The title of Zheng Fang's painting contains the pinyin as follows:
It can be written as zuòshan shānchuanchuānyuanyuǎnshishi, white báitóu only we have ǒu Guo guōxi xī.
If you want to write a poem about Li lǐ, it will rain suddenly after a while, but unfortunately there are no six pictures of it.
Appreciation:
"Poetry is an invisible painting, and painting is a tangible poem" (Guo Xi's "Linquan Gaozhi"). Poetry and painting have similarities. Therefore, poetry can reproduce the scene of painting. However, it is generally not suitable to use poems to describe paintings, let alone depict paintings. The whole portrait becomes a poem about landscapes and scenery, not a poem about painting; it is all about the painting. Using verses to describe the scenes in the painting one by one is tantamount to abandoning the imagination and lyricism of poetry.
It is easy to write dull and lifeless. Shen Deqian said that Du Fu's poems on paintings: "Don't comment on the paintings at all. For example, if you paint horses or eagles, you must talk about real horses and real eagles, and then make comments based on real horses and real eagles. Later generations can use it as a model." (" "Speaking of Poems") Du Fu's "Song of Landscape Barriers in the New Paintings of Liu Shaofu" by Du Fu leads to the real scene from the picture, and then returns to the painted scene from the real scene. This poem by Huang Tingjian.
He learned Du Fu's technique of writing poems on paintings, so that the scenery in the painting and the real scene outside the painting blend seamlessly, and communicate with people's emotions. Another characteristic of Du Fu's painting poems is that he expresses the principles of painting while describing the painting environment. For example, "The Title of Wang Zai's Landscape Pictures and Songs" expresses the artistic opinion of "You are far away and far away, but you are thousands of miles away" because of the title of the painting.
The second poem written by Huang Tingjian here is about the paintings of Guo Xi collected by Zheng Fang, and also uses this expression technique. Guo Xi was a landscape painter in the Northern Song Dynasty. His paintings emphasized "taking momentum". He said: “True mountains and rivers are like rivers and valleys, and you can look at them from a distance to grasp their potential.
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