Seeking the Book of Songs, Qin Feng, the theme of literary common sense.

The analysis is divided into four stages. (1) From the Han Dynasty to the Sui and Tang Dynasties. The main feature of interpreting Qin Feng in Han Dynasty is to interpret poetry with "beauty" and "thorn". During the Wei, Jin, Southern and Northern Dynasties, scholars generally argued about the right and wrong of Mao and Zheng, and their achievements were not high. The representative figure in Sui and Tang Dynasties was Shi Mao Zheng Yi. Shi Mao Justice interprets Qin Feng and respects preface and biography, aiming at reconciling the differences between preface and biography and Jian Zheng. (2) Song and Yuan Dynasties. Confucianists' interpretation of Qin Feng in Song Dynasty is characterized by doubt, abandonment and interpretation. The Yuan Dynasty basically followed the viewpoint of Zhu's Biography of Poetry, with no achievements and characteristics. ③ Ming dynasty. In the early Ming Dynasty, the literati's interpretation of Qin Feng was mainly based on Zhu's Biography of Poetry, but in the middle and late Ming Dynasty, they showed a tendency to appreciate Qin Feng from a literary perspective. (4) Qing dynasty. Beginners in Qing Dynasty commented that The Book of Songs was a miscellaneous collection of Han and Song Dynasties. In the mid-Qing Dynasty, scholars' interpretation of Qin Feng can be divided into two schools: the textual research school that pays attention to the system of words, phonology, exegetics and textual research, and the speculative school that refutes the old interpretation and brings forth the new.