Whether it is ancient or modern, men like beautiful women. This is an eternal law. No man says he likes ugly women, so what was the love and hatred between beauties in ancient times? What are the secrets of ancient girls’ boudoirs? Let’s take a look with the editor! The secret of a girl's boudoir is to wear red makeup. Everyone has a love for beauty, and this is true in ancient and modern times. In ancient times, people already knew that water could stop Xu Shaobei's indecent videos. They bathed in running water and decorated their necks with shells and animal teeth. By the Western Zhou Dynasty, boxes used by ancient Chinese women to store toiletries appeared. Later, after the development of the past dynasties, the styles of urns have been various, with exquisite craftsmanship and exquisite materials, which are both practical and highly artistic.
In many ancient literary and artistic works, Yu's image is vividly displayed. In a poem by Li Qingzhao, a female poet from the Song Dynasty, "Remembering the Flute on the Phoenix Platform", there is a sweet and cold golden line that turns into a red wave, and she gets up and combs her hair casually. Ren Baoyu was covered in dust and hung a curtain on the sun to express the melancholy after the death of her husband Zhao Mingcheng. What is even more poignant is Wang's words: I miss Luopu to death, hate Luopu's elegance, love her beautiful scissors, my shadow shines with sadness.
Urs can also be seen on ancient scrolls. Gu Kaizhi of the Eastern Jin Dynasty painted two ladies dressed with four urns next to them in the "Picture of Proverbs for Women's History". One of them, "Banxiang Qiuxingtu", has several pieces from the Song Dynasty. There is an urn and some toiletries on it, and a mirror frame is placed in the middle. The faces of the ladies are reflected in the bronze mirror. In the history of literature, the poems of Han Wo and others in the Tang Dynasty were called Xiang Yu style because of their rich descriptions of love between men and women and women's clothing, which had a certain influence on later generations of poetry.
China’s dowry culture has a long history. From the Western Zhou Dynasty to the Qin and Han Dynasties, coffins were mostly made of copper or pottery. They were generally deep in belly and three feet in base, with earrings in the mouths of animals on the sides. Their style is simple. In the Shandong Province Excellent Cultural Relics Exhibition, a bronze dome from the Western Zhou Dynasty was displayed. This urn with a very peculiar shape and theme was unearthed in Ju County, Shandong Province. It was originally collected by Ju County Cultural Relics Connoisseurs in the late Qing Dynasty. The copper urn is 5 cm high, 12 cm long, and 5 cm wide. It is rectangular in shape, with straight walls that are slightly tapered. At the top, there are two small lids that can be separated, each with a button. Nude male and female figures sit and kneel facing each other.
In the lower part of the urn, there are six human-shaped feet, all naked and bent, with hands behind their backs. The theme of the Naked Man Festival should be related to the idea of ??praying for the reproduction of the race, symbolizing the meaning of the reproduction of future generations. According to cultural relic experts, ancient copper and pottery boxes were not only dressing utensils, but also containers for wine and food. This versatile method is incredible to contemporary people.