Du Mu
The stone road winds to the cliff in the distance.
Where there are some white clouds, you can see some households.
I stopped the carriage and was fascinated by Fenglin.
The frosty autumn leaves are redder than the flowers in February.
Appreciation of Du Muyuan's Poems and Translated Mountain Poems
[Appreciation of the original poem]
This poem seems to be a "mountain trip" fragment taken from a long-distance travel map. The word "late" in the third sentence reveals that the poet has been driving all day, and it is time to find a "home" to rest. Now it is "away from the cold mountain", marching on the sloping stone road. Looking up along the stone road, I suddenly saw "someone in Bai Yunsheng", which is not only beautiful, but also can have a rest when I arrive. The second sentence brings "parking" forward, which has a fascinating effect. "It's late" and "people" are still far away. Why did it suddenly stop? It turned out that he found a "maple forest" on the roadside, and because he "liked" the "maple forest" under the setting sun, he "stopped" to watch. "Parking" highlights the word "love" and draws a conclusion.
Huang Shucan's Notes on Tang Poetry says: "Frost leaves are red in February flowers" is a true sentence. "Yu Biyun's poetic realm
A Jane in the sequel said: "There are many poets who chant red leaves, such as' Red leaves in the forest burn warm wine' and' Red trees are green. "
Sentences such as' the mountain is good and the boat is good', especially poetry circles and pictures. However, Du Mu's poems are only admired for their brilliant colors, which are better than spring flowers. When the wind is strong and the frost is severe, Qiu Guang is gorgeous, red, yellow and purple, all the colors are salty, the mountains are wild, and the spring flowers are not so grand. Si Xun should reward it outside the peach. "Yes, the maple leaves all over the mountains are really beautiful, but it is difficult for feudal literati imprisoned by the' sad autumn consciousness' to produce aesthetic feeling. Starting with the word "love" in a great book, I am ecstatic to praise the maple leaf "Red in February", which not only depicts picturesque scenery, but also shows the heroic and optimistic spirit of the poet.
Hanshan, Shijing, Baiyun, Renjia and Frost Leaves are from Hanshan.
The protagonist of "Parking" looked surprised and formed a travel map of Akiyama. Of course, it is not accurate to say that this is a map, because "going to Hanshan", "Bai Yunsheng" and "parking" are all dynamic, and love is a lively and splashing mentality, which cannot be drawn.
The focus of the whole poem is the fourth sentence, and the first three sentences are used to set off and pave the way for highlighting the fourth sentence. The first sentence uses the word "cold" to cause the fourth sentence "frost leaves"; Writing "white clouds" every two sentences sets off the "frosty leaves" in the fourth sentence with strong color contrast, giving people the feeling of "redder than February flowers". A more powerful foreshadowing is the sudden "stop" in a hurry and the word "love" it highlights, which has been analyzed before. There is also the word "dying in the maple forest", which means that when the sun sets, the red light comes obliquely, reflecting the maple leaves in the forest and burning. The design is novel, the layout is exquisite, and the beautiful autumn colors are absorbed in the bleak autumn wind, which is pleasing to the eye and the spirit is getting better. The language is clear and fluent, and the sound and rhyme are harmonious, which is suitable for thousands of people and lasts for a long time.
[Introduction to the author]
Du Mu (803 ~ 805) was born in Mu Zhi, Fan Chuan in Jingzhao Wannian (now Xi City, Shaanxi Province). Born into a bureaucratic landlord family for generations. Zhong Shi, 26, is the librarian of Hong Wen Pavilion. Later, in addition to working as a local aide for ten years, he also worked as an ambassador in Huang, Chi, Mu and Hu, and also worked as a supervisor, food department, comparison department and foreign minister in the central government, and finally wrote a book. Author of Fan Chuan's collected works.
Du Mu was a famous poet in the late Tang Dynasty. In his youth, Du Mu had the ambition to rule the country and level the world, liked reading military books, was upright and outspoken, and dared to point out the shortcomings of the past. Later, because of being involved in the political whirlpool of the struggle between Niu and Li, political opinions did not unfold, and finally they fell into a decadent and enjoyable life.
In the aspect of literature, Du Mu advocated the application of literature, emphasizing the content first, supplemented by the form, and advocating the unpretentious style of writing; Oppose moaning and one-sided pursuit of form. In the literary world of the late Tang Dynasty, he advocated "seeking high, not seeking novelty" and was unique in his heroic and handsome style. His seven laws and seven laws are very successful, and the seven laws are particularly concise and natural. Many famous articles are read by later generations. Because of his great achievements in poetry, later generations compared him with Du Fu, calling him "Xiao Du" or Li Shangyin, calling him "Du Li". Although Du Mu wrote some progressive poems, he also wrote many negative, decadent and tasteless works. These poems containing dross should be paid attention to and criticized.
[translated poem]
Drive along the remote and winding mountain road to Hanshan,
Looking at the top of the mountain from a distance, several families live there.
I stop to admire it from time to time, because the night view of Fenglin is so beautiful-
This maple leaf turned red by first frost is far better than the red flowers blooming in February.
[Appreciation of translated poems]
This is a touching autumn color map of the mountain forest. The poem describes mountain roads, people, white clouds and red leaves, forming a harmonious and unified picture. "Far" describes the length of the mountain road and the depth of the mountain, and "oblique" echoes "up" to describe the height and steepness of the mountain. Looking down this mountain road, I can't see the end at a glance. In the place where white clouds are around, a few rafters are looming, which can't help but make people feel kind. But the first two sentences are actually just a foil, and the red leaves in the maple forest are the focus of this poem. In the sunset glow, the maple leaves are about to drip, and the layers of forest are all dyed. It's really full of clouds, such as bright rosy clouds, which are more fiery and gorgeous than the spring flowers in February in Jiangnan! The poet who stopped to stare and forgot to come back also became a part of the picture. However, the poet didn't feel sad and hurt in autumn like ordinary literati. Instead, he showed the warm and vigorous scene of Lin Qiu through a piece of red, which reflected the spirit of being bold and unrestrained, and showed the poet's talent and knowledge.
In this translated poem, the metrical form of the original poem no longer exists, and it is replaced by a two-stage prose, just like a colorful picture scroll of a mountain forest: a narrow stone road twists and turns along the road and gradually disappears in a foggy height. Just there, there stand several small farmhouses; In the poem, I stopped the carriage and was fascinated by it, just because I saw the maple forest beside the cliff on fire at dusk, and it was glowing red. Even the flowers in spring can't compete with it for fragrance.
This poem is translated beautifully. The scenery in autumn is quiet and beautiful. I am a passer-by. The reason why he stopped the carriage and couldn't even catch up with the road was because he was deeply attracted by the beautiful scenery of Fenglin, and he had unlimited appreciation and attachment. The original work expresses that there is a maple forest that brings warmth to people in the boundless clear autumn environment. The people winding in the cold mountain stone path and the people deep in the white clouds are all beautiful, but they are inevitably too lonely to bring out the enthusiasm of the maple forest behind them. This is a clever way to illuminate the clouds on the moon.