Quiet women in ancient poetry

Is Jing Nv from the Book of Songs? Tai Feng, a poem with three chapters and four sentences. Do you usually pay attention to the quiet girl in ancient poetry? How much do you know about quiet girls in ancient poems? The following is an ancient poem "Jing Nv" that I compiled for you. I hope it helps you.

Jing Nv in Ancient Poetry, Yuan Jing Nv (1)

The Book of Songs? Hey (b? 1) Wind ②

Quiet girl (shū)③, one (s? I am in the corner of the city (y? ) 5. Love 6 but not see (xi? N)⑦, scratching your head (ch? )(ch? )⑧。

Fine female air pen (Lu? (n) pet-name ruby, I (y? ) attending I tong (t? Ng) tube? . Tong Guan Youwei (wěi)? , said (Yu? )(y? )? Female (r incarnation)? Beauty.

Self-grazing? Return (ku? )(t? )? , alone but (x? n)? Beauty is different. Bandit (F I) female (R incarnation)? It's beautiful. It's awkward.

Notes on Jing Nv's Translation of Ancient Poems

Jingnv: A gentle girl. Quiet: dignified.

(b? Me): Taiguo (now Tangyin, Henan).

3. its beauty (shū): beauty. First, the adjective prefix. The same is true of the usage of "Qi" in the following "Jingnv Qi Pen".

4. once (s? ): wait, wait.

5. city corner (y? ): The watchtower in the city. A corner of the city.

6. Love: Pass on "(? I) "Hide and cover.

Have seen (xi? N): preach "now" and appear. Say yes.

⒏⒔ (ch? ch? ): Disyllabic words, also known as "hesitation", are hesitant to leave.

(9) Lu? N): it looks good.

⒑ (y? ): give it away.

⒒ ⒒? Ng) tube: red tube. Tube, tube Xiao, some people say that it is a thatched root with a red color.

W: It has a bright appearance.

Say yes (Yu? y? ): love. Speaking of it, children's "Yue", like "Yi", refers to love.

⒕ Female (rǔ): Pass "you", you. It means "Tongguan" here.

(5) pasture: a place where grazing is carried out in the wild.

[6] Back to [6] (ku? t? ): Give grass. Return, pass "hello" and give it away. A plump new thatched roof. In ancient times, there was a custom of sending white thatch to show love.

⒘? (x? N): pass "Yao", indeed, indeed.

5. Different: different. Bandit (F I) Female (R incarnation): Not you (Grass). Bandits, preach "no".

Beauty: refers to a girl who grows grass for herself.

Folding China card

Common words:

Love (through "hiding") but can't see (through "now", appear)

Say (through "Yue", happy) to be beautiful (through "You", you).

Self-grazing (by "feeding")

Really, really.

Bandits (through "no") are beautiful (through "you", you).

Folding translation

This elegant girl is really beautiful. She made an appointment to wait for me in the corner of the city. But deliberately hide, let me scratch my head and wander. That beautiful girl is really beautiful. Give me a small tube. Tongguan is fiery red, love your beauty. Collecting suburban hair as a gift is really beautiful and surprising. It's not that grass is really beautiful, but that beauty sends me love.

Folded paragraph meaning

Three chapters and three paragraphs:

In the first chapter, I wrote "I" to keep an appointment, but I didn't see the quiet girl. I stumbled.

In the second chapter, I wrote that Jingnv gave me Tong Guan, and I like Tong Guan.

In the third chapter, I wrote that the static girl gave me a fat one. I think the beauty of being fat is actually the beauty of being a quiet girl.

Folding writing

Taking Fu as an example, it directly describes three things around women's love and joy, which is fascinating.

Appreciation of Ancient Poems and Folding Appreciation of Quiet Female Poems (I)

The poem "Fine Woman" has always been concerned by critics. Modern scholars generally believe that this poem is the secret engagement of young men and women, that is, it is a love poem. However, in the old days, there were many misunderstandings that failed to get its true meaning. The earliest preface to Mao's poems said that "quiet girl" is also a thorn. "Wei Jun has no way, and his wife has no virtue." Jian Zheng explained, "Because you and your wife have no morals, Chen Jingnv left me a way to adjust. If Germany is like this, it can be interchanged, making it a good couple of gentlemen. " And "Yilin" has "Gigi wandering, waiting for time; All day long until dusk, a hundred taels don't come ","Look at me in a corner; All day long until dusk, I don't see Qi Hou, and I have no worries in my bedroom. " "Wandering around, stroking my heart and scratching my head; The sentence "See me for five days and four nights" embodies Qi's poetic theory, and The Collection of Three Poets' Righteousness means "This poem is written as soon as it is welcomed". It is inevitable to attach importance to ethics. Song people's interpretation of poetry can break the old theory. Ouyang Xiu's Original Meaning of Poetry holds that "this is a poem that describes keeping the customs of men and women", and Zhu's Biography of Poetry also holds that "this is a dissolute poem". Their statement is close to the original intention, but they call the normal love activities of men and women "debauchery" and are still covered in headscarves. They use Chinese Confucianism and women to explain poetry and flaunt "the virtue of empresses"

This poem was written from the man's point of view, but through his praise of the lover's appearance and her affectionate promotion of herself, we can also see the woman's character image that does not appear directly in the poem, and even say that her image is more vivid in the man's first-person narrative. This in turn deepened the readers' fascination with the young man.

The whole poem consists of three chapters, each with four sentences. The content is layered by chapter, and written from three aspects: dating, gift giving and memory. It goes deeper and deeper step by step, revealing the smart, kind, innocent and lively good character of Beijing women. Every sentence shows the young man's love for Beijing girls, and every sentence reveals that the young man is immersed in extremely happy and satisfied love.

The first chapter of the poem is a scene in front of us: an elegant and beautiful girl and a young man have an appointment to meet at the corner of the city wall. She arrived at the appointment place early and watched eagerly, but was blocked by trees, houses and the like, so she could only scratch her head and wander around. "Love Without Seeing, Pretending" describes the external movements of the characters, but it is very distinctive, portrays the inner psychology of the characters well and vividly shapes the image of a deeply fascinated and infatuated lover.

The second and third chapters, from a progressive point of view, should be the spoony young man waiting for the memory of his sweetheart in the corner of the city, that is to say, "let me take care of it" and "from grazing to getting fat" are flashbacks. In terms of chapter relationship, there is only one word difference between the first sentence of the second chapter and the first sentence of the first chapter, and the first sentence of the second sentence is similar in structure, so the two chapters tend to repeat chapters and have a certain sense of symmetry. However, due to the linguistic structure and meaning of the last two sentences in these two chapters, this structure represents a special type in the Book of Songs, which is between neat repetitive sentence patterns and non-repetitive text styles, and seems to reflect the transition process of music and lyrics from simple to complex.

After reading the second and third chapters of the poem, we will show a knowing smile and have a further feeling about the poet's "writing the beauty of immortals" (Kyle's reading poems). It stands to reason that Tongguan is more expensive than a grass, but the hero just says "Tongguan is full of kindness" to the donated Tongguan, admiring its bright colors and sincerely praising the donated ordinary grass as "beautiful but different". Obviously, what he appreciates is not its appearance, but something else. It turns out that this grass was picked by her own hands after a long trip to the countryside, which has a slight meaning, just like Lu Kai's poem "To Ye Fan" in the Southern Song Dynasty, "There is nothing in the south of the Yangtze River, it is a gift in spring", focusing on emotional sustenance and expression. Perhaps it can be said that it has become a special symbol with signifier advantage. When I accepted Tong Guan, I thought of my lover's rosy face, and that kind of "saying (please) is just foreign appreciation of beauty; Accepting grass and feeling ordinary grass is also "beautiful and different", and it is a profound experience of extraordinary true feelings with specific content. In our view, it transcends the infatuation with appearance and enters the advanced love realm of pursuing inner world harmony. And the new grass will grow into lush grass, which also contains the symbolic significance that love will develop more.

At the end of the third chapter, the words "love me, love my dog" in response to the lover's gift can be regarded as an inner monologue, which is not only a poetic progression of the second chapter, but also echoes the typical action of "love without seeing, stumbling" in the first chapter to describe the love psychology of the characters, which is true, simple and unique. After reading this poem, apart from being deeply moved, what can we say to express the true feelings of this spoony teenager?

Folding appreciation ii

"Fine Woman" is a beautiful poem, which is not deep in meaning, but it is the most attractive. But because there is a corner and a Tong Guan in the poem, the interpreter will go out of the harem, which leads to the history of women and many stories that have nothing to do with the poem. Amin Wei Diaoding said, "This is a gift from a man and a woman. When the preface thought of stabbing, Ouyang Gong said that people could stab at that time, but there is still a gap in this article. Mao Zhengni's word "quiet" does not understand the meaning of "Tongguan" and is strongly attached to the history of the palace pot girl. Zhang Hengqu and Lu Donglai want to solve the problem again, all of which are offensive words. " Zheng and Wei wrote many poems about men and women teasing each other. Being arrested means stabbing their monarch, which is different from an idiot's dream. It is much clearer than many statements made by the Qing people later.

This poem reflects the simple folk customs and sincere love in the pre-Qin period. The gifts given by both sides are very common, but the other side cherishes them very much, or the man can't help but tell the secret, "The beauty of a bandit girl is beauty, and beauty is heritage." The feelings between lovers cannot be expressed in words.

The whole poem tells a lover's date in the first person "I" (a young man). The whole poem has three chapters. One chapter focuses on the scene, and two chapters focus on psychology. The first chapter is about the urgency of youth, the second is about the love of youth, and the third is about the sincerity of youth. From a quiet girl to a quiet girl, the author skillfully combines people, things and feelings, showing the warm and pure love of young men. The image of the young man is vivid, and his love story is also true and touching. In addition, the poem uses repeated chapters, cleverly chooses details, and has a simple style, which also adds artistic charm. Lu Kai's poem "To Ye Fan" in the Southern Song Dynasty, "There is nothing in the south of the Yangtze River, how can we talk about giving a spring", which focuses on emotional sustenance and expression. This poem accepted Tong Guan and thought of its bright colors. That kind of "saying (yue) is just appreciating the beauty outside; Accepting grass and feeling ordinary grass is also beautiful and unique, and it is a profound experience of unusual true feelings with specific content. In the eyes of modern people, it has surpassed the infatuation with appearance and entered the advanced love realm of pursuing inner world harmony. And the new catkins will grow into lush grass, which also contains the symbolic significance that love will develop more.

The success of this poem lies in the description of the characters. Although it's just a few words of the protagonist talking to himself, it shows his simplicity and sincerity to the fullest. While portraying men, the clever and sharp image of the heroine stands out. Although the work itself is simple, it leaves readers with countless imagination spaces, and we can even restore the scene at that time according to the characters' personalities, which is so dramatic and lifelike. A remarkable feature of The Book of Songs, which is different from the poems of Tang and Song literati, lies in its dramatic scenes and rich flavor of life.

Folding blank art

As a means of artistic creation, "blank space" originated from painting. The "blank space" in literary works is to describe personnel scenes in implicit and concise language, leaving readers more room for imagination and association, and achieving concise artistic effects.

Beijing women attach great importance to the use of "blank" art.

This poem is short, but interesting. On the surface, the three-bar poem only writes a few actions, but when appreciating the poem, it can't be limited to this small range. It is necessary to mobilize imagination to fill a large number of "gaps" left by it. Then, these three paragraphs developed into a three-act short play.

The first act (the first four sentences): A man trysts with a shy and quiet beauty and asks her the rendezvous place. Women just laugh. Later, the woman quietly sent a little maid or her brother and sister to tell the man: in the corner of the city. Live in seclusion because there are few people. Hearing the news, the man was too excited to eat any more. I managed to stay up until dusk and then flew to the south corner of the tower. "Why didn't she appear? Didn't you stand me up? " Take a closer look. I was overjoyed. There she is. Look! Isn't there a flute she gave me next to the building on the corner? She must be hiding somewhere, which worries me. The man searched the corner, but he couldn't find it. He walked around the turret in a hurry and scratched his head.

Act II (middle four sentences): Look for wow, the man is anxious and angry, squatting in the corner without saying a word. Picked up the children's tube and blew the music that once made her move. Sure enough, he didn't know when the woman crept up to him and stood there listening attentively. When the song ended, they were happy to meet. The woman said, "It's beautiful." The man said, "That's because you gave it a good look."

Act III (end): In a blink of an eye, spring has come. The earth is green and the grass is green. The love between a man and a woman is also growing. They are going to get married. It's another warm spring night, or by the tower where we first met. The girl has got rid of the shyness of her first love. Tingting stood there with a bunch of white thatched buds and some wild flowers in her hand. This white thatch is a symbol of love. She is so white and beautiful in the girl's hands, like white clouds on the horizon. In the eyes of the young man, the thatched bud has merged with the beautiful girl. He took the thatched bud and the girl's heart.

The Book of Songs is the earliest collection of poems in the history of Chinese literature and the source of ancient poems and quiet female poems. It is said that it was compiled by Confucius, and there are 305 existing poems. The Book of Songs is the source of the realistic tradition of Chinese poetry. Formerly known as "Poetry", "Poetry 300" and "Poetry 300". These poems are divided into three parts: wind, elegance and ode. "Wind" is also called "national wind", and there are *** 160 poems, most of which are local ballads, which are the essence of the Book of Songs. "Ya" is divided into "Ya" and "Xiaoya", with 105 articles. Most of them are the works of royal literati in the Western Zhou Dynasty, and there are also a few folk songs, most of which describe the history of Zhou nobles and praise Zhou. Ode is divided into Zhou Song, Truffle and Shang Ode, with a total of 40 * * *, which are mostly music and dance music used by aristocratic rulers for sacrifice. It was not until the Western Han Dynasty was honored as a Confucian classic that it was called The Book of Songs.

Features: mostly four words; Most substitution sentences use rhyme; Universality of "Fu", "Bi" and "Xing"; In composition, it has the characteristics of repeating chapters and singing repeatedly.