"Jiangnan Spring" reflects that the aesthetics in China's poems and paintings are beyond time and space, indifferent and free and easy, with the thought of "epiphany" of Confucianism, Buddhism and Taoism, and more poetic feelings of nostalgia, seclusion and freehand brushwork. This song "Jiangnan Spring" has enjoyed a high reputation for thousands of years. These four poems not only describe the richness of spring scenery in Jiangnan, but also describe its vastness, profundity and confusion.
This song "Jiangnan Spring" has enjoyed a high reputation for thousands of years. These four poems not only describe the richness of spring scenery in Jiangnan, but also describe its vastness, profundity and confusion.
Original: Jiang Nanchun
Tang Dynasty: Du Mu
Jiangnan, the sound of green and red flowers, the waterside village in the foothills. ?
More than 480 ancient temples were left in the Southern Dynasties, and countless pagodas were shrouded in wind and rain.
Birds are singing in the south of the Yangtze River, green grass and red flowers set each other off, and wine flags are flying everywhere in the foothills of water towns. There are more than 480 ancient temples left over from the Southern Dynasties, and countless terraces are shrouded in wind, smoke, clouds and rain.
Extended data:
"Thousands of miles of warblers sing green and reflect red, and the water town is full of wine flags." The beginning of the poem, like a rapidly moving focal plane, swept across the southern land: the vast south of the Yangtze River, orioles singing, green trees reflecting clusters of red flowers; Villages by the water, battlements by the mountain, wine flags fluttering in the wind. Charming Jiangnan, moved by the poet's brilliant pen, is even more exciting.
"Four hundred and eighty halls in the southern dynasties, how many towers are misty and rainy." From the first two sentences, birds are singing, red and green are set against each other, and wine flags are flying. It should have been a sunny scene, but these two sentences are clearly written in misty rain, just because the rain is different everywhere within a thousand miles. But what needs to be seen is that the poet grasped the characteristics of Jiangnan scenery with typical techniques.
Jiangnan is characterized by beautiful mountains and rivers, bright flowers, intricate colors, rich levels and strong three-dimensional sense. While reducing thousands of miles to a scale, the poet focused on the colorful scenery in the south of the Yangtze River in spring. The first two sentences of the poem are red and green, mountains and rivers, villages and battlements, movements and sounds.
The poet added a wonderful stroke: "Four hundred and eighty halls in the southern dynasties, how many towers are misty and rainy." The resplendent and heavily built Buddhist temple has always given people a deep feeling, but now the poet deliberately lets it linger in the misty rain, adding a hazy and blurred color.