1, Wang Mian
Wang Mian (1287 ~ Dao 1359), also known as "Shi", belongs to the "owner of plum blossom". Qiaofeng, a native of Zhuji, Zhejiang Province, was a famous painter, poet and seal engraver in Yuan Dynasty. He was born in poverty, herded cattle for others in his childhood, and became a success by self-study.
2. Wang Wei
Wang Wei (70 1-76 1, 699-76 1) was born in the Tang Dynasty (now Yuncheng, Shanxi), a native of Qixian, Shanxi, and a famous poet and painter in the Tang Dynasty. In the 19th year of Kaiyuan (73 1), Wang Wei was the first scholar.
3. Tang Bohu
Tang Yin (1470 March 6-1524 65438+1October 7) was born on the fourth day of February in the sixth year of Chenghua and died on the second day of December in the second year of Jiajing. His name was Bohu, later changed to Wei Zi, and his number was six, such as the lay man, the Lord of Peach Blossom Garden, Tang Sheng of Lu, and a monk. He was a painter and calligrapher in the Ming Dynasty.
4. Gu Kaizhi
Gu Kaizhi (348-409) was born in Wuxi, Jinling (now Wuxi City, Jiangsu Province), Han nationality. Outstanding painter, painting theorist and poet. Gu Kaizhi is well-read and good at poetry and calligraphy, especially painting.
5. Zhao Mengfu
A famous calligrapher, painter and poet at the end of Southern Song Dynasty and the beginning of Yuan Dynasty, his grandson, a descendant of Qin Wang Zhao.
6. Su Shi
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Su Shi is good at painting ink bamboo, and his paintings are as heavy as spirit. He advocated that painting should have feelings beyond painting, painting should have sustenance, and opposed similarity and procedural constraints. He advocated "the unity of poetry and painting, ingenious and fresh" and clearly put forward the concept of "literati painting", which laid a certain theoretical foundation for the future development of "literati painting". His works include Atlas of Ancient Trees and Strange Stones and Atlas of Xiaoxiang Bamboo Stones.
Su Shi's views on society and thoughts on life are undisguised in his literary works, among which poetry is the most hearty. In more than 2,700 Su poems, the theme of intervening in social reality and thinking about life is very prominent. Su Shi's attitude towards various unreasonable phenomena in social reality is "out of date", and he always regards criticizing reality as an important theme of his poems. What is more valuable is that Su Shi's criticism of society is not limited to the New Deal or the present. He criticized the long-standing abuses and bad habits in feudal society, and embodied a deeper critical consciousness.
Su Shi's life was ups and downs, and he traveled everywhere, and his life experience was extremely rich. He is good at summing up experience from life experience and seeing laws from objective things. In his eyes, ordinary life content and natural scenery contain profound truth, such as Xilin Wall Topic and Mianchi Nostalgia. In these poems, natural phenomena rise to philosophy, and the perception of life is also transformed into rational thinking. What is particularly commendable is that the philosophy in poetry is naturally expressed through vivid and distinctive artistic images, rather than through logical deduction or discussion and analysis. This kind of poem is both beautiful and interesting, worthy of the name. "I don't know the true face of Lushan Mountain" and "Snow Mud Red Claw" became a popular idiom as soon as they came out, which shows that Su Shi's reasonable poems are widely loved. There are many similar works in Su Shi's poems, such as the Sangha Pagoda in Sizhou, the rain on the lake after the Qing Dynasty, and the wind control in Cihu. Su Shi is very insightful, so he can find wonderful ideas everywhere.
Deep life thinking makes Su Shi hold a calm and broad-minded attitude towards ups and downs, which is fully reflected in Su Shi's poems. Su Shi's poems in adversity, of course, contain pain, resentment and depression, but Su Shi shows more contempt for suffering and transcendence of pain.
Su Shi has profound knowledge, mastered the artistic skills of poetry to the point of perfection, and has an amazing spirit of innovation in treating artistic norms. Moreover, the expressive force of Su Shi's poems is amazing, and there is almost no theme that Su Shi's poems can't contain.
The late Northern Song Dynasty, represented by Yuan You's poetry circle, was the heyday of Song poetry. The creation of Wang Anshi, Su Shi, Huang Tingjian and Chen Shidao pushed the art of Song poetry to a peak. The prominence and distinctiveness of Wang, Huang and Chen's poems in style and personality may be more striking than Su Shi's poems. But in terms of creative achievements, Su Shi is undoubtedly the first poet in the Northern Song Dynasty. Su Shi's poems are outstanding in the dimensions of wide subject matter, diverse forms and profound emotional connotation. More importantly, Su Shi has a strong artistic compatibility, and he did not push a certain style to the status of a statue in theory and creation. In this way, although Su Shi made great contributions in the process of creating a new look of Song poetry, he basically avoided the two main shortcomings of Song poetry, namely, sharp and blunt and boring. Therefore, Su Shi surpassed his contemporaries in overall achievement and became the most popular poet in the Song Dynasty.