The source of this sentence is Bai Juyi's Song of Eternal Sorrow in the Tang Dynasty.
I extracted this sentence from the original text for your reference:
There lived a Taoist priest in Lingqiong. He was a guest in the sky and could summon the gods through his concentration.
People were moved by the emperor's constant meditation, and they begged the Taoist priest to see if he could find her.
He opened a path in space, like lightning, cut through the sky, up and down, looking for it everywhere.
Above, he looked for the green void, below, the yellow spring, but he didn't find the one he was looking for in two places.
Then he heard a story about a magical island at sea, which is part of the invisible world.
There are pavilions in the five-color sky, and exquisite immortals walk back and forth.
And one of them, they call it forever true, has a face like her snow and flowers.
So he went to the golden gate of the West Hall, knocked on the Jasper Gate, and asked a girl named Small jade to tell Shuang Perfect.
This lady, after hearing the news of Emperor China's envoy, woke up from her dream in her canopy.
She pushed open the pillow, got dressed, shook off her drowsiness, opened the pearly curtain, and then opened the silver screen.
Because she left in such a hurry, her muddy hair ornaments hung aside, and when she came along the platform, her flowered hat was loose.
Translated into vernacular Chinese, it is like this:
A Taoist priest came to Chang 'an from Lin Qiong. It is said that he can attract the soul of the imperial concubine with his heart.
He was moved by the feeling that the king missed the imperial concubine, so the Taoist priest tried his best to find her soul.
Walking like lightning, I search the sky and the ground.
I searched for nine days and nine places, but I still couldn't find what I could find.
I suddenly heard that there is a fairy mountain on the sea, surrounded by clouds.
The gorgeous and exquisite balcony is held up by colorful clouds, and countless fairies are light and feminine.
There is a character whose words are too real and whose skin is like snow. It seems that the king is looking for Yang Yuhuan.
The emissary came to the west of Jinque, knocked on the gate of the jade carving, and called softly, so the courtyard of Xianfu had to be notified repeatedly.
It is true that the angel of the king has arrived and woke up from the beautifully embroidered curtains.
Put on clothes, push the pillow out of bed, and the bead curtain and the silver screen are opened one after another.
Half-combed with a cloud bun, I just woke up and came out of the hall with a corolla before I could dress up.
It may be difficult to understand the meaning only by reading the article, so it is better to understand it in combination with the creative background of the article at that time:
In the first year of Yuanhe in Tang Xianzong (AD 806), Bai Juyi was appointed as the county commandant (now Xi zhouzhi county). One day, my friends Chen Hong and Wang Zhifu and I visited Xianyou Temple near Ant, and talked about Li Longji and Yang Guifei. Wang Zhifu believes that something as outstanding as this will disappear with the passage of time if it is not polished. He encouraged Bai Juyi: "Lotte is deeper than poetry and deeper than love. How about trying to make a song? " So Bai Juyi wrote this long poem. Because the last two sentences of the long poem are "the earth lasts forever, and the sky lasts forever;" One day, both will end, and this endless sadness will last forever. "They called this poem" The Song of Eternal Sorrow ". At the same time, Chen Hong wrote a legendary novel "Song of Eternal Sorrow".
Now that we're here, let's appreciate and comment on this song "everlasting regret":
Song of Eternal Sorrow is a famous masterpiece in Bai Juyi's poems. Written in the first year of Yuanhe (806), the poet served as county magistrate in yi county (now Zhouzhi, Shaanxi). He visited Xianyou Temple with his friends Chen Hong and Wang Zhifu, and wrote this poem because of the story of Emperor Xuanzong of the Tang Dynasty and Yang Guifei. In this narrative poem, the author narrates the love tragedy of Tang Xuanzong and Yang Guifei in the Anshi Rebellion with refined language, beautiful images, narration and lyricism: their love was destroyed by their own rebellion, and they were endlessly eating the bitter fruit of this spirit. Tang Xuanzong and Yang Guifei are both historical figures. Poets do not stick to history, but rely on a little shadow of history. According to the legend of the people at that time, the singing of the neighborhood has degenerated into a tortuous and touching story, which is described and sung in a reciprocating and touching art form. Because the stories and characters in the poem are artistic, and they are the complex and true reappearance of people in reality, they can ripple in the hearts of readers in past dynasties.
The song of everlasting regret is the song of everlasting regret, which is the theme of the poem, the focus of the story and a touching seed buried in the poem. As for what you hate, why do you hate it for a long time? The poet does not tell and express directly, but shows it to readers layer by layer through his poetic stories, so that people can guess, remember and feel for themselves. The first sentence at the beginning of the poem: "The emperor of China longed for the beauty that might shake an empire" seems very common, as if the story should be written from here without the author's attention. In fact, these seven words are extremely rich, which is the whole program, which not only reveals the tragic factors of the story, but also evokes and directs the whole poem. Then, in extremely frugal language, the poet described how Xuanzong of the Tang Dynasty emphasized color and sought color before the Anshi Rebellion, and finally got Yang Guifei, who said, "As long as she turns her head and smiles, there will be a hundred spells, and the makeup of the sixth palace will go up in smoke." It describes the beauty and charm of Yang Guifei. After entering the palace, he was favored by color. She not only "inherited her kindness", but also "listed all her sisters and brothers in the soil". Repeatedly rendering how Tang Xuanzong indulged in debauchery after winning the imperial concubine, how to have fun, and how to indulge in singing, dancing and drinking in the palace all day. All this led to the Anshi Rebellion: "Until the drums of war exploded from Yuyang, shaking the earth and breaking the tune of rainbow skirts and feather clothes". This part describes the internal cause of "long hatred", which is the basis of the tragic story. Through the realistic description of this court life, the poet ironically introduced the hero and heroine of the story: an emperor who valued the country and despised the people, and a charming and pampered concubine. This also vividly implies that the misunderstanding of Tang Xuanzong is the root of this tragedy.
Below, the poet specifically described the scene that the emperor's military forces fled to the southwest after the Anshi Rebellion, especially the destruction of the love between Tang Xuanzong and Yang Guifei in this turmoil. "People in the army stop, and no one will move until under their hooves, and they may trample on those moths. The gorgeous hairpin fell to the ground, and no one picked it up, a green and white Hosta and a golden hairy bird. The emperor couldn't save her, so he had to cover his face. Later, when he turned to look, the land of blood and tears wrote their scene "Where are you going, Maweipo". The "Sixth Army refused to send" and demanded the execution of Yang Guifei, which was an anger against Tang Xuanzong's infatuation with women and brought disaster to the country and people. The death of Yang Guifei is a key plot in the whole story. After that, their love turned into a tragedy. Then, from "hiding in the yellow dust blown by a cold wind" to "there is no beloved spirit to visit his dream", the poet seized the "hate" in the spiritual world of the characters, described the loneliness and sadness of Yang Guifei in Shu after her death, and also recalled the past on the way. The lingering lovesickness is heartbreaking. It is precisely because the poet exaggerates the feelings of the characters to such an extent that the arrival of Taoist priests and the appearance of fairyland behind them give people a sense of reality and will not think that they are purely castles in the air.
From "There lived a Taoist priest in Lingqiong who was a guest in the sky" to the end of the poem, Taoist writers helped Xuanzong find Yang Guifei. The poet used a romantic technique. Suddenly he went to heaven and then to the ground. "Above, he looked for the green void, below, the yellow spring, but he didn't find the person he was looking for in either place." Later, Yang Guifei was found on the ethereal fairy mountain at sea, and was allowed to reappear in the fairyland with the image of "tears falling down her sad white face, like spring rain on a pear flower", warmly welcoming the envoys of the Korean family, expressing their feelings, sending a symbolic message, reaffirming the previous vows, taking care of Tang Xuanzong's thoughts about her, and further deepening and rendering the theme of "long hatred". At the end of the poem, use "the earth lasts forever, and the sky lasts forever;" One day both will end, and this endless sadness will last forever "to end the pen, point out the theme, respond to the beginning, realize" silence ",and give readers room for association and aftertaste.
The Song of Eternal Sorrow first gives us the enjoyment of artistic beauty, a moving story in the poem and a delicate and unique artistic conception. The center of the whole article is "Song of Eternal Sorrow", but the poet tries his best to write and render it with "thick ink and heavy color" as the starting point. "Work at sunrise and rest at sunset", "Don't go early", "Stay up late", "I can't get enough of it" and so on. , appear extremely happy, like a comedy. However, that kind of extreme joy is only in contrast to the endless hatred behind it. The dissoluteness of Emperor Xuanzong of Tang Dynasty led to a political tragedy, which in turn led to a love tragedy between him and Yang Guifei. The maker of the tragedy finally becomes the hero of the tragedy, which is a particularly tortuous part of the story and the reason why the hero and heroine in the poem have to "hate" for a long time. Many people used to say that Song of Eternal Sorrow has a moral, and this poem is the moral. So, how does the poet express "long hatred"? After the death of Yang Guifei in Majipo, the poet described it very delicately, showing the inner contradictions and painful feelings of Tang Xuanzong who could not bear to give up love and wanted to save it. Because of this "blood and tears" death, there will be endless hatred. Later, the poet used a lot of pen and ink to repeatedly render Tang Xuanzong's yearning for Yang Guifei from all aspects, but the story of the poem did not stay at an emotional point, but with the gradual progress of the inner world of the characters, he perceived the constant changes of their scenery, pushed forward the time and story, and used the thoughts and feelings of the characters to develop and promote the development of the plot. After his death, Emperor Xuanzong of Tang Dynasty went to Shu and felt very sad. Still on the road, revisiting the old place has evoked sad memories; After returning to the palace, I experienced physical injury during the day and insomnia at night. I miss it day and night, so I hope to have a dream, but it is "the distance between life and death year after year, but no beloved soul has visited his dream". At this point in the poem, the "hate" of "long hate" has been written very touching, and it seems that the ending of the story is OK. But the poet's pen is curved. With the help of the colorful wings of imagination, he conceived a charming fairyland, which pushed the plot of the tragic story to a climax and made the story more tortuous, ups and downs. This turning point is both unexpected and reasonable. Due to the constant contradiction and collision between subjective desire and objective reality, poetry vividly shows the psychology of the characters, and the story is more moving.
Song of Eternal Sorrow is a narrative poem with strong lyrical elements. The poet adopted the expressive techniques that China's traditional poems are good at telling stories and portraying characters, and harmoniously combined narrative, scenery description and lyricism, thus forming the characteristic of the poem's lyricism. Poets sometimes inject the thoughts and feelings of the characters into the scenery, and use the refraction of the scenery to contrast the mood of the characters; Sometimes we grasp the distinctive scenery and things around the characters, express their inner feelings through their feelings, and render them layer by layer, appropriately expressing the unspeakable feelings hidden in the hearts of the characters. On his way to the southwest, Emperor Xuanzong of the Tang Dynasty was surrounded by yellow dust, plank roads and high mountains. The sun is dim, the standard is dull, and autumn scenery is desolate. This is a sad autumn scenery to set off the sad thoughts of the characters. In Shu, facing the green mountains and green waters, we still can't forget ourselves. The mountains and water in Shu are beautiful, but in the lonely and sad eyes, the "green" of the mountains and the "green" of the water are also sad. The beauty of nature should be appreciated with a quiet mind, but he didn't, so he increased his inner pain. This is to write sad feelings through beautiful scenery, so that feelings are deeper. The moonlight in the palace and the bell on a rainy night are already very exciting. The poet grasped these unusual but distinctive things and brought people into the realm of sadness and heartbreak. In addition, when they see and smell, they are intertwined, which also shows the sadness and sadness of the characters in language and tone. This is another floor. Still on the road, "everything is spinning" was originally a happy thing, but the old place ended and Yu Yan disappeared, so I couldn't help crying. In the narrative, another layer of painful memories is added. After returning to Chang 'an, "ponds, gardens, palaces, everything is the same as before, Taiye Lake hibiscus, Weiyang Palace willow. But petals are like her face, and willow leaves are like her eyebrows. Whenever he looks at them, what can he do but cry? " . During the day, caused by the environment and scenery, people are associated with the scenery, and the scenery remains the same, but people are gone. I can't help bursting into tears. From the hibiscus flowers in Taiye Pool and the weeping willows in Weiyang Palace, I seem to see the appearance of Yang Guifei, showing the extremely complicated and subtle inner activities of the characters. "Fireflies were flying on the throne, while he was meditating in the twilight. He will extend the wick to its end and still never fall asleep ... bells and drums will slowly ring the long night, and before dawn, the Milky Way in the sky will become clear. " From dusk to dawn, the focus is on the scene where you can't sleep for a long time because of emotional troubles at night. This bitter yearning is like "peaches and plums bloom and the spring breeze blows" and "after the autumn rain, the fallen leaves return to their roots". It is sad to see that the "disciples of Liyuan" and "A Jian Qing E" in those days were all white-haired and their faces were withered, which reminded us of the happy thoughts of the past. From the rambling of Huang Chen to the lush of Shushan, from rainy night in the palace to triumphant return, from day to night, from spring to autumn, we are moved by things everywhere, always thinking of people, and repeatedly rendering the protagonist's hard pursuit and search from all aspects. If you can't find it in real life, you will find it in your dreams. If you can't find it in your dream, go to fairyland. This kind of ups and downs, layer by layer rendering, let the characters' feelings swirl up and reach a climax. It is through such layers of rendering that the poet repeatedly expresses his feelings and goes back and forth, which makes the characters' thoughts and feelings more profound and rich, and the poetry is "delicate in texture" and more artistic.
People have always been controversial about the theme of Bai Juyi's Song of Eternal Sorrow, including the so-called love theory, political theme theory, dual theme theory and so on. The author of this article holds the theory of love. First of all, from the analysis of four aspects of the work, it is affirmed that Bai Juyi did not describe Li Yang's story in a didactic way like Chen Hong's Song of Eternal Sorrow, but took "emotion" as the main theme, so that the hero's emotion moved the reader and made it produce a * * * sound, which achieved great aesthetic success. Based on the author's life experience and social history, this paper also analyzes his uniqueness in dealing with the relationship between historical themes, political themes, humanistic themes and psychological themes from the people, and further explains the aesthetic significance of Yang Guifei's image in the Tang Dynasty.