Ten years of life and death are two boundless, when was this Su Shi's word?
Appreciation of Su Dongpo's Ten Years of Life and Death in Jiangchengzi; Jiang's 20th dream of the first month of the first month; Su Dongpo's ten years of life and death are boundless, without thinking, and he never forgets. Desolate, nowhere to talk about. Even if we meet, we should not know, our faces are dusty and our temples are frosty. At night, we suddenly dreamed of going home, and the window of Xiao Xuan was being decorated. We looked after each other silently, but we shed a thousand tears. It is expected that our hearts will be broken every year. There have been "mourning poems" since the Northern Song Dynasty. During this period, the most famous mourning poems (ci) were written by Pan Yue in the Western Jin Dynasty and Yuan Zhen in the Middle Tang Dynasty. Li Shangyin also wrote mourning poems in the late Tang Dynasty. Their works are both sad and touching. Or finish writing your lover, lonely and sad, sad to see the relics. Or the writer is now extremely rich, recalling the past and lamenting that the world is cold and the fate is impermanent; Or express your profound thoughts and memories with vague words and colors, which makes people sad to read. Su Shi's Jiangchengzi is also a work of mourning, but Dongpo's performance art is different from that of his predecessors. The word is "dreaming", which clearly describes the day of dreaming. Although it is "dreaming", in fact, only the following five sentences are about dreaming. Su Dongpo 19 years old married Wang Fu 16 years old. Wang Fu is young, beautiful and very filial. Unfortunately, Wang Fu died at the age of 27. This is a great blow to Dongpo, and his inner and spiritual pain is self-evident. Su Shi said in the epitaph of the late wife Wang: "The second year of Taiping (. He died in the capital. In June, he was buried in Wu Jia, Jingxi. It will be buried in Anzhen Township, pengshan county, northeast of Yumei, eight steps northwest of the tomb of the first gentleman and first lady. " The tone is calm and extremely painful. In the eighth year of Xining (1075), Dongpo came to Mizhou. On the twentieth day of the first month of this year, he dreamed of his beloved wife Wang and wrote it down. Now that I think about it, I feel even more miserable. In the ten years after Wang Fu's death, Dongpo was politically suppressed because he opposed Wang Anshi's new law, and his mood was sad and angry. When I arrived in Michigan, I was busy with government affairs and my life was extremely difficult. It coincides with the death of my deceased wife for ten years, which is a touching day. The past suddenly came to my mind, and the emotional undercurrent that had been suppressed for a long time suddenly opened like a floodgate, which was unstoppable. So dreaming is real and natural. I was deeply moved by the death of my lover and had nowhere to talk. Words are extremely painful. The author's loneliness, helplessness and desire tell people that their feelings are particularly touching. Then "even if we meet, we should not know, our faces are covered with dust and our temples are like frost." We confuse reality with dreams, including all kinds of personal troubles after death, including the aging of appearance and the decline of body. At this time, he was less than forty years old, and his temples were like frost. Obviously, she has passed away from this world. Deep, sad and helpless, it shows the author's deep nostalgia for his lover and describes his personal changes, which makes the meaning of the word more profound. The next movie of the word really enters the "dream". The author returned to his hometown in his dream, where he met and reunited with his lover. Here, the author describes a simple, touching and beautiful scene-"Window of Xiao Xuan" is really a wonderful life. Silence will only make you feel sad. Silence is worth a thousand words. Silence will only make this dream feel infinitely bleak. "There are more silent complaints than talking". This is the victory of silence. The last three sentences fell back to reality from the dream. Imagine the pain of the dead to express your condolences. Especially "moonlit night, short matsuoka", two sentences. And this endless sadness will last forever "(Bai Juyi). The last three sentences of Dongpo's ci are profound, painful and lingering, which makes people memorable. Appreciating Su 'er Dongpo is indeed a rare talent, and his prose ranks among the eight masters in Tang and Song Dynasties. His paintings left an allusion of "having answers"; His calligraphy was among the "Four Great Masters" at that time. His poems were also first-class in the Song Dynasty, pointing directly to the prosperous Tang Dynasty. His achievements in Ci poetry lie not only in creating an unconstrained style, but also in writing various customs. Let's take his poem Jiang as an example. When it comes to mourning, we have to start with mourning poems. It appeared earlier on the topic of "mourning". Many of his works flatter the powerful and express the feelings of hurting spring and autumn, which is not very desirable. On the contrary, his mourning poem is really touching: "Time goes by, winter goes and spring comes, and cold and heat flow easily." The son returns to the poor spring, and the bad is separated forever ... looking at Lu, thinking about him, and going back to the room to think. There is nothing on the screen. "Although the human face expresses deep affection, it is also a masterpiece, creating a new style of mourning poems. The so-called mourning refers to the mourning for the deceased wife or wife in ancient times. As far as the status of women in ancient times is concerned, the country is not as equal as men today, and is bound by "women without talent are virtue" When her husband died, she only cried once, shed a few tears to show her sadness, and seldom mourned with poetry. There is only one poem, that is, "Mourning Poems" by Shang Jinglan, a talented woman in the late Ming Dynasty, which can be said to be the only exception. In addition, as well as Bai Juyi in the Tang Dynasty, Yuan Zhen, known as "Bai Yuan", also has two mourning poems, one is mourning and the other is mourning for Six Springs. Yi Yun: His life will be more natural. He will only keep his eyes open all night, which is a lifelong worry in your brow. " His love is so keen that future generations can still feel a true feeling after reading it. The funeral wind changed in Su Dongpo's hands. Describe the background of this word first. Su Dongpo's wife, Wang Fu, a Meishan beauty, 16 years old married Su Dongpo who was three years older than him. After marriage, they fell in love with each other and gave birth to a son, Mai Su. Then I won't go all day. "There is quite a taste of' all classes use black tea to add fragrance to the night'. There is a saying that loving couples don't finally get married. His wife and mother died unfortunately in Beijing at the age of 27, and even the old Su Mingyun was saddened. " The poem of life says,' The mistress is in trouble with you, so don't forget it. One day she will be buried next to her aunt. "("Epitaph "Lao Su also cherishes it. One night ten years later, Su Shi had a dream in Mizhou, dreaming of lingering with his dead wife in Japan. When he woke up, he could not help crying. He wrote this famous poem "Jiang's dream diary on the 20th day of the first month" in memory of his dead wife. Later generations of Song Dynasty thought it was rare to have a good poem, and Ci was a popular style at that time, and Song Ci was also well-known in later generations. However, it is used in the form of words. Dongpo was the first singer. The lyrics say: "Ten years of life and death are endless and unforgettable. Thousands of miles away, nowhere to talk. Even if I meet you, I should not know it. My face is dusty and my temples are frosty. At night, I suddenly dreamed of going home, and I was dressing at the window of Xiao Xuan. Silently care about each other, but tears flow thousands of lines. I am expected to be sad every year, and the moonlit night is short and rambling. " "Don't think", pretending to be decisive, is actually thinking too deeply and too hard; For the living, it is a tragedy to be "unforgettable" and unforgettable Nature can't push away and hide. The dead leave eternal memories for the living, but the years continue to add haggard and aging to the living. "Even if you meet, you shouldn't know", which is really the tragedy of the living. Therefore, when I saw the beautiful image of Lin Xuan in my dream, the poets had mixed feelings and tears in their eyes. But "caring for each other is speechless." Readers, like poets, "look forward to heartbreak every year" and understand the author's eternal affection and sorrow. Appreciation of Sanshushi 19 years old married Wang Fu of the same county, and later became an official in Shu, and the husband and wife were good at playing the lute. Ten years later, Wang Fu died and was buried in his hometown Zuying. This word was written by Su Shi after he once dreamed of Wang Fu in Michigan. It has been ten years since Wang Fu died. Always exist. "Never think, never forget" seems ordinary, but it comes from the heart and is very sincere. "Never thinking" is extremely heartless, while "not dying" means that you die without tasting it all day. This feeling is deeply buried in your heart, and it is hard to get rid of it. I am used to the common saying, "Never think for a day, but frown a thousand degrees" (Liu Yong). We can feel the emotional types they wrote down at different stages of their lives. The former is the emotion of youth, warm and romantic, but easy to fade. The latter is a normal relationship between husband and wife who have been suffering together since they entered middle age. It is as bland as daily life, but it is light and eternal, long and profound. Su Shi originally appreciated the artistic style of "dry outside and paste inside, as light as beauty", which is the feeling expressed in this word. So, we can live and die together. Another noteworthy point of this word is that the husband and wife meet in this dream, which obviously marks the difference between life and death. The palace in Sakura Dream is "Xiao Xuan window, dressing up", just like a young woman who has not been married for a long time, with a beautiful image, bringing out the joy of Su Shi's boudoir in those years. But the changes in the world in the past decade, especially the psychological trauma, are obvious to both sides. Su Shi has been running around because of ups and downs. My mood is very old. When Wang Fu met Su Shi, he was also "speechless, only in tears", and seemed to be pouring out his infinite sadness after Where are you going? The hardships of life also have a potential and far-reaching impact on unconscious dreams. In the last three sentences, he imagined the loneliness and sadness of his dead wife buried underground, but in fact his two hearts are interlinked, and the living miss the dead even more.