We will introduce "Wuzi" to you in detail from the following aspects:
First, the full text of "Bitterness Out of Heart" Click here to view the details of "Bitterness Out of Heart Out of Heart"
Apricots come out of the forest and fall into a golden plate. Soft teeth are afraid of tasting acid.
Unfortunately, it's half broken and purple, and it's printed with small lips.
In the south, I have nothing to do.
The rain is full of stains. Without words,
A wound, all between the eyebrows.
Two. notes
Apricot: Round fruit, green when immature, yellow and red when mature, with sweet and sour taste.
Gold plate: A plate made of metal.
Soft teeth: teeth are not strong.
Unfortunately: it means to cherish.
Semi-disabled: refers to the bitten apricot.
Violet: This refers to the semi-ripe apricot with purple stripes.
Lip Dan: There is a limited amount of cinnabar red on the lips.
Mo: generally refers to field roads.
Idle flowers: flowers fall quietly. Leisure and quiet.
Scarber: The color is very complicated. These two words are like falling flowers, falling to the ground in succession.
Injury to spring: sadness caused by the scenery in spring.
Third, Zhou Bangyan's other poems.
Su Curtain, Six Ugly Roses after Xie Zuo, Big Spring Rain, Night Magpie, River Bridge, Warrior Lanling Willow. Four. translate
Apricots come out of the forest and fall into a golden plate. Soft teeth are afraid of tasting acid. Unfortunately, it's half broken and purple, and it's printed with small lips.
Apricots that have just been released from the forest are crisp and lovely. But because it is newly picked and not fully cooked, it tastes sour and sweet, with purple color and not too red. The girl is curious and fresh. When she sees fresh fruit, she'd better taste it first. But after the first bite, I felt sour and soft. On the purple apricot, a little girl's lipstick trace was left.
In the south, I have nothing to do. The rain is full of stains. Needless to say, a spring wound is all between the eyebrows.
On the field road in the south, flowers are falling all over the ground, and the spring rain is a little bit, sending away the spring. Every time a girl hurts the spring, she falls in love with it. She feels that the years are flowing and gone, and the secrets of the girl's inner world cannot be revealed, so she can only be silent and frown all day long.
Verb (abbreviation of verb) appreciation
This is a girl's words that hurt spring. Many poets and poets before Zhou Bangyan wrote it, but they seldom associated it with the fear of sour taste. The word "Zhou Bangyan" was written by a girl who tasted the fruit and hurt the spring. It is natural and closely related.
"The branches of red apricots are in spring" (Song Qi's "Yulouchun") shows that apricots are ripe. It was late spring, and the newly picked apricots were placed on a golden plate, with bright and beautiful colors. Use the word "falling" instead of "putting the gold plate" because the word "falling" has a dynamic feeling from picking to putting, which means taking it off and putting it in. Apricots that have just been released from the forest are crisp and lovely. But because it is newly picked and not fully cooked, it tastes sour and sweet, with purple color and not too red. The girl is curious and fresh. When she sees fresh fruit, she'd better taste it first. But after the first bite, I felt sour and soft. Just like Wei's poem "Try to pick sour and not yellow", the girl is afraid of acid and dare not eat any more, leaving only half of the leftover apricots. Purple apricot leaves a little lipstick trace of a girl, and her lips are blue, which is a kind of beautiful enjoyment in the eyes of the poet. And this girl is bound to frown because she is afraid of acid. She is charming and more lovable. So the poet used the word "pity" instead of "stay". Because this is not just writing half a broken apricot, but writing a girl through a broken apricot.
In the next film, the surrounding environment is written from the girl's eyes. In the south, flowers are everywhere, and the spring rain is a little bit, sending away the spring. It's a heartless spring rain, with hate in it. These three sentences seem irrelevant to the context. But after reading the last three sentences, we can realize that these three environmental descriptions have played a role in setting off the girl's feelings of hurting spring. It is in such a stirring atmosphere of falling flowers and spring rain that girls feel that "falling flowers and spring rain are more harmful to spring." (Yan Shu's "Huanxisha") And the worries of hurting spring are "all between the eyebrows". Which means I'm locked in because of a spring injury. For young girls, spring injury is because they fall in love with spring. It's understandable that flowers fall in spring, and I feel that the years are flowing, and the years are gone forever, so I have some kind of love consciousness. But this is a secret that the girl's inner world can't reveal, so she can only keep silent and frown all day long.
The girl mentioned in the last film is afraid of sour apricots, which is an accidental phenomenon in life. It is an inevitable phenomenon in life that girls fall in love with spring and hurt it. These two phenomena overlap in words. The girl is afraid of sour apricots, but she hides her eyebrows and secrets because of her love for spring. It can be described as infinite, which is exactly where the author's conception is meticulous and ingenious.
At first glance, it seems that the upper and lower parts of the word are not related, and it is difficult to connect them, but in fact, they are run through by dark lines, with natural transition and tortuous structure. The author is also good at describing women's psychology, and skillfully combines women's psychological activities with scenery description, so later critics of Zhou Ci praised his morphology, such as the poem _ rhyme: "The words are beautiful, the opening and closing are swift, and everything is covered." (Shao Yunji, Volume 4)
Poetry of the same dynasty
General Cao, Xiaqutang, Tengwangge, mistress attacked his wife and complained about the cold, and Tang Meishan's poems were also played as notes, with the title Cherish, abandoned as the value of rice crossing, seeing off guests, exclamations and titles.
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