1, Li shangyin (813-about 858), Ziyishan,No. Yuxi sheng, Fan Nansheng. Poet in the late Tang Dynasty, his ancestral home was Didao in Longxi (now Lintao County, Gansu Province) and Xingyang (now Zhengzhou, Henan Province).
His poems are of great literary value. Together with Du Mu, he was called "Little Du Li" and Wen was called "Wen Li". Their styles are similar to Duan Hewen of the same period, and both of them rank sixteenth in the family, so they are called "Thirty-six Style". Among the 300 Tang poems, Li Shangyin's poems account for 22, ranking fourth in quantity.
In the second year of Tang Wenzong (837), Li Shangyin became the first scholar, and served as secretary of the provincial school, bookkeeper of the school and commander of Hongnong. Because he was involved in the political whirlpool of "the dispute between Niu and Li", he was excluded and frustrated all his life. In the last years of Emperor Xuanzong of the Tang Dynasty (about 858), Li Shangyin died of illness in Zhengzhou and was buried in Xingyang, his hometown. It is also said that he was buried in Yongdian, Huaizhou (now Wangzhuang Town, Qinyang Mountain) at the foot of Qinghua Beishan, whose ancestral home is Dongyuan.
2. Du Mu (803- 852) was born in Fanchuan, Mu Zhi, Han nationality, Jingzhao Wannian (now Xi, Shaanxi). Du Mu was an outstanding poet and essayist in Tang Dynasty, the grandson of Du You, the prime minister, and the son of Du You.
Tang Wenzong Daiwa was a 26-year-old scholar in the second year and was awarded the post of Hong Wen Pavilion. Later, he went to Jiangxi to inspect the ambassador's tent, and then turned to Huainan to inspect the ambassador's tent. He was the editor of the National History Museum, the food department, Bibi department and Si Xun, and the secretariat of Huangzhou, Chizhou and Zhou Mu.
His poetry is brilliant and handsome, especially his literary style, which made great achievements in the late Tang Dynasty. At that time, he was called "Xiao Du" to distinguish him from Du Fu. It is also the same as Li Shangyin and is called "Little Du Li".
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Character achievement:
1, Li Shangyin's metrical poems inherit the tradition of Du Fu in technique, and some of his works are similar in style to Du Fu. Li Shangyin's The Book of Songs often uses allusions, which are more profound and difficult to understand than Du Fu's, and often use allusions. He is unique in the use of allusions, likes to use various symbols and metaphors, and sometimes he doesn't know what the purpose is when he reads complete poems.
The meaning of allusions themselves is often not what Li Shangyin wants to express in his poems. For example, "Chang 'e", some people intuitively think it is a work praising Chang 'e, Ji Yun thinks it is a work mourning, some people think it is a description of a female Taoist priest, or even a poet's self-report, and there are different opinions.
Li Shangyin's career was bumpy all his life, and his ambition could not be realized, so he used poetry to dispel his depression and anxiety. Ding An Tie Tower, In Spring, Happy Garden and Du Gongbu in the Middle of Shu are the most popular songs. It is worth noting that many seven-character poems in this kind of works are considered as important successors of Du Fu's poetic style.
2. The handsome and cool style in Du Mu's poems is outstanding in the late Tang Dynasty and original in the whole Tang Dynasty. This is the characteristic of Du Mu's artistic genius, interwoven with strong feelings of worrying about the country and the people and the tenderness of hurting the spring and others.
Du Mu's ancient poems were influenced by Han Yu. But sometimes he will use metaphor and image language to discuss, full of lyricism. Du Mu's ancient poems often have a different realm, simple and unpretentious, heroic and vigorous, such as "Chizhou bid farewell to Meng Chi's ancestors".
In the late Tang Dynasty, the style of poetry was modest and powerless, mostly metrical poems and quatrains. Few people can write long poems. Du Mu's ancient poems were also outstanding in the middle and late Tang Dynasty. His poems, together with excellent poems known as "handsome", constitute three main aspects of his poetry creation.
Du Mu is good at vivid description and narration, vivid and full of truth. The article also points out that we can see the imprint of his article from the Tang Dynasty to the Song Dynasty from two aspects: one is to open the way for Song people to understand and be fluent, and the other is to lay the foundation for the combination of arrogance and dispersion.