Cang Kejia's former residence is very big. I think old Mr. Cang Kejia is great! Now he's even better!
Modern poet. People from Zhucheng, Shandong. 190510/kloc-0 was born in the landlord's house on October 8th. Love ancient poetry and folk songs since childhood. Living in the countryside as a teenager, witnessing the hardships of farmers aroused his deep sympathy. This laid a life foundation for his later poetry creation. 19 19 was influenced by the anti-imperialist and anti-feudal trend of thought in the May 4th Movement when he was studying in county-level higher primary schools. 1923 He entered the First Normal School of Shandong Province in southern Shandong Province, where he came into contact with new literature and began to write new poems. /kloc-in the autumn of 0/926, he joined the Wuhan Central Military and Political School and fought against reactionary warlords with the National Revolutionary Army. After the defeat of the first revolutionary civil war, he returned to his hometown and soon fled to the northeast because of persecution by reactionaries. 1929 was admitted to the cram school of National Qingdao University. From 1930 to 1934, when I was studying at the National Shandong University, I was angry and bitter. With the encouragement of Wen Yiduo and Wang Tongzhao, I created a collection of poems, Brand (1933) and Evil Black Hands (1934), which were published successively. After graduating from college, I went to Linqing Middle School in Shandong Province to teach and write new poems. I wrote the long poem My Portrait (1936) and the short poem The Canal (1936).
Cang Kejia's four poems, which take the sufferings and joys of the working people as joys and sorrows, are all "poems with meaning in life" (preface to Wen Yiduo's Brand), which are well received by the literary world. Mao Dun said: "The twenty-two poems in" Brand "only write the lives of ordinary people in simple words. ..... I believe that among today's young poets, the author of "Brand" may be one of the best. " (The Brand of a Young Poet) Cang Kejia's short poems at this time mostly express the sufferings and misfortunes of farmers in old China by hammering poems. They are arduous and persevering, and have a true, concise and rich artistic style, which can make readers feel the poet's deep affection from chewing and aftertaste. "Old Horse", "Refugee" and "Big Brother" describe the tragic experience of farmers, and the heavy pressure of the old horse under the yoke of the cart summarizes the heavy burden of farmers' suffering for many years; "Country Night" and "Answering Guests' Questions" describe the unrest in the northern countryside in the early 1930s. "Skyfire" and "One Day Soon" predicted the coming of light with romantic poems: "Under the long wings of the night, there is bright morning light". "rickshaw puller" and "lunch break" reflect the life of hard workers, and they are also poems that have been read for a while. The long poem "Black Hands of Evil" and "My Portrait" show a broader life content. The evil black hand exposed the evil acts of imperialism under the cloak of religion and enthusiastically praised the great power of workers. Its structure is dense and symmetrical, its image is vivid and vivid, and it has a bold and unrestrained momentum in the harmonious rhythm. In content, the author tries his best to put aside his personal obsession and focus on reality. In appearance, he wants to get rid of excessive formality and go to a broad and vibrant place (preface to Black Hands of Crime). A Portrait of One's Own reflects the social outlook of the Great Revolution from one side through the author's own life track. It feels very kind to read. The appearance of Cang Kejia's poems brought a new breath to the poetry circles in 1930s. It has the advantages of both the Chinese Poetry School and the Crescent School. It not only adheres to the realistic thought that the literature and art of the Chinese Poetry School reflect reality and serve the public, but also absorbs the advantages of the Crescent School in paying attention to tempering words and expressions. After the outbreak of War of Resistance against Japanese Aggression, Cang Kejia went to the front and worked in progressive culture for nearly five years, and published poems such as Joining the Army (1938), Mud Collection (1939) and Drinking on Huai River (1940). These poems enthusiastically eulogize the sacred national liberation war and are full of hope and confidence in the victory of the Anti-Japanese War. At this time, the author witnessed the sacrifice of the soldiers ahead, the suffering of the people, and Han's shameless, so the poem contains deep grief and indignation. Although the works at this time are not as concise and accurate as the poems before the war, they reflect a wide range of life and have a bold and smooth style.
/kloc-in the autumn of 0/942, he arrived in Chongqing to engage in literary creation and participate in the activities of the All-China Anti-Japanese Association of Literary and Art Circles. There are poems such as Flowers of Ancient Trees (1942), Songs of the Earth (1943) and Selected Poems of Ten Years (1944). Song of the Earth turns the pen from the battlefield to the countryside: "A natural landscape, a microcosm of farmers' life, with grief, hope and rebirth" (preface to Song of the Earth). It is connected with the theme of "brand", describing rural life and singing the fate of farmers, which is a sincere voice from the author's heart. After the victory of the Anti-Japanese War, the Kuomintang launched a civil war and imposed fascist rule. The poet "heard, saw and touched all the darkness", and he plunged his pen into dark "black hearts" ("black hearts"), resulting in "Baby" (1946) and "Zero Life" (65438+). The author seized the major political events at that time, exposed them in time, and cooperated with the people in the Kuomintang-ruled areas to resist oppression. These satirical poems are strongly political; But it is still full of lyrical features. Poetry is also simpler and more natural than before. Before the founding of People's Republic of China (PRC), Cang Kejia wrote a lot of poems and some essays and novels. Prose collections include Hundred Herbs Collection (1939), My Poetic Life (1943) and Impressive Impression (1947). The collection of novels includes Hong Huang (1947) and Hug (1947). After the founding of New China, Nova (1958), Spring Breeze (1959), Cheer (1959), Triumph (1962) and long poems were published. In addition, his works include literary papers and essays "On the Road to Literature Learning" (1955) and "Reflections on Learning Poetry" (1962), which discuss the art of poetry.
Cang Kejia is writing in the study.
Cang Kejia has been a researcher in the Third Department of North China University, editor of People's Publishing House, member of the Federation of Chinese Literary and Art Circles, secretary of the Secretariat of the Chinese Writers Association, and editor-in-chief of Poetry magazine. Elected as a deputy to the second and third National People's Congress. Later, he served as member of Chinese People's Political Consultative Conference, member of All-China Federation of Literary and Art Circles, consultant of Writers Association, consultant and editor of Poetry magazine. The representative works of the poet have been included in Selected Poems of Cang Kejia (1978); Recalling that his creation is poetry and life (1981); Talking about his own poetry creation as "ups and downs" (1982); In addition, Cang Kejia's essays and novels (1982).