Poetry about calligraphy 1. Poems describing calligraphy
1, Book of the Tang Dynasty: Li Qiao cut short and saw the dragon, and the birds in Linchi were at ease.
The gossip about the river map has come out, and Fan Luo is at the top of the nine domains. The birdsong by the pool is sparse, the environment is quiet and leisurely, and the words on the book list are carefully evaluated against the railing.
Calligraphy is the source of China culture, and the existence of Luohe led to the appearance of Luoshu. 2, "Shi Zui Mo Tang" Song Dynasty: Su Shi's life began to be literate, and his name was thick.
Why use cursive script to praise speed? It's sad to open the book. The bitterness of a person's life begins with literacy, so as long as he can write, he will recognize his name.
What's more, boasting about the magic and speed of calligraphy with cursive script is confusing and worrying. 3, "After the cursive script written by the drunken man" Song Dynasty: Lu You has five soldiers hidden in his chest, and there is no way to try.
Wine is the flag, pen is the knife, and the potential falls from the sky to the galaxy. I have my own military strategy in my heart, and I want to test it, but there is no way, and I am full of pride.
Cursive writing is like marching to fight, drinking before writing, like a majestic military flag, the pen in your hand is like a weapon, and the momentum is like the milky way falling from the sky. 4. Song Dynasty: Su Shi Lanting cocoon paper entered Zhaoling, which has a long history.
Yan Zhenqing Gong's calligraphy is innovative, with strong fonts, such as an autumn eagle. The original preface to Lanting Collection written on cocoon paper has been buried in Zhaoling, and the glyph of Wang Xizhi's dragon and tiger leaping still remains in the world.
Yan Zhenqing Gong changed his calligraphy to bring forth the old and bring forth the new, and the font was eagle in autumn. 5, "Cursive Screen" Tang Dynasty: Where there is a screen in the Han Dynasty, Huai Su can clearly see it.
Although it is covered with dust, there is still thick ink on it. Strange rocks rush to the autumn stream, and Han Teng Gu Hangge.
Close to the water tower, you get the moon first, and every word is good. Where did you get this screen? There are obvious traces of Huai Su's calligraphy on it.
Although there is a lot of dust and color pollution, you can still see thick ink. The written words are like strange stones rushing to the mountain stream in autumn, and the vertical hook strokes of the words are like the cold withered Gu Teng hanging upside down under Gu Song.
If you put the screen by the water, I'm afraid every word will turn into a dragon and swim into the water.
2. Sentences describing calligraphy
Sentences describing good calligraphy
1. Full of pen power: pen and ink are used freely and fully. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
2. flowing, flowing.
3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.
5. Look at its strength without losing, show its posture without boasting, and its pen is flowing.
6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly.
3. Poems describing calligraphy
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Sentence about calligraphy: 1. Full of pen power: pen and ink can be used freely and incisively. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor. 2. flowing, flowing. 3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth. 4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching. 5. Look at its strength without losing, show its posture without boasting, and its pen is flowing. 6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly. 7. Flourishing sea, flying cranes and swimming in the air (Liang Wudi, Xiao Yan, commenting on Wang Xizhi) 8. Floating like a cloud, agile like a dragon. Iron book silver hook, the most ancient and modern. 9. Huai Su, like a strong man wielding a sword, looks moving, but he twists and turns. 10. Pick up a pen and daub it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon head, or the dragon claws, but suddenly 7A68696416FE78988E69833133343623736. Now, it seems to smell its sound, see its shape, splash ink into clouds, spray water into fog, wonderful, called Weng Long (Chen Rong's name) 1 1. The glyphs are staggered, big and small, open and closed, and the line thickness changes obviously, with ups and downs. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong's posture is steep, his writing style is inclined or positive, heavy or light, and she begins to vent her anger like a thunderbolt. He writes quickly,
4. Poems praising calligraphy
1, Jiang Shiquan Banqiao writes words like orchid, and the waves are simple and graceful.
Banqiao writes blue like writing, and the leaves are sparse and beautiful. 2, "Zheng Banqiao Daily" Linchi Mo Yan, Zeng Yan argued.
You know, painting knows calligraphy, and Zhu Lan is like a grass official. 3, Huang Tingjian, the world only learns Lanting's face, and there is no elixir to change his character.
Who knows that Yang Fengzi is in Luoyang? When he was writing, he went to Wu Si Bar. 4. Wang Wenzhi's Poems on Books, and Mo Chi's pen-ploughing burials have been held one after another, so it is not easy to understand book Zen.
Read Sun Gong's book carefully, and you will know that Qu is an experienced man. 5. Du Fu's Song of Drinking Eight Immortals went to sleep in a hotel in Chang 'an.
The son of heaven didn't get on the boat, calling himself Brewmaster. Zhang Xu handed down three cups of grass, and before he took off his hat and showed his head to the maharaja, he threw the paper like a cloud.
Jiao sui's five fights are outstanding, and it is about four banquets. 6, Xin Li's "Drunk Zhang Jiuxu" Zhang Gong is addicted to alcohol, open-minded, and has no business.
Hao shou is a poor grass servant and is called Taihu essence. Exposed to the bed, I screamed for two or three times.
Sprinkle happily on the wall, like a meteor. 7. Zhang Dian of Lee Huan's "Giving a Monk to Lingling" will not end for twenty years, and the sage who speaks grass will not be passed down to the world.
Shaman Lingling followed closely, and the new book was as big as a bucket. When you are drunk, your ears are more enthusiastic.
Suddenly, seven stars, like flying swords, were scattered around the dragon. Another example is Wu Sheng's paintings of ghosts and gods.
Hook-and-loop connections emerge in an endless stream, and stubborn poisonous snakes compete for posts. 8. Li Bai's "A cursive song in Huai Su" My teacher was drunk and leaned on the rope bed, sweeping thousands of lines in an instant.
Wind and rain shake the rustling, falling flowers and snow. Stand up, don't stop by the wall. A row of numbers is as big as a bucket.
It's like smelling magic thunder and always seeing dragons and snakes swimming. 9. Every screen of Han Wo's "Huai Su cursive screen" clearly shows the traces of Huai Su.
Although it is covered with dust, the ink is particularly thick. Strange rocks rush to the autumn stream, and Han Teng Gu Hangge.
If you teach water, you will be afraid of becoming a dragon. 10, Wang Menglou's "Postscript of Su Xuetang" once heard that the blue ocean catches whales, and its magical power is too weak.
Ask Qi, Du, Zhi and Yan Shu. 1 1, the crazy monk of Master Huai Su's cursive script, is crazy and easy to escape, but he destroys the plan.
The dragon and tiger are gradually painting, and the thunder avoids the edge. Fish paper silk is not expensive, but it is too cramped for children to play with.
There are dozens of powder wall corridors, and it is not so open-minded when you come. Xian Yi, young and old, is virtuous and noble, but he is still half drunk with a bad pillow.
I called it three or five times at once, and the paper was full of thousands of words. 12, Fu Shan's Lun Shu didn't learn from Lu Gongshu. Let's look at Lu Gongshu first.
Flat gas in the chest, Mao Ying full pharynx.
5. Are there any words praising calligraphy?
If it's Yan Zhenqing's style, it's vigorous and round-with the brush strokes of seal script, it turns fine and hard into plump and vigorous, with broad and magnificent structure, vigorous bones, vigorous lines and refined atmosphere. If it's Liu Gongquan's style, it's strong and powerful, magnificent-strong structure and meticulous words. Short in the horizontal direction, strong and powerful. If they are Wang Xizhi's style-making good use of official script, using grass, setting an example, doing all kinds of fine work, copying all kinds of things by hand, learning from each other's strengths, preparing everything in one furnace, and breaking away from the style of writing in Han and Wei Dynasties, they are unique and have far-reaching influence. Their calligraphy is peaceful and natural, and their strokes are euphemistic and subtle, beautiful and beautiful. You can also quote Cao Zhi's. It's like going back to the snow. "Praise the beauty of Wang Xizhi's calligraphy. In addition, if you hold his Preface to the Lanting Pavilion as a true biography of Wang Xizhi (if he wrote it), he will be very happy.
6. Ancient poems related to calligraphy
1, Xing Lai Shu is a saint, and the language is particularly awkward after drunkenness.
-Tang Dynasty: Gao Shi's "Giving Zhang Jiuxu after Drunkenness" Translation: Calligraphy is natural when you are in a good mood, and the language is particularly unrestrained and crazy after drunkenness. 2. The Eight Diagrams of River Map, the beginning of Fan Luo Nine Domains.
-Tang Dynasty: Translated by Li Qiao: Calligraphy is the original source of China culture, and the existence of Luohe led to the appearance of Luo Shu. 3, the young master Huai Su, cursive world said absolutely.
-Tang Dynasty: Li Bai's "Cursive Song" Translation: Little boy, little monk, named Huai Su. Your cursive style is unique.
4. Dante suddenly adjusted the mica film and wrote Luochuan God first. Right Army calligraphy is the predecessor.
-Qing Dynasty: Xu Wei's "Shouyunjian, Shashou, Huanxi Fifty Ethnic Groups, the ethnic group is the great-grandson of Guo Xiang". They joined the army at a young age and worked as calligraphers. Interpretation: The tripod used for alchemy did not bring out mica chips, and it was the first time to write Luochuan God on Korean paper. The calligraphy of the right army general Wang Xizhi is the predecessor.
5. Calligraphy flourished in the former dynasty, and Su Huang Mi Cai was right. Jin and Wei dynasties are difficult to discuss, and the weather can be combined with Europe.
-Yuan Dynasty: Interpretation of Tang Xun's "Wang Yi's Eight Immortals Songs in Drinking Old Books": Who were the greatest calligraphers of the previous generation? Su Shi, Huang Tingjian, Mi Fei and Cai Jing all had decent attitudes and conduct. The law of Jin and Wei is difficult to discuss, and the weather can be compared with Europe.
7. Sentences describing calligraphy
Why do people always ask this question? Do you want the following?
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword has been drawn and the bow has been drawn. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi wrote in the poem "Xijiang Yuepingshan Hall": "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers.
Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture.
Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the initial description of calligraphy was strong (according to legend, Wang Jinxi wrote on the board, and the ink penetrated into the board three points deep), and now the analysis, description and discussion are more profound and powerful. Similar characters permeate the back of the paper, which appropriately describes the roots of calligraphy.
Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
Graffiti: letter pen: write casually. Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.
Graffiti of letter: letter: listening, freedom; Letter pen: write casually; Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "graffiti" or "letter graffiti" to describe poor handwriting or careless writing. Others claim to believe that graffiti is to show modesty.
8. What are the poems about calligraphy?
1. It is rare to know in the world.
Calligraphy is natural, and drunken language is particularly bold and crazy.
Said by: Tang Gaoshi, "Give Zhang Jiuxu after Drunk".
People in the world make friends casually, but this old man is not. Calligraphy is natural when you are in a good mood, and the language is particularly unrestrained and crazy after drunkenness.
2, short paper slanting idle grass, clear the window and play tea.
Oh, don't sigh that the dust in Kyoto will stain the white clothes, and there is still time to return to the mirror house in Lake Ubak.
Said by: Song Luyou, the beginning of spring rain in Lin 'an.
Spread out a small piece of paper and write sideways casually. The words are written in an orderly way. Carefully boil water, make tea, skim the foam and try to taste famous tea in front of a sunny window. Don't sigh that the dust in Kyoto will stain the white clothes, and there is still time to return to my hometown by Yinshanjing Lake during the Qingming Festival.
3. I haven't seen an old fairy for ten years, and the dragon and snake fly to the wall.
If you want to hang an article, you can still sing the willow spring breeze.
From: Stone "Xijiang Yueping Mountain Hall".
I haven't seen the old fairy for ten years, but the ink on his wall is still so powerful, dancing like dragons and snakes. I wrote this poem under "Ou Gong Liu" in front of Pingshan Hall to mourn this literary hero, so Yangzhou is the prefect of Ouyang Xiu.
4. Lanting cocoon paper entered Zhaoling, which has a long history.
Yan Zhenqing Gong's calligraphy is innovative, with strong fonts, such as an autumn eagle.
Jiao Xu's and his son's calligraphy is also extremely delicate, and their brushwork is vigorous and powerful.
Yishan stone carvings are examples, and thousands of hands are handed down to Li.
From: the poem "Sun Xin's Old Begging Pavilion".
The original preface to Lanting Collection written on cocoon paper has been buried in Zhaoling, and the glyph of Wang Xizhi's dragon and tiger leaping still remains in the world. Yan Zhenqing Gong changed his calligraphy to bring forth the old and bring forth the new, and the font was eagle in autumn. Xu and his son's calligraphy is also extremely exquisite, but the style is vigorous and powerful. The stone carvings on Yishan show a model, and the inheritor of calligraphy for thousands of years is Lee Yang Bing.
5, simple and long, Linchi birds trace Shu.
The gossip about the river map has come out, and Fan Luo is at the top of the nine domains.
The dew is full of spring, and the clouds are full of backbone.
Please look into the wood, every inch is empty.
Said by: Tang Liqiao's book.
The birdsong by the pool is sparse, the environment is quiet and leisurely, and the words on the book list are carefully evaluated against the railing. Calligraphy is the source of China culture, and the existence of Luohe led to the appearance of Luoshu. The dew is round and powerful, and the strokes are like clouds. Please observe each stroke carefully, every inch is round and smooth, and all the bones and muscles are ready.