Luoyang is a reader of Chinese culture. Historical research shows that Chinese civilization first sprouted here, Taoism originated here, Confucianism originated here, Confucian classics flourished here, Buddhism was first spread here, metaphysics was formed here, and Neo-Confucianism originated here. Luoyang is also the main root of the surname and the root of the Hakka people. China's earliest historical document "Hetu Luoshu" came from Luoyang. Heluo culture is an important source of Chinese culture. The river is the Yellow River and Luo is Luoshui. [8] Rubbings of the Three-Body Stone Sutra Luoyang, as the royal capital, has naturally become a must-go place for poets and poets of all ages to show off their talents; the historical sites and natural scenery here are fertile ground for the development of Heluo literature. Over the past dynasties, countless men of letters have written and written on the land of Heluo, leaving countless splendid chapters. Heluo literature, marked by the Han, Wei, Tang and Song dynasties, has experienced incomparable brilliance in the history of ancient Chinese literature. As the saying goes: Heluo has been rich and talented since ancient times, and the articles of Han and Wei are half Luoyang!
In the pre-Qin period, most of the works in "The Book of Songs·Zhounan" were produced in the Heluo area. Among them, "Guan Ju" has been telling the world about the endless emotions of the Heluo people for thousands of years. The great writer Jia Yi is a talented scholar from Luoyang. He has both "On the Passage of Qin", which is known as the "Great Prose of the Western Han Dynasty", which is majestic and full of emotion; and "Ode to Diao Qu Yuan", which is considered to represent the highest achievement of Sao style Fu creation in the Han Dynasty. and "Ode to Birds", which are emotional and philosophical. Ban Biao was the first to influence, Ban Gu devoted himself to writing it, and Ban Zhao added it later. "San Ban Luoyang wrote "Han Shu"" has become an eternal legend; Ban Gu wrote "Liangdu Fu" which was first known in Dongdu, and Zhang Heng "thought deeply about Fu Hui" "Essays on Two Capitals" became "the epitome of a long novel". Wang Chongzheng's writing style criticized hypocrisy and excess; Cai Yong was good at writing and his writing was clear and elegant; Zhao Yi wrote "Essay on Jealousy of the World", which made the poet furious; Cai Wenji wrote "Poem of Sadness and Indignation" and "Eighteen Beats of Hujia", a talented woman full of blood and tears .
During the Jian'an period, the three fathers and sons of the Cao family were all fond of literature. A large number of ambitious and talented writers represented by the "Seven Sons of Jian'an" gathered around them, showing the trend of "stars over the moon". Although most of their works were not created in Luoyang, they themselves have an indissoluble bond with Luoyang, and there are also many excellent works they created that are closely related to Luoyang. For example, Cao Cao's "Hao Li Xing" and "Xie Lu Xing" are both mourning the destruction of Luoyang; Kong Rong became famous in Luoyang; Cao Zhi, known as the "Jian'an Hero", was extremely talented and extraordinary. "" and "Giving a White Horse to Wang Biao" are both related to Luoyang. His "Luo Shen Fu" is ecstatic. After Zhengshi, the "Seven Sages of the Bamboo Forest" and the "Twenty-Four Friends of the Golden Valley" gathered in Luoyang. They each had their own unique styles and competed for their beauty, making Luoyang a city of literature and art, and leaving countless magnificent chapters to the land of Heluo. Zuo Si stayed behind closed doors in Yichunli and conceived for ten years. His masterpiece "Sandu Fu" made "Luoyang paper expensive"; Pan Yue used his pen to describe sorrow, with a graceful and elegant style, and the city of Luoyang ordered "throwing fruit into the car". From "I don't like thinking about Shu" to "Sima Zhao's heart is known to everyone on the road", Heluo literature has added allusions and legends that have been passed down through the ages; from Lu Ji's "Luoyang Ji" to Yang Xuanzhi's "Luoyang Jialan Ji", ancient times have been brought to life with literary works. Luoyang's glory will forever be recorded in history.
In the Tang Dynasty, Li Bai and Du Fu were a perfect match in the twin constellations of poetry. Du Fu lived in Luoyang until he was 20 years old. Heluo culture cultivated his temperament and quality; bidding farewell to Luoyang for the last time, he wrote along the way "Three Officials" and "Three Farewells" reached the pinnacle of his poetry creation. Later, Bai Juyi lived in seclusion in Ludaoli. He lived in Luoyang for 18 years. His footprints can be found almost everywhere in Luoyang, and his descriptions of Luoyang can be seen everywhere in his poems. Among the more than 3,000 poems he left behind, more than 800 eulogized Luoyang, leaving many dazzling and beautiful verses for Heluo literature. Han Yu taught in Dongdu, gathered talented people, supported the underachievers, and called Luoyang his hometown; Du Mu studied in Dongdu and was talented and full of literary thoughts, and his achievements began in Luoyang. As a strange flower among the flowers of Tang poetry, the poet Li He worked hard for poetry creation. The mountains, rivers, plants and trees in his hometown all had an important influence on him. In addition, people like Dugu Ji, the pioneer of the classical prose movement, the poet Liu Yuxi, the great talent Yuan Zhen of the mid-Tang Dynasty, and the poet Lu Ting all made important contributions to the prosperity and development of Heluo literature.
During the Northern Song Dynasty, Luoyang, Xijing, was a place where talented scholars stayed and where many founding fathers retired after their achievements, such as Ouyang Xiu, Sima Guang, as well as the elders of the four dynasties, Lu Mengzheng, Prime Minister Fu Bi, and Xijing Liubei. Wen Yanbo et al. These talented people made friends through poetry and wrote many famous poems in Luoyang, which played an important role in promoting the development of literature in the early Northern Song Dynasty. "Palm Flower Case" Peony
Peony has always been known as the "King of Flowers". It is magnificent, beautiful and fragrant. It has the meaning of wealth, auspiciousness and prosperity since ancient times. Peony in Luoyang has been rooted in Heluo land since the Sui Dynasty, flourished in the Tang Dynasty, and became the most popular flower in the Song Dynasty. There is a poem saying that "Luoyang is the most suitable flower, and peony is especially rare in the world." According to legend, Wu Zetian of the Tang Dynasty held a banquet to appreciate flowers in the cold winter, causing all the flowers to bloom, but Peony refused and was banished to Luoyang. Little did they know that after the peony moved to Luo, its pistils bloomed in full bloom. When Empress Wu heard about it, she ordered the peony to be burned. The peony branches were burnt, but the next year the leaves were still blooming, and the flowers were bigger and more colorful. Luoyang peonies became famous all over the world and people in Luoyang cultivated peonies and admired peonies. The great poets of the Tang Dynasty, Liu Yuxi and Bai Juyi, both wrote poems describing the city of Luoyang during the flower blooming season:
The famous peony garden Wangcheng Park was built on the site of the ancient Eastern Zhou Dynasty, so it was named Wangcheng Park and is the best place for viewing peonies in Luoyang. The most important place.
Founded in 1956, it has planted nearly 20,000 peonies, with 320 varieties of peonies, and has a peony pavilion, a group of peony fairy flower beds and other scenic spots. It is crowded with tourists during the Peony Flower Festival from April 15th to 25th every year. Today, Luoyang regards peony cultivation as one of its tourism economic resources. There are several large-scale peony cultivation bases in the city and suburbs. They serve both tourism and research purposes. Each base has direct buses from the train station. Since 1983, the Luoyang Peony Fair has been held in early and mid-April every year. The Luoyang Peony Fair is one of the four most famous fairs in China. Since 2011, the Luoyang Peony Fair in Henan Province has been officially upgraded to the China Luoyang Peony Cultural Festival, which is co-sponsored by the Ministry of Culture and the Henan Provincial People's Government, and hosted by the Henan Provincial Department of Culture and the Luoyang Municipal People's Government.
Xiyuan Park is located at the intersection of Nanchang Road and Jiudu Road in Luoyang City. It was originally called the Botanical Garden. It was renamed Xiyuan Park because it was built on the site of Xiyuan in the Sui Dynasty. The garden was built in 1958 and has nearly 200 varieties of peonies and more than 6,000 peonies.
Located on both sides of the Luo River, Luopu Park is the largest open urban linear park in Henan Province, stretching 16 kilometers from east to west and covering a total area of ??nearly 12 million square meters. It consists of five major parks: Shangyang Palace, Tongyuan Garden, Hualin Garden, Luoshenpu and Binhe Amusement Park.
Peony Park is a park famous for its peonies. Located in the middle section of Xiyuan Middle Road, Jianxi District. Built in 1956, peonies are the main flowers and trees in the garden. There are 10 peony flower beds with 3960 peonies and more than 200 varieties planted.
The Luoyang Peony Garden was built in 1992 and has planted 380 varieties of peonies and about 100,000 peonies.
The National Color Peony Garden was built in 1985, with nearly 400 varieties of peonies and a total of 200,000 peonies. In 1992, it was named the National Peony Gene Bank by the Ministry of Forestry of China. Because the garden is located in Mang Mountain, the flowering period is later than in the urban area.
The Chinese National Garden is located on the ruins of the ancient city of the Sui and Tang Dynasties, starting from Luoyang Bridge in the east, Mudan Bridge in the west, Luoyi Road in the south, and the south embankment of Luopu Park in the north. The National Garden is based on the history and culture of the Sui and Tang Dynasties, with peony culture as its main content. It integrates history, culture, peony culture and garden landscape. It can be called a classic of Luoyang gardens. The staple food of Luoyang folk is grains, supplemented by vegetables, which is the same as the past and present. At the same time, Luoyang is close to the Yellow River, with fertile land and rich specialties. It was the capital of emperors in ancient times. Therefore, Luoyang's wide variety of food includes both delicacies from the ancient palace and delicacies from the people. Luoyang is surrounded by mountains and has less rainfall. Soups are often used in folk diets to withstand the dry and cold weather in winter. Therefore, the most significant feature of Luoyang diet is the abundance of soups. Various soups have become the most common food on the Luoyang dining table. diet. Luoyang food culture can be condensed into one word: "soup".
Luoyang is the birthplace of the famous historical wine Dukang Wine. Since ancient times, wine has been an accompaniment to Luoyang folk banquets, festival banquets, and daily gatherings. Like wine customs, Luoyang snacks have a long history. Coarse grains are made carefully, and fine grains are skillfully made, resulting in Luoyang traditional snacks with distinctive characteristics. Tang Dynasty's "Bai Luo Movement" Zhaohe Wu Zetian
The fate of the nine mysterious family members, the foundation of the three saints.
According to the first decree, Mingtai completed its success.
The ancestors showed their respect and expressed their deep sincerity.
The Yongchang Emperor's career spreads the true style.
Bai Luo Movement of the Tang Dynasty, "To Reconciliation with Wu Zetian"
The magical power is unpredictable, it transports yin and yang, it contains all the universe, and it gives birth to all kinds of wastes.
Since the heavenly talisman has come out, the emperor's career will be prosperous, and he is willing to offer sacrifices in the Ming Dynasty and bring good fortune.
The Tang Dynasty's "Bai Luo Movement" Xian and Wu Zetian
The Kanze Temple is ready for the ceremony, and the Kun Altar is in full bloom.
The spirit family travels far away and secretly, and Jiakui recommends special treasures.
The ceremony is solemn and respectful, and the ambition is more than that of the Yin Dynasty.
Fang Qi's communication hangs over, (the next sentence is lost)
Tang Daxi Bailuo Movement Nine and Wu Zetian
Only He Kunde, Qin Shuo Ling .
If you are ashamed and wary, you will live in peace.
Respect the rules of etiquette and respect the etiquette.
Only by showing respect, I dare to recommend Feixin.
Movement of worshiping Luo in the Tang Dynasty, worshiping Luo and Wu Zetian
Fei is respectful and considerate, but has little virtue and disobeys Kunyi.
Qian Qian obeys the orders of the latter and obeys the rules of the first.
Although you are very diligent in caring for the customs, you still have a shortcoming in Chunhua.
If you fail to spread the Tao, how can you understand it?
The Tang Dynasty's "Bai Luo Movement" shows his harmony with Wu Zetian
Gu Deyou was ashamed of his emptiness, and only lowered the imperial talisman repeatedly in the Ming Dynasty.
Sishui initially showed a secret appearance, and Wen Luo recommended the picture of prosperity.
Xuanze is graceful and friendly, and red-breasted flowers are full of flowers to increase pleasure.
The Tang Dynasty's "Bai Luo" movement, Zhaohe and Wu Zetian
Shu Yun's cultivation, combined with Da Zisheng.
Virtue is established through eternity, and merit is achieved through eternity.
The song is promoted and the preface is recommended, and the coins are sincerely dropped.
The rainbow blooms and jade shines, and the phoenix draws the sound of gold.
The Tang Dynasty's "Bai Luo Movement" Respects Wu Zetian
Since Lan Zu has been promoted, Ping Sha can be recommended.
Xianying has changed despite the inscriptions and stones.
Mr. Lin Zesi, mountains and rivers are everywhere.
Dare to be sincere, but in reality you forget your tiredness.
Bai Luo Movement of Tang Dynasty Qi and Wu Zetian
Shen Qian's performance of Kuang is divided into three poles, and the vast condensation covers all directions.
It not only recommends Yu Jing as a cultural enlightenment, but also shows Qian Qi’s military power.
The Tang Dynasty's "Bai Luo Movement" De and Wu Zetian
In the evening, they are as alert as the dragon, and in the morning they are as timid as the phoenix.
Advocating Confucianism and practicing old rules, Yan Bo followed the previous decree.
The land is covered with flying crowns, and the mountains and rivers in the area are beautiful.
Fortunate to inherit the remaining three saints, Xin belongs to the beginning of the millennium.
The Tang Dynasty's "Blessing to Luo" Movement: Xi and Wu Zetian
A hundred rituals honor appearance, and a thousand officials abide by affairs.
The spirit descends and dances, and the spirit is pure.
The ceremony was held to enjoy the Xian Zhou Dynasty, and the majesty was complete.
Xia Denglie was played, and Song Yong withdrew from the palace.
Tang Dashi Bailuo Movement Tonghe Wu Zetian
The emperor’s spiritual family, Mu Mu’s divine heart.
The condensed matter is temporarily moved and returned to accumulated Yin.
Gongxuan is the key point and the reason is profound.
With the title of Enpede, his ambitions are high.
The Tang Dynasty's "Bai Luo Movement" Returns to Wu Zetian
It is said that the swirling cloud cave is covered with smoke, and the capital is settled in Yongning Zhongyu.
Inclusive of animals and plants, it flourishes and dries up, and it grows and grows, and treasures flourish and praise the picture.
The Tang Dynasty's "Bai Luo Movement" Returns to Wu Zetian
The god's throne is rising, and the flying clouds are about to rise.
The sky is soaring and the sky is hanging down.