The opening chapter makes it clear that "Looking at the Mountains" is a poem by Du Fu, a poet in the Tang Dynasty. The whole poem is closely related to the "Looking" exhibition.
Why do you say that? Let Xiaohua Poetry give you the answer.
Among Du Fu's poems handed down today, this is the earliest one. The whole poem is filled with the vigorous vitality of Du Fu's youth. There is no word "looking" in the whole poem, but every sentence is written to look towards the mountains. The distance is from far to near, and the time is from morning to dusk. Looking at the mountains reminds me of the scene after climbing Mount Tai.
In his youth, Du Fu traveled to the great rivers and mountains of his motherland with great passion. When the poet's travels came to the land of Qilu, he came to the foot of Mount Tai in admiration. Looking up at the top of Mount Tai, the majestic scene made the poet feel so moved that he wrote this famous poem "Looking at the Mountain":
How is Dai Zongfu doing? Qilu is still young.
The clock of creation is beautiful, and the yin and yang cut off the dawn.
The clouds grow in the chest, and the returning birds enter the canthus.
You will be at the top of the mountain, and you will have a panoramic view of the mountains.
Mount Tai is located in the eastern part of Shandong Province. During the Spring and Autumn Period, Mount Tai spanned the two countries of Qi and Lu. Qi was to the north of Mount Tai, and Lu was to the south of Mount Tai. Mount Tai was 1,524 meters above sea level, with abrupt and majestic peaks, including Nantianmen, Riguan Peak, Jingshi Valley, and Black Dragon Pond. And other places of interest.
Mount Tai is also one of the five famous mountains in China. These five famous mountains are also customarily called the "Five Sacred Mountains". These five mountains are Dongyue Taishan, Xiyue Huashan, Nanyue Hengshan, Beiyue Hengshan, and Zhongyue Songshan. The Five Sacred Mountains are the lord of all mountains, and Mount Tai is the leader of the Five Sacred Mountains. People even think: "Mount Tai swallows Xihua, presses Nanheng, drives Song in the middle, and reaches Heng in the north. It is the leader of the five mountains."
Mount Tai was first called Mount Tai and Mount Tai in ancient times. It was first seen in the "Book of Songs". In the poem "Song of Lu·Xing Gong", the scene of Mount Tai is described with great charm: "Mount Tai is rocky and rocky, and it was built by Lu Bang. There is a tortoise on the verge of death, so the Dadong is desolate." "
Mount Taishan has many exposed boulders. The rocks are hard, the cliffs are numerous, and the image is rough. The word "Yanyan" not only describes the majestic and majestic momentum of Mount Tai, with its mountainous peaks and towering peaks, but also vividly The ground shows the momentum of Mount Tai rising from the ground.
In ancient pre-Qin texts, "大" and "太" are commonly used. The word "大" that can be seen in oracle bone inscriptions and bronze inscriptions is also pronounced as "太", as shown in "Piao Ya Xun Compilation" The book says: The ancients had too many words and did not add dots.
According to the traditional pronunciation of ancient characters, the big character has three pronunciations: Da, Tai and Dai. During the Spring and Autumn Period and the Warring States Period, the meanings of the homonymous characters Tai and Tai, Dai and Dai, and Dai and Yue were interchanged with each other. In this way, Daishan, Daizong, and Yue appeared successively. Daiyue and other special names for Mount Tai.
So in the opening sentence of Du Fu's poem "How about Dai Zongfu", it is easy to understand that the poet refers to Mount Tai as Dai Zong. The opening sentence describes the poet's first visual experience when Mount Tai enters the poet's field of vision.
The towering Mount Tai is majestic and majestic. This scene is very different from the shapes of the mountains he saw when he traveled to the south of the Yangtze River. The poet's inner surprise was beyond words. He didn't know what language to use for a while. to describe what you see before you.
The word "husband" used as a virtual character has no specific meaning, but it is a very unique and creative use. If there is any charm in this sentence, it is obviously the word "husband". It very vividly expresses the poet's inner surprise and envy when he sees Mount Tai for the first time, and has the finishing touch.
"Qilu is still young" is the poet's reflection after viewing Mount Tai from a distance. It does not simply talk about the height of Mount Tai in the abstract, but writes about its own experience with great ingenuity. This is to highlight the height of Mount Tai based on the distance that Mount Tai spans.
The poet's implication is that in the Spring and Autumn Period, where Qi and Lu were connected, Mount Tai could still be seen standing in the distance. Although times have changed, Mount Tai still remains. The stretching and majestic scenery has not changed since ancient times.
The two sentences "The bells of nature are beautiful, and the yin and yang cut off the dusk" closely follow the visual experience of the previous sentence. This is the poet's intuitive visual experience after appreciating the magical beauty and towering height of Mount Tai at close range. The description is also a footnote to the previous sentence "You are not yet young".
The poet's emotional word "clock" brought the beauty of nature to life. The whole nature is so affectionate that the poet believes that Mount Tai has received special favor from nature, and it has given all the magic and beauty to Mount Tai.
Nature’s uncanny creation techniques are fully expressed on Mount Tai. It uses its magical hands to carve, carve and polish Mount Tai before presenting Mount Tai to the world, allowing people to admire and praise Mount Tai. Tarzan.
So the female poet Xie Daoyun described Mount Tai’s beauty and magic by saying, “The mountains in the east of Mount E are so high, so beautiful that they reach the blue sky.” Mount Tai is majestic and tall; Xie Lingyun, a famous landscape poet in the Southern Dynasties, also praised the majestic beauty of Mount Tai with the words "Dai Zong shows off the mountains, Cui Xi stabs the sky".
But their description of Mount Tai pales in comparison to Du Fu's "The Beautiful Bell of Creation". The Mount Tai in Du Fu's works is full of vitality and artistic conception.
This is just like a skilled painting master, after some sketching, dyeing and rendering, the graceful, majestic and majestic Mount Tai is perfectly presented on the scroll, bringing people visual and spiritual double enjoyment.
The poetic paintings not only show the majestic beauty of Mount Tai's front, but also show the beauty of Mount Tai's strength and softness from time and space. When light meets the mountains, they will show a sunny side and a backlit side. The mountains to the south and the water to the north are yang, and the mountains to the north and water to the south are yin. The side facing the light in front of the mountains is yang, and the backlit side behind the mountains is yin.
When the afterglow of the setting sun shines on the mountains, due to the height of the mountains, it blocks the sunlight shining on the other side of the mountains. Therefore, the mountains will present a unique landscape of both strength and softness. At this time, the side facing the light is as bright and moving as the morning glow reflects on the mountains, and the side facing the backlight is like a time lapse, already covered with a layer of charming night.
Du Fu is a person who loves nature, experiences nature, and perceives nature. He pours his emotions and talents into the praise of nature. Our poet saw this magnificent scene, so he said The scene of Mount Tai at this time is "cut off at dawn".
This is a very normal natural phenomenon, but the poet was ingenious and used the word "cut" to write that Mount Tai cut off the sunlight in the south and north of the mountain with its tall body and strength, thus forming different landscape. The word "cut" not only makes the still Mount Tai suddenly full of dynamic and vigorous power, but also invisibly highlights the tallness and majesty of Mount Tai.
When the poet saw the endless clouds in the mountains shrouded in twilight, he couldn't help but feel swayed. He seemed to be attracted by this beautiful scenery and fell into a selfless dream for a while.
At this time, the tired birds in the mountains and forests returned to their nests, and the chirping of the birds in flight broke the poet's dream and awakened the poet from his state of selflessness. Only then did the poet feel that his eye sockets were a little painful from looking at Mount Tai in the distance for a long time.
The last two sentences are the swan song. The beautiful bells and graces of Mount Tai, the majesty and beauty of Mount Tai, the strength and softness of Mount Tai, and the plants and trees of Mount Tai all attract poets. The poet is no longer satisfied with just admiring Mount Tai from a distance. He wants to climb to the top of Mount Tai. He wants to stand at the highest point and overlook the magnificent scene.
The word "huidang" is a colloquial language in the Tang Dynasty, which refers to a positive attitude when doing something, which is equivalent to "must" in modern Chinese. For example, in Wang Bo's "Spring Thoughts", this colloquial word is used in the two sentences "The meeting will be overturned in one fell swoop, and the green roof and Zhuxuan will come to spring".
The poet imagines that when he climbs to the top of Mount Tai and overlooks the surroundings, it will be like "being at the top of the mountain and seeing all the small mountains at a glance". Many mountains that looked tall from the perspective of looking up looked so low at this time. The smallness of the mountains formed a sharp contrast with the tallness of Mount Tai.
From these two inspiring and symbolic poems, we can see the poet's ambition to pursue beauty, excellence, the courage to climb, and overlook everything.
By interpreting "Wang Yue", we will find that the poet Du Fu did not climb Mount Tai. He only wrote the Mount Tai he saw and thought of in his poems by looking far away. From this, it is not difficult to see that the whole The poem is closely centered around the word "wang".
Okay, my answer is over, I hope it can be helpful to you.