Laugh, laugh. You didn't see Song Like, but the ancients knew you were a duke.
The ancients knew you were dead without looking at it as straight as a string. Zhang Yi only lost his golden tongue,
Su Qin has not reclaimed two hectares of land. Laugh, laugh.
You can't see the song of the old man's surging waves, and you say that the surging waves are all over my feet.
I've never understood this body in my life, and it's no use sending someone to see it. Laugh, laugh.
Zhao Youyou let Chu Quping, a Millennium pyramid scheme. What are the benefits of washing ears in the nest?
Starving to death will not achieve anything. You love the name behind you and I love the wine in front of you.
Drinking makes you happy, there is no hollow reputation. Men are poor, and sometimes,
I don't know if I give in to Vivian. The tiger doesn't look at a few pieces of meat, and Lu Hong doesn't throw a cone into the bag.
Laugh, laugh. Ning Wuzi, a native of Zhu Maichen, paid for oral sex.
Today, when Jun Jun doesn't know, he is worse than a pretender.
Label: the writer satirizes the present through the past.
The poem Ouourou (the following two poems, Sue is fake) can be divided into four paragraphs. Every paragraph begins with "Laughter". In the first paragraph, the poet used nursery rhymes from the Han Dynasty. "Straight as a string, dead end; The song is like a hook, but the seal is reversed "to satirize the ugly social reality of right and wrong dislocation and black self-reflection. Then, Zhang Yi and Su Qin in the Warring States period were taken as examples to illustrate the phenomena of "being as straight as a string and dying by the roadside" and "being as crooked as a hook and opposing the seal". Zhang Yi and Su Qin were famous military strategists in the Warring States Period. They won the trust of the shopkeeper with their golden words and blackmail. Zhang Yi used to be the prime minister of Qin, but Su Qin was able to impress the six countries and become an enduring leader. They all became prominent dignitaries by virtue of their ability of "bending like a hook". If he is honest and upright, he will honestly farm at home. Maybe they would have starved to death by the side of the road. Li Bai's poems, which satirize the present from the past, are aimed at exposing the fatuity of the kings at that time, making fickle villains like Zhang Yi and Su Qin become minions one by one, while those who are as honest as themselves can only become prisoners.
Because Li Bai himself saw through the society and thought it was not worth working hard for the ruler, his thoughts were reversed and he was born a man. The second paragraph is about this change of thought. The four sentences of "Be there or be there" borrowed the allusions from "The Fisherman of the Songs of the South", first wrote the "invisible fisherman" and "enjoy it", and then wrote Qu Yuan who was loyal to the monarch and loyal to him. Qu Yuan was exiled by the King of Chu. He was walking on the river bank and met a hermit fisherman. The fisherman advised him to share the dust with the world, and Qu Yuan should stick to justice and go forward bravely, instead of "looking at his own affairs and accepting his affairs from humble things". He would rather go to Hunan and be buried in the belly of a fish than "being proud and covered with dust." After listening to this, the fisherman said, "Laughing and drumming, the song says,' The water in the surging waves is clear, so you can shake my tassel; The water in the rough waves is turbid, so you can be satisfied. Then go, and don't say anything more. Li Bai's teasing tone here is ostensibly mocking Qu Yuan's "failure to understand in this life and sending people to read Li Sao in vain". In fact, it is a sneer at the real society in my bones. In a "crooked" society, there is no place for an upright person like Qu Yuan. It is better to learn from the old people in Canglang, "avoiding the world and being invisible."
In the third paragraph, the poet got the "name behind him" in different ways by the ancients such as Yu Rang, Qu Ping, Chao Fu, Xu You, Bo Yi and Shu Qi, and made a deep discussion. Qu Ping devoted himself to Miluo and won the reputation of "dying for the country". Yu Jean, a native of the State of Jin in the Spring and Autumn Period, committed suicide because of Zhi Bo's repeated assassination of Zhao Xiangzi and became a famous "assassin" in history. Chao Fu and Xu You were famous hermits in ancient times. It is said that Yao made the world suffer. Hearing this, Xu You thought his ears were polluted, so he fled to Yingshui to wash his ears. At that time, Chao Fu was drinking his calves in a dirty way, so he blamed Xu You for polluting his calves and taking them upstream. Boyi and Shu Qi were the sons of Gu Zhujun at the end of Yin Dynasty. After King Wu attacked Zhou Su, they starved to death and were called "ancient benevolent people" by Confucius. But the poet thinks that these ancient people were enslaved by "loving fame after death", so it is better to "I love the wine in front of me". The secret of this story is that "drinking before having fun" is true, but "fame behind it" is not. "Men are poor" have their own opportunities, so there is no need to force them. Even if you get a "posthumous name", you won't know if others bend over to worship you after death. This contrast between "emptiness" and "reality" is exactly what Li Bai complained about. "Since ancient times, sages have been lonely, and only drinkers have a name." (Li Bai's "Into the Wine") It is this shocking accusation that the poet has won an eternal reputation. The poet made an analogy and contrast between the tiger's indifference to the table meat and the small cone in the furnace, showing his pride and ambition of not paying attention to "fame after death" and mocking those who covet "fame after death" as narrow-minded people!
In the last paragraph, Ning Wuzi and Zhu Maichen were blamed. Ning Wuzi, that is, Ning Qi, a native of Qi in the Spring and Autumn Period, was a wizard hidden in business travel. Qi Huangong is traveling at night. He was feeding the cows and singing with a trumpet, which surprised Huan Gong and entrusted him with a heavy responsibility. Zhu Maichen, born in the west, came from a poor family, lived by selling firewood, was good at reading, and was able to recite Songs of the South, which was later requisitioned by Emperor Wu of the Han Dynasty. The poet used the deeds of these two ancients to show that the poor sometimes have to let nature take its course, thus mocking those in power who are obsessed with those who are "bent like a hook", even if they meet Ning and Zhu, they will not understand, so they have to pretend to be crazy and avoid the world.
Li Bai (70 1-762), the author of Ode to Joy (the following two poems, Su Wei is false), was a romantic poet in the Tang Dynasty and was praised as a "poetic fairy" by later generations. Han nationality, ancestral home in Ji Cheng, Longxi, was born in Broken Leaf City (which belonged to the territory of the Tang Dynasty at that time and now belongs to Kyrgyzstan). At the age of 4, he moved to Mianzhou City, Jiannan Province with his father. Li Bai has more than 1000 poems, among which Li Taibai Ji has been handed down from generation to generation. He died in 762 at the age of 6 1. Its tomb is in Dangtu, Anhui, and there are memorial halls in Jiangyou, Sichuan and Anlu, Hubei. Li Bai lived in the prosperous Tang Dynasty. At the age of twenty-five, he left Sichuan alone and began to roam widely. It reaches Xiangjiang River in Dongting in the south, wuyue in the east, and lives in Anlu and Yingshan. It was not until the first year of Tianbao (742) that Li Bai was called to worship the Hanlin in Chang 'an on the recommendation of Taoist Wu Yun. Later, because I didn't see the dignitaries, I only stayed in Beijing for two and a half years, then I returned the gold and went away, and then I wandered around the world. Li Bai and Du Fu are also called "Du Li". His poems not only reflect the prosperity of the times, but also expose the debauchery and corruption of the ruling class, showing the positive spirit of despising the powerful, resisting the traditional bondage and pursuing freedom and ideals.
The original text of the monk who sent the temple master to Beijing to welcome Zen | Translation | Appreciation _ Introduction by the original author (historical http://WWW.lishixinzhi.Com) Li Bai's other works ○ will enter the wine, you can't see it.
○ Quiet night thinking
○ Yellow Crane Tower bid farewell to Meng Haoran on the way to Yangzhou.
○ See Lushan Waterfall
○ It's hard to walk alone.
○ More works by Li Bai