Wang
Across the wall of Sanqin, across a layer of fog, across a river.
We said goodbye sadly, and our two officials went in opposite directions.
After all, the world is just a small place.
Why are you wandering at the fork in the road? The child is holding a towel.
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Translation 1:
Sanqin guards the majestic Chang 'an, but the Shu country you are going to is in a state of chaos.
When I left, I couldn't help feeling infinite. You and I are both wanderers who are far away from home and running on the official career.
As long as you are like-minded friends in the world, even if you are far away, it seems to be around.
When breaking up, don't hesitate, don't be sad, and let the tears wet your clothes like affectionate children.
Translation 2:
The majestic Chang 'an City has Sanqin as its assistant.
See Wujin through the clouds.
The reason why I feel parting,
Because they are all officials who have left home.
As long as there is a confidant in the four seas,
Even if it is far away, it seems close.
Don't leave two places because of us
Just like ordinary children, tears wet their skirts.
Translation 3:
Sanqin guards Chang 'an, looking at Zhou Shu in the distance, only to see the wind and smoke.
You and I both have a feeling of parting, because we are both officials going abroad.
As long as there are close friends all over the country, even if they are far away, they are like close neighbors.
You don't have to cry goodbye like ordinary children in the farewell place.
[Edit this paragraph] [Appreciate]
{ 1}
This is a poem for saying goodbye to friends. Du Shaofu, who is on his way, is obviously depressed. Starting from Chang 'an, a magnificent city with a vast capital, it is an embarrassing thing to leave friends and relatives and go to Shuchuan, which is confused by wind and smoke and has a long journey. The beginning of the poem not only points out the place, but also expresses sympathy for friends. Wind and Smoke, written in Wujin, is far away and hard to see, and also implies the future of official career, which is unknown. Concern is revealed in Hope. Three or four sentences advance to a higher level, saying that you are drifting here like a lonely boat, and I am also a person who has been ups and downs in Guanhai for many years; How sad I am to break up with each other! Taking sympathy as comfort, I once secretly teased the word "confidant". Then dig out the horizon and feel like a neighbor. Ending with a child's state of invalid parting, the style is very high, which makes friends feel refreshed. This kind of comfort is different from sentimental words, especially poems in the early Tang Dynasty, which are deeply loved by children.
The conception of this poem was obviously influenced by Cao Zhi, a Jian 'an poet, whose poem White Horse is Wang Biao. There is a sentence in Cao Cao's poem: "The husband is ambitious all over the world, and Wan Li is still close to his neighbor. Love (if) doesn't lose money, it will approach (mutual affection) at a distant point. There is no need to have sex with a quilt (sheet) and then show hospitality. Trouble turns into illness (fever), and nothing is (maybe) the child's benevolence (love). " Wang's writing is more refined, meaningful and calm. It is a historic achievement of the "four outstanding poets" to break through the legacy of the palace poems of Qi and Liang Dynasties in the early Tang Dynasty. In the innovation of poetic style, learning Jian 'an instead of Qi Liang represents the progressive trend of poetry development, which is a quite mature five methods in all aspects. Not only is the pronunciation completely harmonious (although the seventh sentence uses the variant of "flat tone", it is also a general rule, especially in Du Fu's poems), but also the rise, inheritance, transformation, combination, orderly rules, and the use of antithesis can also notice the overall scattered changes. The second combination of running water syntax seems to be right or wrong; This is because the first couplet begins with a strict antithesis sentence, so it is deliberately inherited with scattered sounds to avoid dullness. The third section rises out of thin air and has a strong turning point, which is the most warning place in the whole poem. In the end, it naturally forms a model that children are not affected by tears, and there is encouragement in comfort, which makes people open-minded. It can be seen that the five-character rhyme has basically been stereotyped by the "four masters".
{2}
This is a unique farewell poem. The first sentence of the first couplet is about farewell, and the next sentence is about the place where Du Shaofu is going to travel. From the "Chengque" in Chang 'an to the "Wujin" in Shuchuan, the sight is covered with misty "wind and smoke", showing a slight sense of sadness, and the souls of "parting" and "Tianya" have been photographed below. The first couplet is neat, the second couplet inherits the scattered tune, and the literary environment is ups and downs. Parting with You is closely linked to the first couplet, so beautiful that you want to vomit and swallow. I don't want to say what "separation" means, so I use "we two officials are on the right track" to comfort and encourage each other: since you and I are both people who want to go out to be officials and do something, it is inevitable to part ways. How can we be different?
Sanlian pushed one step away, and Qifeng protruded. From the point of view of conception, it is likely to be influenced by Cao Zhi's "Giving a White Horse to Wang Biao". "The husband is full of ambition, and Wan Li is still near; Love is not lost, but inspired by distance, but it is highly generalized, self-controlled, positive and optimistic, and can inspire people. Therefore, it has been told by thousands of people for thousands of years. Zhang Jiuling's "The Acropolis Farewell to Li Shaofu" and Gao Shi's "Don't worry about the future without a confidant, everyone knows a gentleman" were born from this. Tail couplet followed by Sanlian closed the whole article, encouraging Du Shaofu to set off happily. Friends with deep friendship are always reluctant to part, but "deep affection" is inevitably "heroic shortness of breath" These two poems not only express their feelings of farewell in twists and turns, but also exclude "be immersed in love with children" with "inaction" and inspire each other's heroism. The whole poem washes away the sad and sour state in the poem, with an open artistic conception and distinctive style, which is worthy of being a masterpiece.
Most poets in the Tang Dynasty entered the official career through the imperial examination, so sending friends has become a common theme. Wang Bo's Five Laws reflects this theme with a positive and optimistic attitude for the first time, which opens up a new field for traditional farewell poems. Since then, a large number of poems have been written with a positive and optimistic attitude, including many famous works, such as sending people to work, joining the army, preaching, and doing other things that are beneficial to the national economy and people's livelihood.