1. Zhu Ziqing, the author of "Spring", what is the style?
Zhu Ziqing's prose "Spring" has simple imagery, clear themes and beautiful language. People often interpret it as a " Hymn of Spring". In fact, this is a misunderstanding. "Spring", like many of Zhu Ziqing's lyrical prose about scenes, seems crystal clear and clear at a glance, but it is like a glass of mellow wine, containing a long and clear charm and fragrance. It is not easy to truly taste its taste. This "hymn of spring", which is "full of poetic flavor", is actually full of the writer's thoughts and emotions, pursuit of life and personality in a specific period, and reflects the traditional cultural accumulation in the writer's bones and his yearning for a free realm. After 1927, Zhu Ziqing was always looking for and creating an ideal world deep in his soul - the world of dreams, to place his "rather unquiet" heart and resist the disturbances of the outside world, making him claustrophobic. He "took care of himself" in his study and achieved his academic success. "Spring" describes and praises a vigorous spring, but it is also a realistic portrayal of Zhu Ziqing's spiritual world.
Read Zhu Ziqing's "Spring" carefully. This is a cultural man who has just recovered from a serious illness. Facing the spring wilderness, he has regained a kind of self-confidence and self-esteem, weaving his own ideals. Dream. This is an intellectual who has experienced "spiritual purgatory". In the warm embrace of nature, he is immersed in it, poetic, and feels a wonderful state of "harmony between man and nature" and "the movement of heaven is vigorous, and a gentleman is The spiritual impulse of “continuous self-improvement”. He retreated from the "crossroads" of the times and found his "settlement and livelihood" here. The "spring scene" painted by Zhu Ziqing is not the warm and humid spring scene in his hometown of Jiangsu and Zhejiang, nor the magnificent and exuberant spring scene in the northern suburbs, nor is it a realistic copy of the sketch by the painter, but the writer. An artistic picture brewed by his soul under the inspiration and inspiration of nature. In this picture, too many secrets of his soul are hidden.
Among all Zhu Ziqing's prose works, there seem to be few works that start with such a clear, cheerful and exciting opening. This is not the composition of a teenager who is ignorant of the world, but the careful work of a middle-aged intellectual who has experienced many worries. The reason why the author has such a state of mind and emotions must be because he found a feeling of light after going through the darkest days. He is taking advantage of the bright spring light to express his state of mind. "Looking forward to, looking forward to", the overlapping of verbs appears abrupt, powerful, and urgent, implying the dark and depressing years he once had, and his painful search for the future during that suffering. Now that the light has finally arrived, how can he hold back his joy? "Looking like he just woke up and opened his eyes happily", this is a hazy scene in early spring, but is it not his inner experience at this moment?
In his works, Zhu Ziqing shows a prosperous, colorful and all-round spring. There are large expanses of green grass on the ground, and peach, apricot, and pear trees are in full bloom in the fields. Among the blooming flowers, swarms of bees and butterflies are flying; in the clear and warm sky , blowing the soft willow wind, filled with the fragrance of earth, grass and flowers, filled with the beautiful music of various birds, and the loud flute of the shepherd boy... The author here brings nature to life and writes It is sufficient and thorough, and it poeticizes nature. In this poetic spring scene, the author sheds all the burden of thoughts and emotions and plunges into the world of spring, just like a child falling into the arms of its mother. He wants to roll, play football, race, and play games on the green grass, and experience the liveliness and freedom of life to the fullest. He devoted himself to using his vision, smell, hearing, imagination, and fantasy to enjoy the beauty and caress of nature. Here, nature is so beautiful and human life becomes so beautiful. In the beautiful nature, Zhu Ziqing deeply experienced the freedom, vitality and brilliance of life, showing his childlike feelings and innocent personality.
But this beautiful life experience is temporary and even illusory after all. Zhu Ziqing believed in "momentism" and regarded it as a good medicine to heal spiritual trauma. However, he was well aware of the heavy responsibility he shouldered as an intellectual and that as an ordinary person, he still had many responsibilities that he could not shirk. He wants to pursue a promising and valuable life, and he must carefully, even deliberately, improve his morality and personality. Therefore, in the second half of "Spring", the cheerful tone of the work suddenly becomes soothing and calm, with continuous spring rain, hazy evening scenery, people rushing for life, and hard-working farmers appearing. The transcendent natural landscape is cleverly transformed into a realistic picture, and Zhu Ziqing returns from the dream world to the wet land. "Rejuvenate your muscles and bones, rouse yourself, and each do his own thing." "'The plan for a year lies in spring.' At the beginning, there is plenty of time and some hope." What Zhu Ziqing writes here is about spring. The people who are running and working here write about their own psychology, determination and hope.
Now that the article has been written, we can actually stop it. But Zhu Ziqing gave people an unexpected ending, which made the image of spring more complete and magnificent, and made Zhu Ziqing's life and personality more dazzling.
He used three metaphors to praise spring, describing spring as a newborn baby, a beautiful girl, and a strong young man. The soothing and calm style suddenly becomes strong and fresh, closely echoing the beginning of the work; the realistic situation that has slipped towards plainness is suddenly pushed into the bright and cheerful artistic conception created in the first half of the work, and the whole artistic conception is restored. Connected into one piece. The "newness", "beauty" and "power" of spring have been injected into Zhu Ziqing's whole body and mind, and Zhu Ziqing has also integrated into the entire spring, moving forward persistently under the guidance of spring. Zhu Ziqing received a "new life".
Among all Zhu Ziqing's prose, "Spring" is a chapter with particularly obvious style evolution. 2. Imitate the writing style of Zhu Ziqing's "Hurry" and write an article of about 650 words
The moon has returned, and there is a time when it will hang again.
When the candle goes out, there is a time to light it again. When the grass dies, there is a time when the spring breeze blows and it becomes green again. But why can't my life come back? At night, I saw the moon hanging in the mysterious dark sky again. At dawn, I went back to the same shift as the sun. I wrote about it day by day, but never reincarnated, never returned, never returned! My days also passed away in the shadow of the misty moon.
But it didn’t leave a trace. Just like on the beach, the waves hit one after another, erasing layer after layer of sand.
Bored and silent. My memory and my time drift away with the sand.
My four thousand days are like floating clouds blown away by the wind, and my time is left behind and slips away day by day. Looking at the willow in front of the window, I see it budding, growing leaves, and then withering and turning yellow year after year. Everything starts over again.
From the brilliant flowers to the scattered mud, in the end only the bare tree trunks and the cold wind are left. The pace of life is like a cat, gently sliding to your side and then walking away silently.
When typing on the computer, the days fly away from the fingertips pressing the keyboard. When watching TV, slip away from the dazzling screen.
While admiring the lanterns, wave in front of the bright lights. The days are evaporating like water. During these more than four thousand days, are we just sighing in vain? You must seize your life! I chased the brisk pace of time, grabbed a handful but slipped through my fingers. He finally went, quietly, and passed away quietly.
The waves hit the rocks, and the splashing water could not be caught. It was gone, gone, that’s all. Don't look back, look forward.
Stop asking, "Why are my days gone forever?" Just move forward... 3. What are the writing styles of Zhu Ziqing, Bing Xin and Lu Xun?
Zhu Ziqing’s creative style Prose is the most important part of the overall creation, including lyricism, narrative, travel notes, close-ups, essays, as well as social fragments The description of life is a ruthless revelation of life. In short, realism is the rule of his creation, that is, the objective observation and in-depth appreciation of things. Lu Xun's style works have a concise, concise, frustrating and evocative language style. Yu Dafu said: "Lu Xun The style of the book is as concise as a dagger, which can kill people with an inch of steel and see blood with one strike. After grasping the important point, the theme can be explained in just a few words... and then it faces the reality directly and hits the nail on the head. Bing Xin's style Her pen name comes from "Ying", which means "a piece of ice in a jade pot", which reflects her writing style, as thorough as ice, fully infiltrated with truth, goodness and beauty. Bing Xin was born in Fuzhou, Yantai, which has a geography of mountains and seas. The environment created her pure, broad-minded character and writing style. 4. Zhu Ziqing's writing background
The development of modern Chinese prose was the highest and most influential in the "May 4th" period, and Zhu Ziqing was the most influential. The prose creation of Zhu Ziqing was the one with the greatest achievements and highest achievements during this period; as a master of prose, Zhu Ziqing’s name will always be written together with the history of modern Chinese prose.
In the context of cultural exchanges between China and the West, He created a prose system and style with Chinese national characteristics; thirdly, his prose has extremely high artistic value, and famous works such as "Hurry", "Back View", "Moonlight over the Lotus Pond" and "Spring" have always been considered vernacular. A model of beautiful prose, it has always been selected as a Chinese language textbook in universities and middle schools. It provides valuable artistic experience for cultivating literary youth and prospering prose creation.
As a scholar and professor, Zhu Ziqing has great experience in classical literature and Chinese language. He has made profound achievements and achievements in the fields of education, linguistics, literature and art, and aesthetics. His contributions are multi-faceted, especially in classical literature research and Chinese education.
Extended information Characters. He began to publish poems in 1919. As one of the poets in the early stage of the New Literature Movement, he showed his own characteristics in the poetry world with his fresh and bright poems. In February 1919, he published his first collection of poems, "Sleep, Little People." 》.
After completing the course in 1920, he graduated early from the Department of Philosophy of Peking University. After graduation, he first taught Chinese language and literature at Hangzhou No. 1 Normal School, and then returned to his alma mater, Jiangsu Provincial No. 8 Middle School (now Yangzhou Middle School). Philosophy, and served as teaching director.
He continued to participate in the New Literature Movement and became an early member of the Literary Research Association.
He also participated in launching the first poetry group "China New Poetry Society" in the history of new literature and founded the first poetry magazine "Poetry" monthly. He also supported the activities of the Lakeside Poetry Society and Chenguang Literary Society composed of young students, and paved the way for the development of new poetry. The roads took a lot of hard work.
He participated in the Literary Research Association in 1921 and was one of the important writers during the May Fourth Movement. In 1922, he came to Zhejiang Taizhou Sixth Normal School alone to teach. He founded the monthly "Poetry" with Yu Pingbo and others, and actively participated in the New Literature Movement.
In August 1925, he went to Tsinghua University to teach and began to study Chinese classical literature, and his creations were mainly prose. In 1923, Zhu Ziqing published a long lyrical poem "Destruction" of nearly 300 lines, expressing his serious thinking about life and "stepping on the soil step by step, leaving deep footprints." This enterprising and unremitting attitude towards life was at the time Have a greater impact.
Baidu Encyclopedia-Zhu Ziqing. 5. What are the writing styles of Zhu Ziqing, Bing Xin, and Lu Xun?
Zhu Ziqing’s writing style. Prose is the most important part of the overall creation, including lyricism, narration of stories, travel notes, close-ups, essays, and social commentary. The description of fragments is a ruthless exposure of life. In short, realism is the principle of his creation, which is the objective observation and in-depth appreciation of things.
Lu Xun's style works have a concise, concise, frustrating and evocative language style. Yu Dafu said: "Lu Xun's style is as concise as a dagger, which can kill people with an inch of iron and know how to draw blood with just one strike." The important point, after grasping it, can explain the theme in just a few words... Then there is the need to face the reality head-on and hit the nail on the head. Bing Xin's Taoist style. Her pen name comes from "Ying", which means "a heart of ice is in a jade pot", which embodies Bing Xin's Taoist style. Her writing style is as thorough as ice, fully infiltrated with truth, goodness and beauty.
Bing Xin was born in Yantai, Fuzhou. The geographical environment of mountains and seas has created her purity and open-mindedness. Broad character and writing style. 6. Zhu Ziqing’s writing background
The development of modern Chinese prose has the highest achievements and greatest influence during the “May 4th Movement” period, and Zhu Ziqing’s prose creation is from this period. The one with the greatest achievements and the highest achievements; as a master of prose, Zhu Ziqing's name will always be written with the history of modern Chinese prose.
Under the background of cultural exchanges between China and the West, he created a prose system with Chinese national characteristics. and style; thirdly, his prose has extremely high artistic value, and famous articles such as "Hurry", "Back View", "Moonlight over the Lotus Pond", and "Spring" have always been regarded as the most beautiful prose in vernacular. Model has always been selected as a Chinese language textbook in universities and middle schools. It provides valuable artistic experience for cultivating literary youth and prospering prose creation.
As a scholar and professor, Zhu Ziqing has great experience in classical literature, Chinese education, and He has made profound achievements and achievements in the fields of linguistics, literature and art, and aesthetics. His contributions are multifaceted, especially in classical literature research and Chinese education.
Extended information
Character Experience
He began to publish poems in 1919. As one of the poets in the early stage of the New Literature Movement, he showed his own characteristics in the poetry world with his fresh and bright poems, which were published in February 1919. His debut poetry collection "Sleep, Little One"
After completing the course in 1920, he graduated from the Philosophy Department of Peking University, first in Hangzhou No. 1 Normal University, and then returned to his alma mater in Jiangsu Province. He taught Chinese literature and philosophy at Li No. 8 Middle School (now Yangzhou Middle School) and served as the teaching director. He continued to participate in the New Literature Movement and became an early member of the Literary Research Association.
He also participated in the launch of the first poetry in the history of New Literature. He organized the "China New Poetry Society" and founded the first poetry magazine "Poetry" monthly, supported the activities of the Hupan Poetry Society and the Morning Light Literary Society composed of young students, and worked hard to open up the path of new poetry.
In 1921, he participated in the Literary Research Association and was one of the important writers during the May Fourth Movement.
In 1922, he came to Zhejiang Taizhou Sixth Normal School to teach alone, and worked with Yu Pingbo and others. He founded the monthly "Poetry" and actively participated in the New Literature Movement. In August 1925, he went to teach at Tsinghua University and began to study Chinese classical literature. His writing was mainly prose.
In 1923, Zhu Ziqing published a long lyrical poem "Destruction" of nearly 300 lines, expressing his serious thinking about life and "stepping on the soil step by step, leaving deep footprints". This kind of enterprising spirit His unremitting attitude towards life had a great influence at that time.
Baidu Encyclopedia-Zhu Ziqing 7. Let’s talk about Zhu Ziqing’s prose writing characteristics and artistic achievements
As one of the early important members of the Literary Research Association, Zhu Ziqing’s creative activities began during the May Fourth Movement During the New Literature Movement, he wrote poetry first and then prose. He was a famous poet and essayist.
He wrote more than 20 kinds of works in his life, with nearly 2 million words. Zhu Ziqing strictly abides by the principle of life-oriented realism in his creation. Although the poems, novels and prose he wrote have their own achievements, in comparison, his prose creation is more successful and has the greatest influence. "Traces", "Back", "European Travels", "You and Me", "London Miscellaneous", etc.
Zhu Ziqing is a member of the Literary Research Association, and his prose is life-oriented.
Just as "Preface to the Back" written in 1922 said when talking about the "development of prose in the past three or four years": "Various styles and various schools express, criticize and explain all aspects of life."
Zhu Ziqing, who humbles himself as "a small pawn in a great era", has never been isolated from the era in which he lives. Writing about life with literature has become the natural purpose of his writing.
When talking about the artistic achievements of Zhu Ziqing's prose, it generally refers to his early prose creation. These creations are "beautiful and meticulous" and have made an indelible historical contribution to the creation of vernacular prose. They were once hailed as "a model of beautiful vernacular prose".
1. Zhu Ziqing’s prose is gentle, simple and natural, full of true feelings and beauty. Prose is a genre that is good at expressing emotions. Compared with other literary genres, prose should express "the song of the author's soul."
Each of Zhu Ziqing's prose is a work of art that expresses his feelings and soul. Zhu Ziqing pursues different expression styles for articles on different themes.
His prose, which focuses on describing trivial matters around him, is known for its euphemism and lingering. His prose, which focuses on describing scenery, is delicate and beautiful. His prose, which focuses on describing mixed feelings and discussions, is also witty and profound. Therefore, the core of being able to achieve this level of artistic perfection lies in "true feelings". He writes about what he sees, hears, thinks, and feels with sincere emotions, integrating lyricism, narrative, description, and discussion.
"Back View" describes ordinary things in ordinary life, but once the small things infused with "true feelings" are gathered together, they condense into "I" body and mind. On the back of the shocked elderly father, the affectionate licking of the son towards the father found a "spout", creating a tear-jerking artistic appeal. Although "Moonlight over the Lotus Pond" shows a beautiful picture of the lotus pond in the hazy moonlight, it is also intertwined with the author's faint sad thoughts that "the heart is not peaceful". It blends into the scenery and is full of literary sentiments. "Love" is so euphemistic and real.
2. Zhu Ziqing’s prose is exquisitely conceived, rigorous and harmonious in structure. Prose has a valuable "eye", and the "eye" is the focus of artistic conception of prose.
Zhu Ziqing is good at organically unifying the thoughts and art of prose on a focus, which is exquisite and does not show any traces of carving. The focus of "Hurry" is unified on the word "light". The whole story is light and quiet, with about 500 words, and an exquisite structure. Most of the sentences are five or six words, short and clever. A series of questions do not ask for answers, and they pass by in an erratic way. Swallows, willows, The light smoke drifts in the wind and the mist and hairspring are all so light and airy, but this light and airy beauty is unified with the author's heavy heart that "can't calm down", artistically showing the upright and intellectual young man in the prosperous years. Thoughts on life and life choices.
In "Spring", "The plan for the year lies in spring" is the focus of the author's conception. The natural scenery of spring, the vitality and creativity of spring are meticulously painted throughout the text, just to write about people's hope for spring. , writes about people’s creative spirit. Zhu Ziqing's prose is a sparkling necklace strung with artistic pearls, exquisite, harmonious and well-proportioned.
In terms of structural form, there are works such as "The Qinhuai River in the Shadow of Lust and Lights", "Record of the Massacre", "Back View", etc., which use narrative clues to stitch together what is seen, heard, remembered and felt. The structural methods of various materials, such as "Winter" and "Spring", also use inner thoughts and feelings to connect various unrelated "pictures" or "fragments". Although the methods are different, they all give people a sense of structure. Compact and rigorous overall beauty. "Green" begins with "When I went to Xianyan for the second time, I was surprised by how green the Meiyu Lake was."
At the end, it said, "When I went to Xianyan for the second time, I couldn't help but "I was surprised by the greenness of the Meiyu Lake." It echoes from beginning to end and is endlessly varied.
"Moonlight over the Lotus Pond" begins with someone quietly walking out of the door, describing the night scene of the lotus pond in the moonlight and the associations arising from it. It ends with "I looked up suddenly and realized it was my own door." Go forward, gently push the door and go in..." The ripples of association and emotion stopped abruptly, but the structure did not give people a sense of flaw at all, but was proportional, harmonious and perfect. 3. Zhu Ziqing's prose language is plain, elegant and expressive.
Absorbing a large amount of colloquial language, Zhu Ziqing's prose expresses a clear, popular and simple nature. Reading his masterpieces such as "Children", "For the Dead Wife", "Back View", etc., it feels like having a family time with you, and there is a sense of intimacy.
However, Zhu Ziqing did not just use spoken words, but through artistic processing, transformation and tempering, he endowed these spoken words with a special role of "expressing meaning" and gave people a sense of elegance. Paying attention to the artistic refinement of language is the second feature of Zhu Ziqing's prose language.
Take the description of the "green" of Meiyutan Lake as an example. "Green" is a color in our daily life, visible but intangible, but in Zhu Ziqing's writings, "green" becomes tangible. A living object that is touched. "The heart sways with the green pond water", but the author said "the heart sways with the green pond water". This change of sequence suddenly makes "green" come alive.
The author uses a series of anthropomorphic metaphors to write about "green": "The loose wrinkles are like a skirt held by ***. Like a piece of blue sky melted inside. , spread like a huge lotus leaf..." This allows us not only to see "green", but also to touch "green".
Among the prose writers of the May Fourth period, there were indeed few prose writers like Zhu Ziqing who were expressive and had their own unique language style.
Zhu Ziqing is worthy of being "a model of beautiful vernacular writing". Some of Zhu Ziqing's famous poems describing landscapes also embody his attitude towards life and reflect a certain kind of life.
The charm of "Qinhuai River in the Sound and Shadow of Lights" lies not only in the sound of water, shadows, ripples and ripples of the Qinhuai River he describes, but also in that it reminds people of "The Peach Blossom Fan" and "The Peach Blossom Fan" "The beautiful traces of the Qinhuai River in the late Ming Dynasty" recorded in "Banqiao Miscellaneous Notes", "So our boats have become a heavy load of history. ... The boats on the Qinhuai River are more elegant than other places.