"Goddess" uses mythological themes, poetic drama genres, and symbolic techniques to reflect reality. Among them, "The Rebirth of the Goddess" symbolizes the Civil War in China at that time. The poet once said: "The workers symbolize the south, Zhuan Xu symbolizes the north, and I want to build a third China outside the two - a beautiful China." However, the poet's early social ideals were vague. He once said: "In the beginning, nature was not differentiated. It was just vaguely opposed to the old society and wanted to build a new society. What the new society will look like and how to build it are all hazy." Therefore, the goddess wants to create. The fresh sun is still a vague creation, just an ideal vision and a bright pursuit. But during the May Fourth Movement, it gave powerful inspiration to the majority of young people. The artistic network of "Goddess" is the unity of diversity. Passion is like lightning and thunder, and a volcano erupts; tenderness is like the breeze, the bright moon, and the trickling spring. The artistic style of the representative poem "Tengu" in "The Goddess" is definitely the former. This poem was written during the explosive period of Guo Moruo's new poetry creation. It was the most intense emotional moment for young Guo Moruo. The style of this poem is strong, violent, and tense. At the beginning, the poet calls himself "Tiangu", which can swallow the moon, the sun, and all planets. And "I am who I am" is the pride brought about by fully expressing one's personality. Therefore, it is the poet's hymn to the liberation of individuality under the spirit of the May Fourth Movement. It is precisely because of having the courage to break through all constraints on individual development that individuality can be fully developed. The new talents of the May Fourth Movement have unlimited energy: "I am Quanyu The total amount of energy is at the bottom of the temple! "Such May Fourth newcomers will change the mountains, rivers, the earth, and the universe. "I flew, I screamed, I burned..." The emotional power released by the poem was like a violent hurricane or a rushing torrent, which produced a strong shock wave in that era. "I will run away" is an exciting cry, fully demonstrating the painful process of personality liberation during the May Fourth Movement. In short, "Tengu" is a thrilling spiritual hymn played during the May Fourth Movement. It was the first time people heard the brave and roaring voice of the times from poetry during the May Fourth Movement. The heroic spirit of the "Tengu" that can swallow "all planets" is the reappearance of the spirit of the May Fourth period that demanded the destruction of all traditions and the destruction of the old world. And "Tengu" is just a small wave created by the collision, integration and splashing of the poet's emotion and art in the creation of "Goddess". It can be seen that the creative imagination of "The Goddess" is rich and unique, and the bold and passionate lyricism is a masterpiece in the poetry world. Its unparalleled romantic artistic color will be a dazzling light shining through the poetry art corridor; its searing verses are like a noisy heat wave, roaring the strongest voice of the May Fourth era.