What are the inscriptions in chrysanthemum paintings?

The inscription of chrysanthemum painting works is:

1, flowers don't make a hundred flowers, and independent hedging is not poor. It is better to hold incense in the branches and wait for death than to blow it into the north wind. -"Cold Chrysanthemum" by Zheng Sixiao in Song Dynasty

Chrysanthemum is in full bloom in autumn, never interacting with flowers, and it is independent and hedged, and its taste is not bad. I would rather wither and die on the branches than blow in the cold north wind!

2. The shrub in autumn is like a house made of pottery, and it leans more and more around the fence. -Yuan Zhen's Chrysanthemum in Tang Dynasty

Clusters of autumn chrysanthemums surround the house, as if they were in Tao Yuanming's home. Looking at chrysanthemums around the fence, the sun will set before you know it.

3, Tianxiang Guan Chang 'an, full of golden armor. -The Last Residence by Huang Chao in the Tang Dynasty

The fragrance of chrysanthemums in full bloom permeates the whole Chang 'an city, and chrysanthemums are everywhere as golden as armor.

4, the west wind is full of plants, and the cold butterfly is hard to come. -"Chrysanthemum" by Huang Chao in the Tang Dynasty

The autumn wind makes the chrysanthemums in the courtyard crumble, and the stamens are chilly, so it is difficult for butterflies to fly to collect honey.

5, full of chrysanthemums, there are solitary clusters such as frost. -Bai Juyi's Double Ninth Festival White Chrysanthemum in Tang Dynasty

Chrysanthemums are golden yellow in the garden, with a cluster of Bai Rushuang in the middle.