English translation does not need machine translation.

This thesis belongs to the comparative study of North China literature and China literature. Since ancient times, many people have been studying and discussing China's poems, and there is also an upsurge in the study of Korean poems. However, the study of Chen Zhuo's poetry can be said to be multifaceted, and all the related studies are unilateral, and it is rare to compare Chen Zhuo's poetry with China's poetry theory. In view of this situation, this paper intends to further explore the originality of Chen's poems through the comparative study of Chinese poems and Chen's poems on the basis of previous research results.

In order to compare with Chen's poetry research, this paper mainly discusses it from three aspects. The first chapter is Xu Lun, the second chapter is China's poetry ⅶ Chen's acceptance type analysis, and the third chapter is China's poetry. The first chapter fundamentally misstates the motivation, position, purpose and method of the research. The second chapter compares Chen's and China's poems from four aspects: the artistic conception of China's poems, the application of emerging China's poems and the literary narrative of China's poems.

There are many other poems by Chen, such as Tao Yuanming's Poems in Spring and Mei Yao's Poems in Chen Gan, and many literary poems are used. In a word, as a poet, Chen Zhuo is limited by many China poems. But they are not simple approximations or references. In China's poetry, Chen Zhuo is unique. However, this national culture with national characteristics has been playing a huge role.