However, even those who despise her the most, talk about her with contempt and insist that she is the most "evil" and unforgivable, no matter how reluctant, they have to admit that Liu is a super peerless talented woman.
The Collection of Liu's Works published by China Academy of Fine Arts Press is a thick album, which is a heavy proof in front of the world.
In the introduction of Liu's poems in this book, Zou Siyi, the editor, commented: "A masterpiece in a boudoir must be headed by Hedong (another name for Liu). Flowers are not flowers, and fog is not fog', which is not trivial. Yu Pei is a beauty, Zhu Xian plays green', which is not enough for its harmonious beauty. Autumn chrysanthemum is lewd and bluegrass is naturally fragrant, which is not enough for its fragrance. It's half cloudy and half rainy in Wuxia of Chu River, so you can watch chess with a curtain on your pillow. You are unhappy because you have no heart, hate everyone, and when the frost is about to fall. "After several aspects of comparison, the summary can be summarized as:" I like leisure, have a natural manner, do my best to wash the lead, and have a unique quality. "
Pick a poem at random and test it concretely. "Refuse to spend while yan, rustling shadow fell on the edge of the inkstone. Don't look down on every leaf. I once lived in a famous mountain and was proud of seven sages. " (Painting Bamboo) There are countless poems about bamboo. Liu's 28-word quatrains are as elegant as bamboo. Without the trace of embellishment and carving, you can enter the direct narrative for no reason, with quiet artistic conception and long meaning. The indisputable painting of bamboo is a few thin shadows printed between pen and ink. It is not only tightly tied to the theme of "painting", but also immediately permeates the air of books. In the next two sentences, the perspective suddenly moved to an open and distant height. First, it was pointed out that we should "ignore", and then it was stuck together with the allusions of the seven sages of the bamboo forest, showing its sacredness with "famous mountains", while a "proud" put the seven sages who were famous for a while under its branches and leaves. It is because of the connection with the "seven sages" that the character of bamboo is sublimated into human character. This is the original intention of Liu Zuo's poem. Liu made a poetic interpretation of Mr. Su Dongpo's epigram "Eat without meat, live without bamboo". If my in-laws know, he will be surprised.
164 1 year, 24-year-old Liu was the minister of rites of Nanming, and he had a wife and two concubines. The 58-year-old Qian married the Qian family with the special ceremony of "marrying the first lady" (that is, the exclusive etiquette in ancient times). Two years later, the attic of books made by Liu Jianzao was suddenly completed. The three characters "Lou" on the eaves of the door are written by Liu and printed, and there is a pair of 74-word couplets: "Haitian, Chicheng Gorge, Emei Snow, Wuxia Cloud, Dongting Moon, Smoke, Xiaoxiang Rain, Wuyi Peak and Lushan Waterfall. The miracle of the universe unfolded before our eyes. /Shaoling poetry, rubbings, Zuo, Shi, Xue, You Juntie, Nanhuajing, Xiang Rufu, Qu Sao. Ancient and modern masterpieces are injected into my heart. " The first part is the natural landscape, and the second part is the artistic classics. The whole picture is bold in conception, broad in vision, reasonable in layout, neat in antithesis, catchy in style and eye-catching. Of course, for Liu, it only takes a little effort to tease Spiegel, just tinkering around the edges.
Qian was the overlord of poetry in Ming Dynasty, and Liu was a brilliant heroine. Naturally, the two of them often sing poems and chorus together after drinking tea and making out. Undoubtedly, Liu is not weak, but money will bow down.
Qian Weng's "Xixi Yongxing Temple sees green sepals" "Qingxi is slightly inclined, and Hanmei lives in the old monk's courtyard. * * * I pity romantic wine offerings, and I don't care about seeing flowers on credit. Take the British pavilion around the tree and return to the boat with jade, snow and fine sand. The Taoist priest has not woken up from Luo Fu's dream and is recalling the new makeup. "
Liu's response is like this: "Er Yun Yong Xing sees Mei's feelings", "Homesickness and homesickness are two inclinations, depending on Mei's homesickness. Give a bad photo, give a bad photo, and give a low response. Covered with a curtain of flowing light snow, full of light fine sand. I would like to be a pavilion here, sit with you, and attract Fanghua. "
The money that started with rhyme naturally took a lot of advantage. The old gifted scholar tightly buckled the word "temple" and said that "the cold plum is partial to the old monk's courtyard", and brought up the whole article, rendering a school of Buddhism and Zen, with a broad mind and old mind. There are five or six sentences in "The Song of Tuan Xiao" and "Yang Qingsha", which depict the landscape and are quite delicate. This pen is really good.
Because Liu is a "second rhyme", his thoughts are caught by the old man, so he is a little passive. According to the requirements of chorus, the ending word of 12468 sentence must be the same as the ending word of the previous sentence. Isn't it a little dancing in chains? This provides a framework for positive thinking. However, a talented woman is a talented woman and doesn't care about this.
Different from Qian Lao, Liu pays attention to delicacy and gives full play to the advantages of women's delicate feelings. The words "homesickness for spring" and "homesickness for home" at the beginning poured out their passionate feelings, and then "pity" and "pity" revealed the unique kindness and warmth of women, which was touching. The last sentence, "Sit with you and lead your prosperity", is straightforward and does not hide the tenderness of "accompanying you". The action of "sitting and lying" is even more straightforward, and the word "leading youth" pierces the theme, which is clean and neat, and the lingering sound is enough to haunt Liang for many days.
There is no need to comment on the high and low, each has its own merits. But to be fair, Liu's harmony poem is really not inferior at all.
Of course, the song Jin Yong can represent the highest level of Liu's poetry. This masterpiece is also a dazzling masterpiece in the history of poetry in the Ming Dynasty. Transcribed as follows, the American text * * * enjoys: "There is a cold wave of hate, which is a rustling Nanpu. Blow more, first frost is lonely, and I still remember the old days. It's getting late, the smoke is falling in the sun, and when I see the traveler, I'm so thin that I dance. There is always a desolation and haggard, and there are many beautiful sentences in Yantai. /Spring comes and autumn rains, and it hurts to think of the past. Fascinating, and draw a dike, cold water clouds still exist. Recalling the past, a little east wind and a few heavy curtains, my eyebrows are sad. Wait for a plum soul, whisper to Iraq in the moonlight at dusk. "
This word, the word "Liu" in the title, is obviously a metaphor for oneself, with a "cold" attached, and the sad situation of being in the world of mortals is fully revealed at this time. The endless stream of "resentment", "ruthlessness", "lonely shadow", "desolation", "haggard", "sunset", "dark injury" and "sadness", the gloomy scene and the atmosphere that pervades it set off a lonely mood, and anyone would feel heartbroken.
At the age of 0/6, Liu/Kloc-fell in love with a famous scholar. In the second year, Chen Shusheng went to Beijing from Jiangnan to catch the exam. Maybe in my mind, I only remember reading at night with tea to add fragrance, but I forgot to go to the back of my neck when I read something bad. When posting, I naturally lost my name in Sun Shan. Although the official career was delayed, it did not delay the relationship with Liu Meiren. Later, in that mansion called Little Red Mansion, I lingered and had a wonderful evening. But it was soon discovered by my mother and wife, who drove Liu away and completely shattered their pink dream.
In this collection, there is a series of "Liu Letters", that is, two people pass books with the help of fish geese and Liu writes letters, totaling ***3 1. Although each letter contains only a few seemingly ordinary words, it is also written with clear pronunciation and mellow voice and fresh sentences. Reveal your heart in simplicity and sincerity, and a little woman's joys and sorrows are all in it.
"Moist grass fell, pity the beauty of the buried dusk, since the pen of Li Mian, I'm afraid I can't be here. However, our generation is extremely illiterate and has to work. You should be able to cry when you are in the mountains and misty rain. " Liu's letter should be an invitation to write a composition, and should be a reply. Words like "cry" and "pity" at the beginning need "a beautiful pen" to be competent. But in order to live up to the kindness of friends, even if it is "extremely poor", it must be done. Liu is certainly not "illiterate", but his words are self-deprecating, which is the proper etiquette in communication. Finally, I told Chen Zilong clearly that when there is an opportunity and atmosphere for writing, it will be finished, even if it is "crying". It is amazing that such a short story is written with twists and turns and told with vivid metaphors.
At the end of "Liu Ji", there are nearly 200 pages of "Miscellaneous Notes of Hongdou Village". This is actually taken from Liu's Reading. After reading it, I was really surprised. The reason why she writes like a god is that she read thousands of books. Moreover, I read it carefully and deeply, and I didn't miss a word, so I extracted it in different categories.
The "Mei" part includes six articles, such as Beauty of Light Makeup, Dream of Pear Blossoms, and One Spring. Each item has related notes. Under "green camp" is: "Li Bai traveled to Ji 'an, and the monk offered green Mei Ying." At the end of Mei Excerpt, many poems about Mei are also extracted. So Miscellaneous Notes is almost equal to a micro dictionary.
There is no annotation in Liu Ji, and there are many text obstacles for young readers to read, which is the biggest regret left by the book. I hope to have a popular version with both annotations and vernacular comparison as soon as possible.