During the reign of Hongwu and Wenjian in the early Ming Dynasty. Although some poets in the early Ming Dynasty have shown a tendency to learn from the Tang people, they can basically "speak with substance" and achieve "making famous articles and flowing freely". Among them, some poets experienced great social unrest at the end of Yuan Dynasty, among which Liu Ji and Gao Qi were the most famous.
2. The second period
From Yongle to Tianshun. At this time, Taige poems represented by Yang Shiqi, Yang Rong and Yang Pu appeared.
3. The third issue
From Chenghua to Zheng De. At that time, Taige poetry was dissatisfied with the majority of poets. Chaling Poetry School headed by Li Dongyang attacked the former, while the "First Seven Scholars" represented by Li Mengyang and He Jingming did the opposite.
4. The fourth stage
For jiajing, Qin Long years. In the early years of Jiajing, the imitation tendency exposed in the retro movement of the first seven sons became more and more serious.
5. The fifth issue
Between Wanli and the apocalypse. At that time, the Seven Scholars had already formed a crisis of poetry creation, which was "plagiarism became a common practice, and ten thousand words resounded" (Yuan Hongdao's "Syria's two men, Jiang, Lu and Tong manuscript").
6. The sixth issue
Chongzhen and Nanming kings. During this period, the main achievements of poetry were the revival of political associations and literary groups, and several poets in several clubs.
Extended data:
The characteristics of poetry in Ming Dynasty;
1, a variety of creative genres
There are many schools of poetry creation. In addition to the influential Chinese studies, the first seven schools, the last seven schools, the public security school and the Jingling school, there are many regional schools in the dynasties. This phenomenon is obviously related to the atmosphere of the literati wedding poetry club in Ming Dynasty.
2. Put forward poetic theory.
Faced with the decline of orthodox poetry, poets in the Ming Dynasty put forward many theoretical ideas on poetry creation.
3, breadth and depth
Poetry in the Ming Dynasty is not as broad and deep as poetry in the Tang and Song Dynasties in reflecting real life. Of course, there are reasons such as stereotyped writing by literati, but more importantly, there are deviations in the guiding ideology of poet's creation. The imitation of the former seven poets, the superficiality of the poems of the Gong 'an school and the narrow environment of the poems of the Jingling school are all bitter fruits of the poet's inability to deeply understand the importance of life.
Baidu Encyclopedia-Poetry of Ming Dynasty